Title: Studie manažerského a produkčního prostředí a chování hudebních souborů v České republice "Learning by doing"
Variant title:
- Research of managerial and production management environment and behavior of music ensembes in the Czech Republic "Learning by doing"
Source document: Musicologica Brunensia. 2021, vol. 56, iss. 1, pp. 81-104
Extent
81-104
-
ISSN1212-0391 (print)2336-436X (online)
Persistent identifier (DOI): https://doi.org/10.5817/MB2021-1-5
Stable URL (handle): https://hdl.handle.net/11222.digilib/144491
Type: Article
Language
License: CC BY-SA 4.0 International
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
Music ensembles – bands, brass bands, or orchestras – are divided by genres by the public. But in the background of their success, fame and reproduction stands not only composing and musical art. We need to consider the amount of organisational, legal, managerial, and production work. This study focuses on these less discussed aspects in the functioning of several musical ensembles in the Czech Republic. Through qualitative questioning, the study aims to map current managerial and production management modus operandi as well as lay the foundation to further quantitative research. This article is an outcome of institutional support for long term conceptual development of scientific, research and development activities JAMU in the years 2018 to 2020.
References
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[5] BROUSSEAU, Eric. The Economics of Music Production. The Narrow Paths for Record Companies to Enter the Digital Era. Communications & Strategies. 2008, roč. 1, č. 72, s. 131–156.
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[15] HENDL, Jan. Kvalitativní výzkum: základní teorie, metody a aplikace. 2., aktualiz. vyd. vyd. Praha: Portál, 2008. ISBN 978-80-7367-485-4.
[16] CHLANOVÁ, Jana. Případová studie. In: WikiKnihovna [online]. 2012 [cit. 18.01.2021]. Dostupné z: https://wiki.knihovna.cz/index.php/P%C5%99%C3%ADpadov%C3%A1_studie.
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[22] LEYSHON, Andrew et al. On the reproduction of the musical economy after the Internet. Media, Culture & Society. 2005, roč. 27, č. 2, s. 177–209. DOI: https://doi.org/10.1177/0163443705050468. | DOI 10.1177/0163443705050468
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[24] MARSHALL, Lee. The 360 deal and the 'new' music industry. 2013, roč. 16, č. 1, s. 77–99. DOI: https://doi.org/10.1177/1367549412457478. | DOI 10.1177/1367549412457478
[25] NAVEED, Kashif, Chihiro WATANABE a Pekka NEITTAANMÄKI. Co-evolution between streaming and live music leads a way to the sustainable growth of music industry – Lessons from the US experiences. Technology in Society. 2017, roč. 50, s. 1–19. DOI: https://doi.org/10.1016/j.techsoc.2017.03.005. | DOI 10.1016/j.techsoc.2017.03.005
[26] PASSMAN, Donald S. All You Need to Know About the Music Business: Ninth Edition. 9th edition. vyd. New York: Simon & Schuster, 2015. ISBN 978-1-5011-0489-3.
[27] PASTUCHOV, Dmitrij. A Complete Guide to Music Distribution Companies [online]. 2019 [cit. 26.01.2021]. Dostupné z: https://soundcharts.com/blog/music-distribution.
[28] PINKNEROVÁ, Anna. PR v klasické hudbě. Image umělce pohledem hudebních agentur. 2017, Janáčkova akademie múzických umění v Brně, Hudební fakulta.
[29] PRŮŠA, Ladislav et al. Sociálně ekonomické postavení osob samostatně výdělečně činných ve společnosti [online]. Praha: Výzkumný ústav práce a sociálních věcí, 2006. ISBN 80-87007-33-6. Dostupné z: http://praha.vupsv.cz/Fulltext/vz_208.pdf.
