Název: "Между страницей и стеной" : русская цифровая литература в постцифровую эпоху
Transliterovaný název
"Meždu stranicej i stenoj" : russkaja cifrovaja literatura v postcifrovuju èpochu
Variantní název:
- "Between page and wall" : russian digital literature in post-digital era
Zdrojový dokument: Новая русистика. 2016, roč. 9, č. 2, s. 99-107
Rozsah
99-107
-
ISSN1803-4950 (print)2336-4564 (online)
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/136062
Type: Článek
Jazyk
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
The article attempts to give characteristics of Russian digital literature within the international context. Using A. Ilianen's text Pensia which exists in both electronic and print form - as a series of texts published in the course of several years in the social network VKontakte as well as a print book—the author attempts to explore new possibilities of the interaction between traditional print literature and electronic/digital literature.
Reference
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[2] CARPENTER, J. R. (2010): GENERATION[S]. Vienna: TRAUMAWIEN.
[3] COOVER, R. (1992): The End of Books. The New York Times, http://www.nytimes.com/books/98/09/27/specials/coover-end.html [online] [cit. 12.04.2016].
[4] CRAMER, F. (2014): What is "Post-digital"? APRJA 3, 2014, č. 1. http://www.aprja.net/?p=1318 [online] [cit. 22.04.2016].
[5] DUBIN, B. (2015): Proščanije s knigoj. NLO 2015, № 2. http://www.nlobooks.ru/node/6138 [online] [cit. 03.05.2016].
[6] HAYLES, K. (2007): Electronic Literature: What is it? http://eliterature.org/pad/elp.html [online] [cit. 01.02.2016].
[7] HAYLES, K. (2012): Electronic Literature and Future Books. Lecture. Conference Unbound. Speculations on the future of the book. MIT, May 3–4 2012. https://www.youtube.com/watch?v=cvjzcF0Iigw [online] [cit. 18.04.2016].
[8] HAYLES, K. (2006): The Time of Digital Poetry: From Object to Event. In: MORRIS, A., SWISS, T. (eds): New Media Poetics: Contexts, Technotexts, and Theories. Cambridge: MIT Press, s. 181–209.
[9] IL'JANEN, A. (2015): Pensija. KOLONNA Publications.
[10] KONECZNIAK, G. (2011): W labiryncie poezji cyfrowej, czyli nowe wyzwania analityczno-interpretacyjne. In: Cyborg. Litteraria Copernicana. Toruń, s. 186–197.
[11] LIALINA, O. (2012): Turing Complete User. http://contemporary-home-computing.org/turing-complete-user/ [online] [cit. 18.08.2016].
[12] LEJBOV, R. (2010): Sovremennaja literatura i Internet. Polit.ru 18.2.2010 http://polit.ru/article/2010/02/18/leibov/ [online]. [cit. 01.07.2013].
[13] MANOVICH, L. (2013). Software Takes Command. New York: Bloomsbury Academic. Media-poetry. (2016) http://media-poetry.ru/?page_id=265 [online] [cit. 18.09.2016].
[14] MONTFORT, N. (2014): Z Providence do Implementation. Wywiad Piotra Mareckiego z Nickiem Montfortem i Scottem Rettbergiem: o literaturze naklejkowej, pisaniu kolegialnym oraz narracji dystrybuowanej. ha!art. Postdyscyplinarny magazyn o kulturze współczesnej, 2014, č. 46, s. 90–100.
[15] PERLOFF, M. (2006): Screening the Page / Paging the Screen: Digital Poetics and the Differential Text. In: MORRIS, A., SWISS, T. (eds): New Media Poetics: Contexts, Technotexts, and Theories. Cambridge–London, s. 143–164.
[16] RALEY, R. (2012): Electronic Literature and Future Books. Lecture. Conference Unbound. Speculations on the future of the book. MIT, May 3–4 2012. https://www.youtube.com/watch?v=cvjzcF0Iigw [online] [cit. 18.04.2016].
