Title: Zpráva ze studentské konference Religiózní aspekty v metalové kultuře a subkultuře
Source document: Sacra. 2017, vol. 15, iss. 2, pp. 110-112
Extent
110-112
-
ISSN1214-5351 (print)2336-4483 (online)
Stable URL (handle): https://hdl.handle.net/11222.digilib/142129
Type: News
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
References
[1] Clifford-Napoleone, A. R. (2015). Queerness in Heavy Metal Music: Metal Bent. London: Routledge.
[2] Coggins, O. (2018). Mysticism, Ritual and Religion in Drone Metal. New York – London: Bloomsbury Academic.
[3] Cope, A. L. (2010). Black Sabbath and the Rise of Heavy Metal Music. Farnham – Burlington: Ashgate.
[4] Granholm, K. (2011). Sons of Northern Darkness: Heathen Influences in Black Metal and Neofolk Music. Numen, 58(4), 514–544. | DOI 10.1163/156852711X577069
[5] Hjelm, T., Kahn-Harris, K., & LeVine, M. (Eds.) (2013). Heavy Metal: Controversies and Counterculture. Sheffield: Equinox Publishing.
[6] LeVine, M. (2008). Heavy Metal Islam: Rock, Resistance, and the Struggle for the Soul of Islam. New York: Three Rivers Press.
[7] Masciandaro, N. & Connole, E. (Eds.) (2015). Floating Tomb: Black Metal Theory. [s. l.]: Mimesis International.
[8] Phillipov, M. (2014). Death Metal and Music Criticism: Analysis at the Limits. Lanham: Lexington Books.
[9] Wilson, S. (Ed.) (2014). Melancology: Black Metal Theory and Ecology. Alresford: Zero Books.
[2] Coggins, O. (2018). Mysticism, Ritual and Religion in Drone Metal. New York – London: Bloomsbury Academic.
[3] Cope, A. L. (2010). Black Sabbath and the Rise of Heavy Metal Music. Farnham – Burlington: Ashgate.
[4] Granholm, K. (2011). Sons of Northern Darkness: Heathen Influences in Black Metal and Neofolk Music. Numen, 58(4), 514–544. | DOI 10.1163/156852711X577069
[5] Hjelm, T., Kahn-Harris, K., & LeVine, M. (Eds.) (2013). Heavy Metal: Controversies and Counterculture. Sheffield: Equinox Publishing.
[6] LeVine, M. (2008). Heavy Metal Islam: Rock, Resistance, and the Struggle for the Soul of Islam. New York: Three Rivers Press.
[7] Masciandaro, N. & Connole, E. (Eds.) (2015). Floating Tomb: Black Metal Theory. [s. l.]: Mimesis International.
[8] Phillipov, M. (2014). Death Metal and Music Criticism: Analysis at the Limits. Lanham: Lexington Books.
[9] Wilson, S. (Ed.) (2014). Melancology: Black Metal Theory and Ecology. Alresford: Zero Books.