Název: Technology or theology? : music beyond technology
Zdrojový dokument: Musicologica Brunensia. 2017, roč. 52, č. 1, s. 63-68
Rozsah
63-68
-
ISSN1212-0391 (print)2336-436X (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/MB2017-1-6
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/136928
Type: Článek
Jazyk
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
In different times of 20th century technology played various roles in fulfilling listeners' and authors' expectations. The whole process reached its peak certainly in the post-war music development when technology was perceived either as a threat or a way to salvation of the contemporary music. The most remarkable problem represented a buying on future's credit. Leaders of European and American avant-garde swore on the future as the only guarantee of the contemporary music authenticity unmasking the obsolescence of yesterday's music. Not all composers were excited by technological possibilities of electronic media and left the optimistic mainstream sooner than others. Can music exist without technology? Can technology be possibly abandoned by composers and artists? And under what conditions?
Reference
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[4] COLLINS, Steve – YOUNG, Sherman. Beyond 2.0: The Future of Music. Equinox Publishing, 2014.
[5] GUERRA, Carlos Gustavo. The Mechanization of intelligence and the human aspects of music. In Eduardo Reck Miranda (ed.). Readings in Music and Artificial Intelligence. Harwood academic publishers, 2000.
[6] HENDERSON, Lol – LEE, Stacey. Ligeti, G. [heslo]. Encyclopedia of Music in the 20th Century. Routledge, 1999.
[7] HOBSBAWM, Eric. The Age of extremes. Vintage, 1st edition, February 13, 1996, p. 501. Cit. in Taylor, 2001.
[8] IVERSON, Jennifer. The Emergence of Timbre: Ligeti's Synthesis of Electronic and Acoustic Music in Atmosphères. Twentieth-century music, 2010, 7.
[9] György Ligeti [online].[Cit. 9. 10. 2016]. URL: http://www.schott-music.com/shop/persons/featured/gyoergy-ligeti/.
[10] TAYLOR, Timothy D. Strange Sounds: Music, Technology and Culture. NY, London: Routledge, 2001.
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