Název: Vyprávění v dramatu
Přispěvatel
Kačer, Tomáš (překladatel)
Merenus, Aleš (překladatel)
Zdrojový dokument: Theatralia. 2014, roč. 17, č. 1, s. 272-278
Rozsah
272-278
-
ISSN1803-845X (print)2336-4548 (online)
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/129853
Type: Článek
Jazyk
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Reference
[1] DELIUS, Nikolaus. 1877. Die epischen Elemente in Shakespeare's Dramen. Shakespeare-Jahrbuch 12 (2012): 1–28.
[2] FLUDERNIK, Monika. 2008. Narrative and Drama. In J. Pier a J. Á. García Landa (edd.). Theorizing Narrativity. Berlin: de Gruyter: 353–381.
[3] HÜHN, Peter a Roy SOMMER. 2009. Narration in Poetry and Drama [online]. In Peter Hühn, John Pier, Wolf Schmid a Jörg Schönert (edd.). The Living Handbook of Narratology. [Poslední verze: 6. 12. 2012, cit. 18. 3. 2014]. Dostupné na http://wikis.sub.uni-hamburg.de/lhn/index.php/Narration_in_Poetry_and_Drama.
[4] CHATMAN, Seymour. 2000 [1990]. Dohodnuté termíny: rétorika narativu ve fikci a filmu. Olomouc: Univerzita Palackého, 2000 [1990].
[5] JAHN, Manfred. 2001. Narrative Voice and Agency in Drama: Aspects of a Narratology of Drama. New Literary History 32 (2001): 659–679. | DOI 10.1353/nlh.2001.0037
[6] LEHMANN, Hans-Thies. 2007. Postdramatické divadlo. Bratislava: Divadelný ústav, 2007.
[7] NÜNNING, Ansgar & Roy SOMMER. 2008. Diegetic and Mimetic Narrativity: Some Further Steps towards a Narratology of Drama. In J. Pier a J. Á. García Landa (edd.). Theorizing Narrativity. Berlin: de Gruyter: 329–352.
[8] RAJEWSKY, Irina O. 2007. Von Erzählern, die (nichts) vermitteln: Überlegungen zu grundlegenden Annahmen der Dramentheorie im Kontext einer transmedialen Narratologie. Zeitschrift für französische Sprache und Literatur 117 (2007): 25–68.
[9] RICHARDSON, Brian. 2007. Drama and Narrative. In D. Herman (ed.). The Cambridge Companion to Narrative. Cambridge: Cambridge University Press, 2007: 142–155.
[10] RYAN, Marie-Laure. 2005. On the Theoretical Foundations of Transmedial Narratology. In J. Ch. Meister (ed). Narratology beyond Literary Criticism: Mediality, Disciplinarity. Berlin: de Gruyter, 2005: 1–23.
[11] SCHENK-HAUPT, Stefan. 2007. Narrativity in Dramatic Writing: Towards a General Theory of Genres. Anglistik 18 (2007): 2: 25–42.
[12] WEIDLE, Roland. 2009. Organizing the Perspectives: Focalization and the Superordinate Narrative System in Drama. In P. Hühn et al. (edd.). Point of View, Perspective, and Focalization. Modeling Mediation in Narrative. Berlin: de Gruyter, 2009: 221–242.
[13] ELAM, Keir. 1980. The Semiotics of Theatre and Drama. London: Methuen, 1980.
[14] GARNER, Stanton B. 1989. The Absent Voice: Narrative Comprehension in the Theater. Urbana: University of Illinois Press, 1989.
[15] HAUTHAL, Janine. 2008. Metadrama und (Text-)Theatralität: (Selbst-)Reflexionen einer intermedialen literarischen Gattung am Beispiel englischer und nordamerikanischer Meta- und Postdramatik. Trier: WVT, 2008.
[16] JONG, Irene J. F. de. 1991. Narrative in Drama: The Art of the Euripidean Messenger Speech. Leiden: Brill, 1991.
[17] KORTHALS, Holger. 2003. Zwischen Drama und Erzählung: Ein Beitrag zur Theorie geschehensdarstellender Literatur. Berlin: Schmidt, 2003.
[18] MORRISON, Kristin. 1983. Canters and Chronicles: The Use of Narrative in the Plays of Samuel Beckett and Harold Pinter. Chicago: University of Chicago Press, 1983.
[19] PAVEL, Thomas G. 1985. The Poetics of Plot: The Case of English Renaissance Drama. Manchester: Manchester University Press, 1985.
[20] PFISTER, Manfred. 1988 [1977]. The Theory and Analysis of Drama. Cambridge: Cambridge University Press, 1988 [1977].
