Název: Liturgical function and Gregorian chant in the music of Paulus Bucenus
Zdrojový dokument: Musicologica Brunensia. 2016, roč. 51, č. 1, s. 91-102
Rozsah
91-102
-
ISSN1212-0391 (print)2336-436X (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/MB2016-1-7
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/135662
Type: Článek
Jazyk
Licence: Neurčená licence
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Abstrakt(y)
Paulus Bucenus after studies in Greifswald and few years spent in Toruń moved to Riga where he was the school cantor till the end of his life in 1586. He composed almost exclusively sacred music. His Passio Domini nostri Jesu Christi was published in Szczecin in 1578 and 155 other compositions are preserved in the uncomplete manuscript prepared by him in Riga (D-B 40074). Among his works there are masses, motets, hymns, responsories, magnificats. Chant melodies are clearly recognizable in a number of compositions. In hymns they are often used in long values in discantus. In the Passio and some motets quasi-reciting tone is evident. Sometimes chant melodies used in very long values contrast with other voices ornamentally structured.
Reference
[1] Berlin, Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Ms Mus. 40074 [D-B 40074].
[2] Toruń, Archiwum Państwowe w Toruniu [State Archive in Toruń], Kat II, X/2 , pp. 168–169.
[3] BUCENUS, Paulus. Passio Domini nostri Jesu Christi, Musicis numeris exornata, in usum Ecclesiae Rigensis. Stettin: Andreas Keller, 1578 [B 4860].
[4] Gratulationes in honorem... Eliae Andreae Saxohalensis, cum illi Magisterii Philosophici gradus in Academia Francofordiana... ab amici scripti. Frankfurt/Oder: Andreas Eichorn, 1588.
[5] BLANKENBURG, Walter. Bucenus, Paulus. In The New Grove Dictionary of Music and Musicians. Stanley Sadie – John Tyrrell (eds.), 2nd Edition, vol. 4, London: Macmillan Publishers Ltd, 2001, pp. 531–532.
[6] BOHN, Emil. Die Musikalischen Handschriften des XVI und XVII Jahrhunderts in der Stadtbibliothek zu Breslau. Breslau, 1890.
[7] HAHN Gerhard – HENKYS, Jürgen (eds.). Liederkunde zum Evangelischen Gesangbuch. Heft 6/7, Göttingen: Vandenhoeck & Ruprecht, 2003.
[8] HEMMING, Sture. Cantor Paulus Bucenus and his Opus Musicum Ecclesiae Rigensis. Journal of Baltic Studies. 1977, vol. 8, pp. 232–237.
[9] KEUSSLER, Gerhard von. Paulus Bucaenus, Riga: G. Löffler, 1931.
[10] KRÜGER, Karl. Mitteilungen aus der Geschichte der Stadt Lieberose und der Gegend zunächst bis 1700. Frankfurt/Oder: Selbstverlag des Verfassers, 1891.
[11] LESZCZYŃSKA, Agnieszka. Confessionalism in the Music of Paul Bucenus. In Musica Antiqua Europeae Orientalis, Acta Musicologica, vol. XIV. Irena Poniatowska (ed.), Bydgoszcz: Filharmonia Pomorska im. I. Paderewskiego, 2008, pp. 81–87.
[12] MADGWICK, Paul. Music in Riga towards the end of the 16th century and Paulus Bucenus Philorhodus. In Music History Writing and National Culture: Proceedings of a Seminar. Urve Lippus (ed.). Tallinn: Eeste keele instituut, 1995, pp. 44–53 [= online, cit. 2015-11-28]. URL: https://www.jiscmail.ac.uk/cgi-bin/filearea.cgi?LMGT1=MED-AND-REN-MUSIC&a=get&f=/riga.txt.
[13] MADGWICK, Paul (ed.). Passio Domini nostri Jesu Christi, Musicis numeris exornata, in usum Ecclesiae Rigensis à Paulo Buceno Philorodo, Scholae Rigensis Cantore. 1578. Riga: Musica Baltica Ltd, 1995.
[14] ZAGER, Daniel. The Cantica sacra (Hamburg, 1588) of Franz Eler: Latin Chant and German Chorales for the Lutheran Liturgy. In Thine the Amen: Essays on Lutheran Church Music in Honor of Carl Schalk. Carlos R. Messerli (ed.), Minneapolis: Lutheran University, 2005, pp. 43–63.
[2] Toruń, Archiwum Państwowe w Toruniu [State Archive in Toruń], Kat II, X/2 , pp. 168–169.
[3] BUCENUS, Paulus. Passio Domini nostri Jesu Christi, Musicis numeris exornata, in usum Ecclesiae Rigensis. Stettin: Andreas Keller, 1578 [B 4860].
[4] Gratulationes in honorem... Eliae Andreae Saxohalensis, cum illi Magisterii Philosophici gradus in Academia Francofordiana... ab amici scripti. Frankfurt/Oder: Andreas Eichorn, 1588.
[5] BLANKENBURG, Walter. Bucenus, Paulus. In The New Grove Dictionary of Music and Musicians. Stanley Sadie – John Tyrrell (eds.), 2nd Edition, vol. 4, London: Macmillan Publishers Ltd, 2001, pp. 531–532.
[6] BOHN, Emil. Die Musikalischen Handschriften des XVI und XVII Jahrhunderts in der Stadtbibliothek zu Breslau. Breslau, 1890.
[7] HAHN Gerhard – HENKYS, Jürgen (eds.). Liederkunde zum Evangelischen Gesangbuch. Heft 6/7, Göttingen: Vandenhoeck & Ruprecht, 2003.
[8] HEMMING, Sture. Cantor Paulus Bucenus and his Opus Musicum Ecclesiae Rigensis. Journal of Baltic Studies. 1977, vol. 8, pp. 232–237.
[9] KEUSSLER, Gerhard von. Paulus Bucaenus, Riga: G. Löffler, 1931.
[10] KRÜGER, Karl. Mitteilungen aus der Geschichte der Stadt Lieberose und der Gegend zunächst bis 1700. Frankfurt/Oder: Selbstverlag des Verfassers, 1891.
[11] LESZCZYŃSKA, Agnieszka. Confessionalism in the Music of Paul Bucenus. In Musica Antiqua Europeae Orientalis, Acta Musicologica, vol. XIV. Irena Poniatowska (ed.), Bydgoszcz: Filharmonia Pomorska im. I. Paderewskiego, 2008, pp. 81–87.
[12] MADGWICK, Paul. Music in Riga towards the end of the 16th century and Paulus Bucenus Philorhodus. In Music History Writing and National Culture: Proceedings of a Seminar. Urve Lippus (ed.). Tallinn: Eeste keele instituut, 1995, pp. 44–53 [= online, cit. 2015-11-28]. URL: https://www.jiscmail.ac.uk/cgi-bin/filearea.cgi?LMGT1=MED-AND-REN-MUSIC&a=get&f=/riga.txt.
[13] MADGWICK, Paul (ed.). Passio Domini nostri Jesu Christi, Musicis numeris exornata, in usum Ecclesiae Rigensis à Paulo Buceno Philorodo, Scholae Rigensis Cantore. 1578. Riga: Musica Baltica Ltd, 1995.
[14] ZAGER, Daniel. The Cantica sacra (Hamburg, 1588) of Franz Eler: Latin Chant and German Chorales for the Lutheran Liturgy. In Thine the Amen: Essays on Lutheran Church Music in Honor of Carl Schalk. Carlos R. Messerli (ed.), Minneapolis: Lutheran University, 2005, pp. 43–63.