Název: Alegoría, mito y artes liberales en san Agustín De ordine I. 8. 24
Variantní název:
- Allegory, myth and liberal arts in St. Augustine De ordine I. 8. 24
Zdrojový dokument: Graeco-Latina Brunensia. 2018, roč. 23, č. 1, s. 21-34
Rozsah
21-34
-
ISSN1803-7402 (print)2336-4424 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/GLB2018-1-2
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/138095
Type: Článek
Jazyk
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
In this article we intend to establish a relationship between myth and allegory according to the treatment of the Hellenistic-Christian literary tradition, to consider the application of allegory with philosophical function and its reception by St. Augustine. We exemplify the process with the Augustinian interpretation of the story of Pyramus and Thisbe according to De Ordine. We conclude in the argumentative scope of the allegory to found a philosophical prescriptive.
En el presente artículo pretendemos establecer una relación entre mito y alegoría según el tratamiento de la tradición literaria helenístico-cristiana, para considerar la aplicación de la alegoría con función filosófica y su recepción por san Agustín. Ejemplificamos el proceso con la interpretación agustiniana de la narración de Píramo y Tisbe según De Ordine. Concluimos en el alcance argumentativo de la alegoría para fundar una preceptiva filosófica.
Reference
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[28] Ramelli, I. (2011). The Philosophical Stance of Allegory in Stoicism and its Reception in Platonism, Pagan and Christian: Origen in Dialogue with the Stoics and Plato. International Journal of the Classical Tradition, 18(3), 335–371. | DOI 10.1007/s12138-011-0264-1
[29] Ricoeur, P. (1965). De l'interprétation: Essai sur Freud. Paris: Éditions du Seuil.
[30] Setaioli, A. (2004). Interpretazioni stoiche ed epicuree in Servio e la tradizione dell'esegesi filosofica del mito e dei poeti a Roma (Comuto, Seneca, Filodemo). International Journal of the Classical Tradition, 11(1), 3–46. | DOI 10.1007/BF02903162
[31] Sohn, H. (2007). The Beauty of Hell? Augustine's Aesthetic Theodicy and Its Critics. Theology Today, 64, 47–57. | DOI 10.1177/004057360706400106
[32] Spentzou, E. (2009). Theorizing Ovid; Readers and Illusions: The Imaginary and the Real. In P. E. Knox, A Companion to Ovid (pp. 389–393). New Jersey: Wiley-Blackwell Publishing Company.
[33] Stevens, J. (2006). The Imagery of Cicero's Somnium Scipionis. In C. Deroux (Ed.), Studies in Latin Literature and Roman History (Vol. XIII; pp.155–165). Bruxelles: Collection Latomus.
[34] Struck, P. T. (2004). Birth of the Symbol. Ancient Readers at the Limits of Their Texts. Princeton, NJ – Oxford: Princeton University Press.
[35] Thompson, S. E. (2012). What Goodness Is: Order as Imitation of Unity in Augustine. The Review of Metaphysics, 65(3), 525–553.
[36] Turner, D. (2010). Allegory in Christian Late Antiquity. In R. Copeland, & P. Struck, The Cambridge Companion to Allegory (pp. 71–82). Cambridge: Cambridge University Press.
[2] Armisen-Marchetti, M. (Ed.). (2003). Macrobe: Commentaire au songe de Scipion. Livre II (Texte établi, traduit et commenté). Paris: Les Belles Lettres.
[3] Brehier, E. (Ed.). (1924–1938). Plotin: Les Ennéades (Texte établi, traduit et commenté). Paris: Les Belles Lettres.
[4] Fedeli, P. (Ed.). (1994). Q. Orazio Flacco: Le Opere, Vol. 2: Le Satire. Roma: Istituto Poligrafico dello Stato.
[5] Rivaud, A. (Ed.). (1925). Platon: Timée. OEuvres Complètes X. Paris: Les Belles Lettres.
[6] Rouse, W. H. D. (Ed.). (2014). Titus Lucretius Carus: De rerum natura (The Loeb classical library). Cambridge, Mass.: Harvard University Press.
[7] Rowe, C. J. (Ed.). (1993). Plato: Phaedo. Cambridge: Cambridge University Press.
[8] Ruiz de Elvira, A. (Ed.). (2002). P. Ovidio Nasón: Metamorfosis, Vol. 1: Lib. I–IV. Madrid: Consejo Superior de Investigaciones Científicas.
[9] Trelenberg, J. (2009). Augustins Schrift De ordine. Tübingen: Mohr Siebeck.
[10] Waterfield, R. A. H. (Transl.). (2008). Plato: Republic. Oxford: Oxford University Press.
[11] Wicksteed, P. H., & Cornford, F. M. (Eds.). (1957). Aristotle: Physics, Vol. I: Books 1–4 (Loeb classical library). Cambridge, Mass.: Harvard University Press.
