Název: Italian sacred monody north of the Alps : from Chiara Margarita Cozzolani's Scherzi di sacra melodia (1648) to Daniel Speer's Philomela angelica (1688)
Zdrojový dokument: Musicologica Brunensia. 2018, roč. 53, č. 2, s. 87-104
Rozsah
87-104
-
ISSN1212-0391 (print)2336-436X (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/MB2018-2-5
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/138961
Type: Článek
Jazyk
Licence: Neurčená licence
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Abstrakt(y)
The arrangements of the six solo motets originally composed in the 1640s by Milanese singer and composer Chiara Margarita Cozzolani (1602–1676/1678), which were elaborated by the Silesian composer Daniel Speer (1636–1707), and published in his Philomela angelica collection, are specific examples of the intricate ways and various forms of dissemination of Italian music beyond the Alps and its assimilation and adaptation in different periods and places. The article presents the current research on the facts and circumstances which caused Speer's interest in the 40 year old music of the Milanese nun. Some hypotheses for further research are introduced and the procedures applied in the creation of these arrangements are discussed. Speer intentionally wanted to propose a modernised version of the originals reflecting the development of the concertante style of the high-Baroque period.
Note
This work was supported by the Slovak Research and Development Agency under the contract No. APVV14-0681.
Reference
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[5] DÜNNHAUPT, Gerhardt. Daniel Speer (1636–1707). In Personalbibliographien zu den Drucken des Barock. Band 6. Stuttgart, 1993, col. 3939–3950.
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[12] KALINAYOVÁ-BARTOVÁ, Jana. Italian musical inspirations in Daniel Speer's Philomela angelica cantionum sacrarum collection. In Daniel Speer (1636–1707): Philomela angelica cantionum sacrarum (1688). Jana Kalinayová-Bartová – Peter Zajíček (eds.). Musicalia Istropolitana 7, vol. 7/1 (nos 1–3). Bratislava: Ars Musica, 2016c, p. ix–li.
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[14] KENDRICK, Robert L. Celestial Sirens: Nuns and their Music in Early Modern Milan. Oxford: Claredon Press, 1996.
[15] KENDRICK, Robert L. The Sounds of Milan, 1585–1650. Oxford: Oxford University Press, 2002.
[16] KOLDAU, Linda Maria. Chiara Margarita Cozzolani. In Musikvermittlung und Genderforschung: Lexikon und multimediale Präsentationen. Beatrix Borchard (ed.). Hamburg: Hochschule für Musik und Theater [on-line], 2003. [cit. 2018-01-31]. URL: http://mugi.hfmt-hamburg.de/A_lexartikel/lexartikel.php?id=cozz1602
[17] MOSER, Hans Joachim. Daniel Speer als Dichter und Musiker. In Musik in Zeit und Raum. Berlin, 1960, p. 119–144.
[18] ROBERTS, Rosemary – BUTT, John: Speer, Daniel. In The New Grove Dictionary of Music and Musicians (ed. Stanley Sadie). London: Oxford University Press, 2 2001, 24, p. 168–169.
[19] SCHAAL, Richard. Die Musikhandschriften des Ansbacher Inventars von 1686. Wilhelmshaven: Heinrichshofen, 1966.
[20] SPEER, Daniel. Grundrichtiger kurtz, leicht und nöthiger jetzt wolvermehrter Unterricht der musikalischen Kunst. Oder vierfaches musikalisches Kleeblatt. Georg Wilhelm Kuhne, Ulm, 1697. Facsimile edition. Isolde Ahlgrimm (ed.). Leipzig: Peters, 1974. [SPEER, Daniel]. Uhorský Simplicissimus. Jozef Vlachovič (ed.). Bratislava: Tatran, 1975, p. 205–228.
[21] SPEER, Daniel Georg. Hudobný turecký Eulenspiegel 1688. Vokálne skladby a tance [Musicalisch-türkischer Eulenspiegel. Vocal Compositions and Dances]. Ľuba Ballová – Ján Albrecht (eds). Bratislava: Opus, 1978.
[22] SPEER, Daniel. Philomela angelica cantionum sacrarum (1688). Jana Kalinayová-Bartová – Peter Zajíček (eds.). Musicalia Istropolitana 7, vol. 7/5 (nos 13–15). Bratislava: Ars Musica, 2014.
[23] SPEER, Daniel. Philomela angelica cantionum sacrarum (1688). Jana Kalinayová-Bartová – Peter Zajíček (eds.). Musicalia Istropolitana 7, vol. 7/1 (nos 1–3). Bratislava: Ars Musica, 2016.
[2] BLAICH, Doris. Samuel Friedrich Capricornus: Untersuchungen zu seinem vokal-instrumentalen geistlichen Konzerten und Verzeichnis seiner Werke, Band 1: Texteil. Diss., Ruprecht-Karls-Universität Heidelberg, 2010.
[3] BURKHARDT, Felix. Daniel Speer. Schulmeister, Musiker, Dichter, 1636–1707. Lebensbilder aus Schwaben und Franken 1969, 11, p. 48–68.
[4] COZZOLANI, Chiara Margarita. Motets. Robert L. Kendrick (ed.). Madison: A-R Editions, 1998.