[21] RYAN, Marie-Laure (ed.). 2004. Narrative across Media: The Languages of Storytelling. Lincoln: University of Nebraska Press, 2004.
[22] SOMMER, Roy. 2005. Drama and Narrative. In D. Herman et al. (edd.). Routledge Encyclopedia of Narrative Theory. London: Routledge, 2005: 119–124.
[2] FLUDERNIK, Monika. 2008. Narrative and Drama. In J. Pier a J. Á. García Landa (edd.). Theorizing Narrativity. Berlin: de Gruyter: 353–381.
[3] HÜHN, Peter a Roy SOMMER. 2009. Narration in Poetry and Drama [online]. In Peter Hühn, John Pier, Wolf Schmid a Jörg Schönert (edd.). The Living Handbook of Narratology. [Poslední verze: 6. 12. 2012, cit. 18. 3. 2014]. Dostupné na http://wikis.sub.uni-hamburg.de/lhn/index.php/Narration_in_Poetry_and_Drama.
[4] CHATMAN, Seymour. 2000 [1990]. Dohodnuté termíny: rétorika narativu ve fikci a filmu. Olomouc: Univerzita Palackého, 2000 [1990].
[5] JAHN, Manfred. 2001. Narrative Voice and Agency in Drama: Aspects of a Narratology of Drama. New Literary History 32 (2001): 659–679. | DOI 10.1353/nlh.2001.0037
[6] LEHMANN, Hans-Thies. 2007. Postdramatické divadlo. Bratislava: Divadelný ústav, 2007.
[7] NÜNNING, Ansgar & Roy SOMMER. 2008. Diegetic and Mimetic Narrativity: Some Further Steps towards a Narratology of Drama. In J. Pier a J. Á. García Landa (edd.). Theorizing Narrativity. Berlin: de Gruyter: 329–352.
[8] RAJEWSKY, Irina O. 2007. Von Erzählern, die (nichts) vermitteln: Überlegungen zu grundlegenden Annahmen der Dramentheorie im Kontext einer transmedialen Narratologie. Zeitschrift für französische Sprache und Literatur 117 (2007): 25–68.
[9] RICHARDSON, Brian. 2007. Drama and Narrative. In D. Herman (ed.). The Cambridge Companion to Narrative. Cambridge: Cambridge University Press, 2007: 142–155.
[10] RYAN, Marie-Laure. 2005. On the Theoretical Foundations of Transmedial Narratology. In J. Ch. Meister (ed). Narratology beyond Literary Criticism: Mediality, Disciplinarity. Berlin: de Gruyter, 2005: 1–23.
[11] SCHENK-HAUPT, Stefan. 2007. Narrativity in Dramatic Writing: Towards a General Theory of Genres. Anglistik 18 (2007): 2: 25–42.
[12] WEIDLE, Roland. 2009. Organizing the Perspectives: Focalization and the Superordinate Narrative System in Drama. In P. Hühn et al. (edd.). Point of View, Perspective, and Focalization. Modeling Mediation in Narrative. Berlin: de Gruyter, 2009: 221–242.
[13] ELAM, Keir. 1980. The Semiotics of Theatre and Drama. London: Methuen, 1980.
[14] GARNER, Stanton B. 1989. The Absent Voice: Narrative Comprehension in the Theater. Urbana: University of Illinois Press, 1989.
[15] HAUTHAL, Janine. 2008. Metadrama und (Text-)Theatralität: (Selbst-)Reflexionen einer intermedialen literarischen Gattung am Beispiel englischer und nordamerikanischer Meta- und Postdramatik. Trier: WVT, 2008.
[16] JONG, Irene J. F. de. 1991. Narrative in Drama: The Art of the Euripidean Messenger Speech. Leiden: Brill, 1991.
[17] KORTHALS, Holger. 2003. Zwischen Drama und Erzählung: Ein Beitrag zur Theorie geschehensdarstellender Literatur. Berlin: Schmidt, 2003.
[18] MORRISON, Kristin. 1983. Canters and Chronicles: The Use of Narrative in the Plays of Samuel Beckett and Harold Pinter. Chicago: University of Chicago Press, 1983.
[19] PAVEL, Thomas G. 1985. The Poetics of Plot: The Case of English Renaissance Drama. Manchester: Manchester University Press, 1985.
[20] PFISTER, Manfred. 1988 [1977]. The Theory and Analysis of Drama. Cambridge: Cambridge University Press, 1988 [1977].
[21] RYAN, Marie-Laure (ed.). 2004. Narrative across Media: The Languages of Storytelling. Lincoln: University of Nebraska Press, 2004.
[22] SOMMER, Roy. 2005. Drama and Narrative. In D. Herman et al. (edd.). Routledge Encyclopedia of Narrative Theory. London: Routledge, 2005: 119–124.