[12] Bermon, E. (2011). Le "Songe de Scipion" dans la correspondance entre saint Augustin et Nectarius de Calama (Ep. 90–91; 103–104). Les Études philosophiques, 4, 521–542. | DOI 10.3917/leph.114.0521
[13] Brodňanská, E., & Koželová, A. (2013). Alegoría médica en la poesía moral de Gregorio Nacianceno. Graeco-Latina Brunensia, 18(2), 43–66.
[14] Calabrese, C. C. (2015). Los supuestos hermenéuticos de Agustín de Hipona. Desentrañar la palabra y transmitir su misterio. Espíritu, 64(150), 227–243.
[15] Curtius, E. R. (1990). European Literature and the Latin Middle Age. New Jersey: Princeton University Press.
[16] Eliade, M. (1987). The Sacred and the Profane. The Nature of the Religion. New York – London: Harcourt, Inc.
[17] Esparza Urzúa, G. A. (2017). La formación simbólica de la cultura de la paz. Mito y política en Ernst Cassirer. In E. Junco, C. Calabrese, & F. García Costa (Eds.), Los humanismos y la cultura para la paz. Zacatecas: Texere Editores.
[18] Flamant, J. (1977). Macrobe et le Néoplatonisme latin à la fin du IVe siècle. Leiden: Brill.
[19] Gersh, S. (2012). The First Principles of Latin Neoplatonism: Augustine, Macrobius, Boethius. Vivarium, 50(2), 113–138. | DOI 10.1163/15685349-12341236
[20] Herren, M. (2017). The Anatomy of Myth. The Art of Interpretation from the Presocratics to the Church Fathers. New York: Oxford University Press.
[21] Junco, E. (2016). Eurípides y la belleza del bien. México: Texere.
[22] Lamberton, R. (1986). Homer the Theologian: Neoplatonist Allegorical Reading and the Growth of the Epic Tradition (The transformation of the classical heritage, 9). Berkeley – Los Angeles – London: University of California Press.
[23] Lewis, C. S. (2013). The Allegory of Love. A Study in Medieval Tradition (la primera edición es de 1936). New York: Cambridge University Press.
[24] McWilliam, J. (1999). De ordine. In A. D. Fitzgerald et al. (Ed.), Augustine through the Ages. An Encyclopedia. Grand Rapids, Michigan – Cambridge, U. K.: William B. Eerdmans Publishing Company.
[25] Norden, E. (1916). Vergilius Maro, Aeneis Buch VI. Leipzig: Teubner.
[26] Pépin, J. (1976). Mythe et allégorie. Les origines grecques et les contestations judéo-chrétiennes. Paris: Études Augustiniennes.
[27] Pfeiffer, R. (1968). History of Classical Scholarship from the Beginnings to the End of the Hellenistic Age. Oxford: Clarendon Press.
[28] Ramelli, I. (2011). The Philosophical Stance of Allegory in Stoicism and its Reception in Platonism, Pagan and Christian: Origen in Dialogue with the Stoics and Plato. International Journal of the Classical Tradition, 18(3), 335–371. | DOI 10.1007/s12138-011-0264-1
[29] Ricoeur, P. (1965). De l'interprétation: Essai sur Freud. Paris: Éditions du Seuil.
[30] Setaioli, A. (2004). Interpretazioni stoiche ed epicuree in Servio e la tradizione dell'esegesi filosofica del mito e dei poeti a Roma (Comuto, Seneca, Filodemo). International Journal of the Classical Tradition, 11(1), 3–46. | DOI 10.1007/BF02903162
[31] Sohn, H. (2007). The Beauty of Hell? Augustine's Aesthetic Theodicy and Its Critics. Theology Today, 64, 47–57. | DOI 10.1177/004057360706400106
[32] Spentzou, E. (2009). Theorizing Ovid; Readers and Illusions: The Imaginary and the Real. In P. E. Knox, A Companion to Ovid (pp. 389–393). New Jersey: Wiley-Blackwell Publishing Company.
[33] Stevens, J. (2006). The Imagery of Cicero's Somnium Scipionis. In C. Deroux (Ed.), Studies in Latin Literature and Roman History (Vol. XIII; pp.155–165). Bruxelles: Collection Latomus.
[34] Struck, P. T. (2004). Birth of the Symbol. Ancient Readers at the Limits of Their Texts. Princeton, NJ – Oxford: Princeton University Press.
[35] Thompson, S. E. (2012). What Goodness Is: Order as Imitation of Unity in Augustine. The Review of Metaphysics, 65(3), 525–553.
[36] Turner, D. (2010). Allegory in Christian Late Antiquity. In R. Copeland, & P. Struck, The Cambridge Companion to Allegory (pp. 71–82). Cambridge: Cambridge University Press.