[17] SOKOLOV, I. A. (2016): Svjatoj A. I.: komediant i mučenik. NLO 2015, № 6. http://magazines.russ.ru/nlo/2015/6/svyatoj-i-komediant-i-muchenik.html [online] [cit. 30.04.2016].
[18] SCHMIDT, H. (2005): Bukval'naja (ne)dvižimost': Digital'naja poèzija v RuLiNete. Russian Literature LVII, 2005, s. 423–440. http://www. netslova.ru/schmidt/digital.html [online] [cit. 25.04.2016].
[2] CARPENTER, J. R. (2010): GENERATION[S]. Vienna: TRAUMAWIEN.
[3] COOVER, R. (1992): The End of Books. The New York Times, http://www.nytimes.com/books/98/09/27/specials/coover-end.html [online] [cit. 12.04.2016].
[4] CRAMER, F. (2014): What is "Post-digital"? APRJA 3, 2014, č. 1. http://www.aprja.net/?p=1318 [online] [cit. 22.04.2016].
[5] DUBIN, B. (2015): Proščanije s knigoj. NLO 2015, № 2. http://www.nlobooks.ru/node/6138 [online] [cit. 03.05.2016].
[6] HAYLES, K. (2007): Electronic Literature: What is it? http://eliterature.org/pad/elp.html [online] [cit. 01.02.2016].
[7] HAYLES, K. (2012): Electronic Literature and Future Books. Lecture. Conference Unbound. Speculations on the future of the book. MIT, May 3–4 2012. https://www.youtube.com/watch?v=cvjzcF0Iigw [online] [cit. 18.04.2016].
[8] HAYLES, K. (2006): The Time of Digital Poetry: From Object to Event. In: MORRIS, A., SWISS, T. (eds): New Media Poetics: Contexts, Technotexts, and Theories. Cambridge: MIT Press, s. 181–209.
[9] IL'JANEN, A. (2015): Pensija. KOLONNA Publications.
[10] KONECZNIAK, G. (2011): W labiryncie poezji cyfrowej, czyli nowe wyzwania analityczno-interpretacyjne. In: Cyborg. Litteraria Copernicana. Toruń, s. 186–197.
[11] LIALINA, O. (2012): Turing Complete User. http://contemporary-home-computing.org/turing-complete-user/ [online] [cit. 18.08.2016].
[12] LEJBOV, R. (2010): Sovremennaja literatura i Internet. Polit.ru 18.2.2010 http://polit.ru/article/2010/02/18/leibov/ [online]. [cit. 01.07.2013].
[13] MANOVICH, L. (2013). Software Takes Command. New York: Bloomsbury Academic. Media-poetry. (2016) http://media-poetry.ru/?page_id=265 [online] [cit. 18.09.2016].
[14] MONTFORT, N. (2014): Z Providence do Implementation. Wywiad Piotra Mareckiego z Nickiem Montfortem i Scottem Rettbergiem: o literaturze naklejkowej, pisaniu kolegialnym oraz narracji dystrybuowanej. ha!art. Postdyscyplinarny magazyn o kulturze współczesnej, 2014, č. 46, s. 90–100.
[15] PERLOFF, M. (2006): Screening the Page / Paging the Screen: Digital Poetics and the Differential Text. In: MORRIS, A., SWISS, T. (eds): New Media Poetics: Contexts, Technotexts, and Theories. Cambridge–London, s. 143–164.
[16] RALEY, R. (2012): Electronic Literature and Future Books. Lecture. Conference Unbound. Speculations on the future of the book. MIT, May 3–4 2012. https://www.youtube.com/watch?v=cvjzcF0Iigw [online] [cit. 18.04.2016].
[17] SOKOLOV, I. A. (2016): Svjatoj A. I.: komediant i mučenik. NLO 2015, № 6. http://magazines.russ.ru/nlo/2015/6/svyatoj-i-komediant-i-muchenik.html [online] [cit. 30.04.2016].
[18] SCHMIDT, H. (2005): Bukval'naja (ne)dvižimost': Digital'naja poèzija v RuLiNete. Russian Literature LVII, 2005, s. 423–440. http://www. netslova.ru/schmidt/digital.html [online] [cit. 25.04.2016].