Název: Unhiding the hidden : uncreating female characters in Robert Kroetsch's out west triptych
Zdrojový dokument: The Central European journal of Canadian studies. 2008, roč. 6, č. [1], s. 7-17
Rozsah
7-17
-
ISSN1213-7715 (print)2336-4556 (online)
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/116083
Type: Článek
Jazyk
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
The paper explores the way female characters are represented in Robert Kroetsch's Out West novels: The Words of My Roaring (1966), The Studhorse Man (1969), Gone Indian (1973). The focus is on the harmonious integration of feminine and masculine aspects of being. While criticizing the Western prairie stereotypes of woman as a constraining, inclosing force, Kroetsch introduces the idea of woman as a liberating, renewing force. D.H.Lawrence's and Ted Hughes's ideas of woman as a creative force necessary to complete one's being support the analyses of the female characters in Kroetsch's novels.
Le présent travail montre comment les personnages féminins sont présentés dans les romans de Robert Kroetsch: The Words of My Roaring (1966), The Studhorse Man (1969), Gone Indian (1973). On souligne surtout l'intégration harmonieuse des côtés féminin et masculin de l'ętre humain. Critiquant les préjugés de l'Ouest concernant les femmes en tant qu'une force limitante, l'écrivain introduit l'idée de la femme en tant qu'une force libératrice qui rénove. Par ses analyses des personnages féminins l'auteur soutient les idées de D.H. Lawrence et Ted Hughes sur la femme – force créatrice qui compléte l'ętre humain.
Reference
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[2] Graves, Robert. The White Goddess. London, Boston: Faber & Faber, 1986.
[3] Hughes, Ted. Shakespeare and the Goddess of Complete Being. London: Faber and Faber, 1992.
[4] Hutcheon, Linda. The Canadian Postmodern: A Study of Contemporary English-Canadian Fiction. Toronto: Oxford University Press, 1988.
[5] Kroetsch, Robert. The Hornbooks of Rita K. Edmonton: The University of Alberta Press, 2001.
[6] Kroetsch, Robert. The Lovely Treachery of Words. Toronto: Oxford University Press, 1989.
[7] Kroetsch, Robert. The Words of My Roaring. Toronto: Macmillan, 1966.
[8] Kroetsch, Robert. The Studhorse Man. Markham: PaperJacks Ltd., 1977.
[9] Kroetsch, Robert. Gone Indian. Toronto: Stoddard Publishing, Co. 1999.
[10] Lawrence, D. H.. Studies in Classic American Literature. Harmondsworth: Penguin Books, 1971.
[11] Lecker, Robert. Robert Kroetsch. Boston: G. K. Hall & Co., 1986.
[12] Rudy-Dorscht, Susan. "How the Studhorse Man Makes Love: A Post-Feminist Analysis." Canadian Literature 119 (Winter 1988): 25-31.
[13] Snyder, J.R. "A Map of Misreading: Gender, Identity and Freedom in Robert Kroetsch's Gone Indian." SCL/ECL Studies in Canadian Literature 18. 1 (1993): 1-17.
[14] Spanos, William V. America's Shadow: An Anatomy of Empire. Minneapolis: University of Minnesota Press, 2000.
[15] Thomas, Peter. Robert Kroetsch. Vancouver: Douglas & McIntyre, 1980.
[16] Twigg, Alan. For Openers: Conversations with 24 Canadian Writers. Madeira Park, B.C.: Harbour Publishing, 1981.
[17] Van Herk, Aritha. Biocritical Essay. http://www.ucalgary.ca/library/speccoll/Kroetschbioc.html
[18] Woolf, Virginia. "Modern Fiction." in David Lodge. ed. Twentieth Century Literary Criticism. London and New York: Longman, 1984.