[5] DÜNNHAUPT, Gerhardt. Daniel Speer (1636–1707). In Personalbibliographien zu den Drucken des Barock. Band 6. Stuttgart, 1993, col. 3939–3950.
[6] EITNER, Robert. Biographisch Bibliographisches Quellen-Lexikon, 3. Leipzig: Breitkopf & Härtel, 1900.
[7] JEŻ, Tomasz. Danielis Sartorii Musicalia Wratislaviensia. Warszawa: Wydawnictwo naukowe Sub lupa, 2017, p. 75–76.
[8] KALINAYOVÁ, Jana und Autorenkollektiv. Musikinventare und das Repertoire der mehrstimmigen Musik in der Slowakei im 16. und 17. Jahrhundert. Bratislava: SNM – Musikmuseum, 1995.
[9] KALINAYOVÁ-BARTOVÁ, Jana. Daniel Speer and his Philomela angelica cantionum sacrarum. In Daniel Speer (1636 – 1707): Philomela angelica cantionum sacrarum (1688). Jana KalinayováBartová – Peter Zajíček (eds.). Musicalia Istropolitana 7, vol. 7/5 (nos 13–15). Bratislava: Ars Musica 2014, p. ix–xxx.
[10] KALINAYOVÁ-BARTOVÁ, Jana. Medieval poetry as the inspiration for the composers of the 17th century. In Musikalische und literarische Kontexte des Barocks in Mitteleuropa / in der Slowakei. Bratislava: Slavistický ústav Jána Stanislava SAV, 2015, p. 27–41.
[11] KALINAYOVÁ-BARTOVÁ, Jana. Philomela angelica Daniela Speera – k neznámemu dielu známeho hudobníka [Philomela Angelica by Daniel Speer – an Unknown Work of a Well-known Musician]. Musicologica Brunensia 51 (2016a), no 2, p. 41–53.
[12] KALINAYOVÁ-BARTOVÁ, Jana. Italian musical inspirations in Daniel Speer's Philomela angelica cantionum sacrarum collection. In Daniel Speer (1636–1707): Philomela angelica cantionum sacrarum (1688). Jana Kalinayová-Bartová – Peter Zajíček (eds.). Musicalia Istropolitana 7, vol. 7/1 (nos 1–3). Bratislava: Ars Musica, 2016c, p. ix–li.
[13] KENDRICK, Robert L. Cozzolani, Chiara Margarita. In The New Grove Dictionary of Music and Musicians, (ed. Stanley Sadie). London: Oxford University Press, 2 2001, 6, p. 636–637.
[14] KENDRICK, Robert L. Celestial Sirens: Nuns and their Music in Early Modern Milan. Oxford: Claredon Press, 1996.
[15] KENDRICK, Robert L. The Sounds of Milan, 1585–1650. Oxford: Oxford University Press, 2002.
[16] KOLDAU, Linda Maria. Chiara Margarita Cozzolani. In Musikvermittlung und Genderforschung: Lexikon und multimediale Präsentationen. Beatrix Borchard (ed.). Hamburg: Hochschule für Musik und Theater [on-line], 2003. [cit. 2018-01-31]. URL: http://mugi.hfmt-hamburg.de/A_lexartikel/lexartikel.php?id=cozz1602
[17] MOSER, Hans Joachim. Daniel Speer als Dichter und Musiker. In Musik in Zeit und Raum. Berlin, 1960, p. 119–144.
[18] ROBERTS, Rosemary – BUTT, John: Speer, Daniel. In The New Grove Dictionary of Music and Musicians (ed. Stanley Sadie). London: Oxford University Press, 2 2001, 24, p. 168–169.
[19] SCHAAL, Richard. Die Musikhandschriften des Ansbacher Inventars von 1686. Wilhelmshaven: Heinrichshofen, 1966.
[20] SPEER, Daniel. Grundrichtiger kurtz, leicht und nöthiger jetzt wolvermehrter Unterricht der musikalischen Kunst. Oder vierfaches musikalisches Kleeblatt. Georg Wilhelm Kuhne, Ulm, 1697. Facsimile edition. Isolde Ahlgrimm (ed.). Leipzig: Peters, 1974. [SPEER, Daniel]. Uhorský Simplicissimus. Jozef Vlachovič (ed.). Bratislava: Tatran, 1975, p. 205–228.
[21] SPEER, Daniel Georg. Hudobný turecký Eulenspiegel 1688. Vokálne skladby a tance [Musicalisch-türkischer Eulenspiegel. Vocal Compositions and Dances]. Ľuba Ballová – Ján Albrecht (eds). Bratislava: Opus, 1978.
[22] SPEER, Daniel. Philomela angelica cantionum sacrarum (1688). Jana Kalinayová-Bartová – Peter Zajíček (eds.). Musicalia Istropolitana 7, vol. 7/5 (nos 13–15). Bratislava: Ars Musica, 2014.
[23] SPEER, Daniel. Philomela angelica cantionum sacrarum (1688). Jana Kalinayová-Bartová – Peter Zajíček (eds.). Musicalia Istropolitana 7, vol. 7/1 (nos 1–3). Bratislava: Ars Musica, 2016.