Název: Vimque deum infernam: Virgil's God of the underworld
Zdrojový dokument: Graeco-Latina Brunensia. 2016, roč. 21, č. 1, s. 59-72
Rozsah
59-72
-
ISSN1803-7402 (print)2336-4424 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/GLB2016-1-4
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/135488
Type: Článek
Jazyk
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
The god Hades is referenced several times in the Virgilian corpus, in passages of high emotional import (the drama of Orpheus and Eurydice; the death of Dido; Aeneas' voyage to the underworld). Careful study of these allusions to the underworld lord reveal a Virgilian preoccupation with the problem of the stability of the Olympian order, and the looming question of the fate of the individual human soul after death. Hades and the infernal powers of his realm figure as key players in the ultimate resolution of the war in Latium, and the coming into being of the new order of Trojan rebirth.
Reference
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[4] Cairns, F. (1989). Virgil's Augustan Epic. Cambridge: Cambridge University Press.
[5] Casagrande-Kim, R. (2012). The Journey to the Underworld: Topography, Landscape, and Divine Inhabitants of the Roman Hades. Diss. Columbia University in the City of New York.
[6] Clausen, W. (2002). Virgil's Aeneid: Decorum, Allusion, and Ideology. München ‒ Leipzig: K. G. Saur Verlag.
[7] de Grummond, W. (1968). Saevus: Its Literary Tradition and Use in Vergil's Aeneid. Diss. University of North Carolina.
[8] Della Corte, F. (Ed.) (1984‒1991). Enciclopedia Virgiliana (5 Vols.). Roma: Istituto della Enciclopedia Italiana.
[9] Di Cesare, M. A. (1974). A Reading of Virgil's Æneid. New York: Columbia University Press.
[10] Edgeworth, R. J. (1992). The Colors of the Aeneid. New York: Peter Lang.
[11] Erren, M. (2003). P. Vergilius Maro Georgica (Band 2: Kommentar). Heidelberg: Universitätsverlag Winter.
[12] Farron, S. (1993). Vergil's Æneid: A Poem of Grief & Love. Leiden ‒ New York ‒ Köln: Brill.
[13] Fordyce, C. J. (1977). P. Vergili Maronis Aeneidos Libri VII‒VIII. Oxford: Oxford University Press.
[14] Fratantuono, L. (2013). Iamque rubescebat: Aurora in the Aeneid. Eos, 100, 123‒132.
[15] Ganiban, R. A. (2007). Statius and Virgil: The Thebaid and the Reinterpretation of the Aeneid. Cambridge: Cambridge University Press.
[16] Gantz, R. (1993). Early Greek Myth: A Guide to the Literary and Artistic Sources. Baltimore ‒ London: The Johns Hopkins University Press.
[17] Goldschmidt, N. (2013). Shaggy Crowns: Ennius' Annales and Virgil's Aeneid. Oxford: Oxford University Press.
[18] Hardie, P. (1986). Virgil's Aeneid: Cosmos and Imperium. Oxford: Oxford University Press.
[19] Henry, E. (1989). The Vigour of Prophecy: A Study of Virgil's Aeneid. Carbondale: Southern Illinois University Press.
[20] Horsfall, N. (2000). Virgil, Aeneid 7, A Commentary. Leiden ‒ Boston ‒ Köln: Brill.
[21] Horsfall, N. (2013). Virgil, Aeneid 6, A Commentary. Berlin ‒ New York: Walter de Gruyter.
[22] Johnson, W. R. (1976). Darkness Visible: A Study of Vergil's Aeneid. Berkeley ‒ Los Angeles ‒ London: The University of California Press.
[23] Kühn, W. (1971). Götterszenen bei Vergil. Heidelberg: Universitätsverlag Winter.
[24] Lyne, R. O. A. M. (1978). Ciris: A Poem Attributed to Vergil. Cambridge: Cambridge University Press.
[25] Mackie, C. J. (1988). The Characterisation of Aeneas. Edinburgh: Scottish Academic Press.
[26] Miles, G. B. (1980). Virgil's Georgics: A New Interpretation. Berkeley ‒ Los Angeles: The University of California Press.
[27] Mynors, R. A. B. (1969). P. Vergili Maronis Opera. Oxford: Oxford University Press (corrected reprint 1972).
[28] Mynors, R. A. B. (1990). Virgil: Georgics. Oxford: Oxford University Press.
[29] Negri, A. M. (1984). Gli psiconimi in Virgilio. Roma: Edizioni dell’Ateneo.
[30] Nelis, D. (2001). Vergil's Aeneid and the Argonautica of Apollonius Rhodius. Leeds: Francis Cairns Ltd.
[31] O’Hara, J. J. (1996). True Names: Vergil and the Alexandrian Tradition of Etymological Wordplay. Chapel Hill, North Carolina: The University of North Carolina Press.
[32] Paschalis, M. (1997). Virgil's Aeneid: Semantic Relations and Proper Names. Oxford: Oxford University.
[33] Putnam, M. C. J. (1979). Virgil's Poem of the Earth: Studies in the Georgics. Princeton: Princeton University Press.
[34] Reed, J. D. (2007). Virgil's Gaze: Nation and the Poetry in the Aeneid. Princeton: Princeton University Press.
[35] Skutsch, O. (Ed.) (1985). The "Annals" of Q. Ennius. Oxford: Clarendon Press.
[36] Steiner, H. R. (1952). Der Traum in der Aeneis. Bern: Verlag Paul Haupt.
[37] Tarrant, R. (2012). Virgil: Aeneid XII. Cambridge: Cambridge University Press.
[38] Thomas, R. (1989). Virgil: Georgics (Vol. 2: Books III‒IV). Cambridge: Cambridge University Press.
[39] Thomas, R., & Ziolkowski, J. (2014). The Virgil Encyclopedia. Malden, Massachusetts: Wiley-Blackwell.
[40] West, M. L. (1983). The Orphic Poems. Oxford: Oxford University Press.
[41] Wilkinson, L. P. (1969). The Georgics of Virgil: A Critical Survey. Cambridge: Cambridge University Press.