[30] RENARD, Stan, Gregory FAULK a P.s GOODRICH. Network Perspectives on the Relevance of New Revenue Streams in the Digital Era Music Industry. Journal of the Music & Entertainment Industry Educators Association. 2013, roč. 13, s. 149–179. DOI: 10.25101/13.8. | DOI 10.25101/13.8
[31] RICHARDSON, James H. The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry. UCLA Entertainment Law Review [online]. 2014, roč. 22, č. 1 [cit. 26.01.2021]. ISSN 1939-5523. Dostupné z: https://escholarship.org/uc/item/7n4322vm.
[32] SCOTT HILLER, R. Sales displacement and streaming music: Evidence from YouTube. Information Economics and Policy. 2016, roč. 34, s. 16–26. ISSN 0167-6245. DOI: 10.1016/j.infoecopol.2015.12.002. | DOI 10.1016/j.infoecopol.2015.12.002
[33] SEABROOK, John. Stroj na hity: uvnitř hudební továrny: pohled do zákulisí světové pop music. První vydání. vyd. 65. pole, 2017. ISBN 978-80-87506-86-8.
[34] SEDLÁK, Vojtěch. Proměna hudebního průmyslu po nástupu digitálních distribučních služeb. 2015, Bakalářská práce, JAMU.
[35] SVOBODOVÁ, Tereza, Lucie ŠILEROVÁ a Simona ŠKARABELOVÁ. Analysis of the Market Environment in the Fields of Music Agencies. Journal of Cultural Management and Policy [online]. 2013, roč. DOI: http://dx.doi.org/10.14361/transcript.9783839426883.247 [cit. 19.01.2021]. Dostupné z: https://jcmcp.org/articles/analysis-of-the-market-environment-in-the-fields-of-music-agencies/?lang=en. | DOI 10.14361/transcript.9783839426883.247
[36] ŠTĚPÁNÍKOVÁ, Markéta. Kultura a podnikání. 2020.
[37] THOMSON, Kristin. Roles, Revenue, and Responsibilities: The Changing Nature of Being a Working Musician – Kristin Thomson. 2013, roč. 40, č. 4, s. 514–525. DOI: https://doi.org/10.1177/0730888413504208. | DOI 10.1177/0730888413504208
[38] TOWSE, Ruth. Economics of music publishing: copyright and the market. Journal of Cultural Economics. 2017, roč. 41, č. 4, s. 403–420. ISSN 1573-6997. DOI: 10.1007/s10824-016-9268-7. | DOI 10.1007/s10824-016-9268-7
[39] TSCHMUCK, Professor Peter. The Economics of Music. 1st edition. vyd. Agenda Publishing, 2017.
[40] WHITE, Jess a Patrick PRESTON. Concert Promotion Centralization and the Artist Management Response: 1990s – 2010s. Journal of the Music and Entertainment Industry Educators Association. 2014, roč. 14, č. 1, s. 13–37. ISSN 15597334. DOI: 10.25101/14.1. | DOI 10.25101/14.1
[41] WIKSTRÖM, Patrik. The Music Industry: Music in the Cloud. 2019. Digital Media and Society. ISBN 978-1-5095-3013-7.
[42] WLOEMERT, Nils a Dominik PAPIES. On-demand streaming services and music industry revenues – Insights from Spotify's market entry. International Journal of Research in Marketing. 2015, roč. 33. DOI: 10.1016/j.ijresmar.2015.11.002. | DOI 10.1016/j.ijresmar.2015.11.002
[43] ŽÁKOVÁ, Eva et al. Kulturní a kreativní průmysly v České republice. Institut umění – Divadelní ústav, 2011. ISBN 978-80-7008-009-2.
[44] ŽÁKOVÁ, Eva et al. Mapování kulturních a kreativních průmyslů v ČR, II. svazek [online]. první. vyd. Praha: Institut umění – Divadelní ústav, 2015 [cit. 19.01.2021]. ISBN 978-80-7008-354-3. Dostupné z: https://prospero.divadlo.cz/e-publikace-ke-stazeni/mapovani-kulturnich-a-kreativnich-prumyslu-v-cr-ii-svazek/.