Title: Theatralia
Rok: 2021
Ročník: 24
Číslo: Special Issue
Název čísla
Shakespeare in Central Europe after 1989: Common Heritage and Regional Identity
Rok vydání
2021
ISSN
1803-845X (print)
2336-4548 (online)
ISBN
978-80-210-9811-4
978-80-210-9823-7
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/143667
Poznámka
- Editors: Zsolt Almási and Kinga Földváry
Ústav FF MU
Obor
Obsah
Title | Document |
---|---|
Introduction | 7–13
Almási, Zsolt; Földváry, Kinga |
Title | Document |
---|---|
Shakespeare in purgatory: (re)writing the history of the post-war reception | 17–32
Cetera-Włodarczyk, Anna |
|
Shakespeare on the page in Romania: before and after 1989 | 33–46
Volceanov, George |
|
Institutional structure, social function, and the Shakespeare repertoire in Hungary after 1989–1990 | 47–64
Müller, Péter |
|
Institutional heritage and 'that Shakespearean hazard' 1989–2019: the case of the Katona József Theatre and SzFE's Ódry Theatre | 65–82
Pikli, Natália |
|
Shakestivalling' in the New Europe | 83–101
Cinpoeş, Nicoleta |
Title | Document |
---|---|
Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre | 105–119
Deres, Kornélia |
|
Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest | 121–138
Kowalcze-Pawlik, Anna |
|
Maja Kleczewska's 2019 Hamlet/Гамлет: a case of trans- / inter-cultural Shakespeare production in Poland thirty years after the transition | 139–150
Fabiszak, Jacek |
|
Shakespeare in the post-1989 Hungarian Puppet Scene | 151–170
Reuss, Gabriella |
|
Mission (im)possible? Cross-gendered Shakespeare on Czech stages after 1989 | 171–185
Mišterová, Ivona |
Title | Document |
---|---|
Singing in the blend: stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989 | 189–208
Havlíčková Kysová, Šárka |
|
Macbeth, petty bourgeois | 209–221
Wild, Jana |
|
Textuality, heritage, and identity in Hungary: contexts for the interpretation of Szikszai's insertion in Macbeth (2018) | 222–238
Almási, Zsolt |
|
Reappropriations of Shakespearean history on the post-communist Hungarian stage | 239–253
Földváry, Kinga |