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Title: Musicologica Brunensia
Rok: 2017
Ročník: 52
Číslo: 1
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Rok vydání
2017
ISSN
1212-0391 (print)
2336-436X (online)
Ústav FF MU
Ústav hudební vědy
Obor
hudební věda

Obsah

Úvodní stránky
Obsah
hidden section Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music
Title Document
Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music | 5–16
Landy, Leigh 		PDF
hidden section Roelof Vermeulen at Philips : a search for space in music
Title Document
Roelof Vermeulen at Philips : a search for space in music | 17–27
Tazelaar, Kees 		PDF
hidden section Slippery bows and slow circuits
Title Document
Slippery bows and slow circuits | 29–41
Richards, John 		PDF
hidden section Everyone can be composer today – full stop or question mark?
Title Document
Everyone can be composer today – full stop or question mark? | 43–52
Rataj, Michal 		PDF
hidden section Melodic segmentation: structure, cognition, algorithms
Title Document
Melodic segmentation: structure, cognition, algorithms | 53–61
Cenkerová, Zuzana 		PDF
hidden section Technology or theology? : music beyond technology
Title Document
Technology or theology? : music beyond technology | 63–68
Flašar, Martin 		PDF
hidden section Arnold Schönberg and musica artificiosa : a rationality in the musical composition
Title Document
Arnold Schönberg and musica artificiosa : a rationality in the musical composition | 69–78
Fulka, Vladimír 		PDF
hidden section Music by František Škvor for the Karol Plicka's film The Earth Sings – the beginning of Slovak national music? : some remarks on the origin and importance
Title Document
Music by František Škvor for the Karol Plicka's film The Earth Sings – the beginning of Slovak national music? : some remarks on the origin and importance | 79–87
Ladič, Branko 		PDF
hidden section C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch
Title Document
C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch | 89–100
Rabinovitch, Gilad 		PDF
hidden section New media and the work of Slovak composer Tadeáš Salva
Title Document
New media and the work of Slovak composer Tadeáš Salva | 101–116
Ščepán, Michal 		PDF
hidden section Music criticism in nineteenth-century England: how did it become a profession?
Title Document
Music criticism in nineteenth-century England: how did it become a profession? | 117–126
Watt, Paul 		PDF
hidden section The role of technology in the aesthetics of postwar serial music
Title Document
The role of technology in the aesthetics of postwar serial music | 127–137
Zagorski, Marcus 		PDF
hidden section Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser
Title Document
Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser | 139–147
Armand, Louis 		PDF
hidden section Musica practica according to Roland Barthes
Title Document
Musica practica according to Roland Barthes | 149–153
Cseres, Jozef 		PDF
hidden section Listening to art on a seabed
Title Document
Listening to art on a seabed | 155–168
Horáková, Jana 		PDF