Název: Ženy (a jejich absence) v kyberpunkové SF
Variantní název:
- Women (and their absence) in cyberpunk SF
Zdrojový dokument: Bohemica litteraria. 2018, roč. 21, č. 2, s. 68-86
Rozsah
68-86
-
ISSN1213-2144 (print)2336-4394 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/BL2018-2-4
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/138655
Type: Článek
Jazyk
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
The study analyzes the depiction of female characters in the (mostly American) cyberpunk SF. It is based on both the theoretical postulates of the genre that talk about the re-writing of SF literary stereotypes and about social and political radicalism, as well as on the analysis of the primary texts. A critical reading of these texts leads to the (not so surprising) conclusion that the typical cyberpunk hero is a male macho-hero, not a woman with a radically rewritten gender role. This fact brings up a question whether the theoretical premises of cyberpunk have remained unfullfiled or if they were actually directed against the feminist SF of the 70s and 80s. Another part of the study discusses of the definition of a cyberpunk in the sense of the contrast of the "Movement" vs. subgenre.
Note
Příspěvek vznikl za podpory MŠMT, grant IGA_FF_2018_Bohemistika: moderní filologie v 21. století.
Reference
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[15] CYBERPUNK FORUM. 1988. "Cyberpunk Forum/Symposium", Mississippi Review, roč. 16, č. 2–3, s. 16–65
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[19] HARAWAY, Donna. 1991. "A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century" in D. Haraway: Simians, Cyborgs and Women: The Reinvention of Nature (London/New York: Routledge), s. 149–181
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[25] LAVIGNE, Carlen. 2013. Cyberpunk Women, Feminism and Science Fiction (Jefferson: McFarland)
[26] LEARY, Timothy. 1997. Chaos a kyberkultura (Praha: Maťa/DharmaGaia)
[27] LEVY, Michael. 2009. "Fiction, 1980–1992", in M. Bould aj. (eds.), The Routledge Companion to Science Fiction (London, New York: Routledge), s. 153–162
[28] LÉVY, Pierre. 2000. Kyberkultura (Praha: Karolinum)
[29] LIPPA, Richard A. 2009. Pohlaví: příroda a výchova (Praha: Academia)
[30] McCAFFERY, Larry. 1988. "The Desert of the Real: The Cyberpunk Controversy", Mississippi Review, roč. 16, č. 2–3, s. 7–15
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[32] NIXON, Nicola. 1992. "Cyberpunk: Preparing the Ground for Revolution or Keeping the Boys Satisfied?", Science Fiction Studies, roč. 19, č. 2, s. 219–235
[33] PLANT, Sadie. 1997. "Beyond the Screens: Film, Cyberpunk and Cyberfeminism", in S. Kemp aj. Squires (eds.), Feminisms (Oxford/New York: Oxford University Press), s. 497–502
[34] PLANT, Sadie. 1995. "The Future Looms: Weaving Women and Cybernetics", in M. Featherstone, R. Burrows (eds.), Cyberspace/Cyberbodies/Cyberpunk (London: Sage Publications), s. 45–64
[35] POLÁCH, Vladimír. 2012. "Re/de/konstrukce genderových rolí v Gibsonově románu Neuromancer", in R. Slabáková Švaříčková a kol. (eds.): Re/de/konstrukce genderových rolí v Gibsonově románu Neuromancer (Praha: Nakladatelství
[36] Lidové noviny), s. 362–371
[37] RENZETTI, Claire M. – CURRAN, Daniel J. 2003. Ženy, muži a společnost (Praha: Karolinum)
[38] RUSHKOFF, Douglas. 1994. Cyberia: Life in the Trenches of Hyperspace (London: Flamingo)
[39] SHINER, Lewis. 1991. "Confessions of an Ex-Cyberpunk", The New York Times, 7. ledna 1991. Dostupné z http://www.fictionliberationfront.net/cyberpunk.html, přístup 14. 3. 2018
[40] STERLING, Bruce. 2008. "Předmluva", in B. Sterling, Vidím to jinak (Praha: Laser-Books), s. 13–19
[41] STERLING, Bruce. 2000. Zrcadlovky. B. Sterling (ed.) (Praha: Laser-books)
[42] STERLING, Bruce. 2000. "Předmluva", in B. Sterling (ed.), Zrcadlovky (Praha: Laser-books), s. 7–15
[43] STERLING, Bruce. 2002. "Bruce Sterling's Idea of What Every Well-Appointed "Cyberpunk SF" Library Collection Should Posses", in : P. Cadigan (ed.), The Ultimate Cyberpunk (New York: ibooks), s. 383–389
[44] STERLING, Bruce. 1991. "Cyberpunk in the Nineties", Interzone, červenec 1991
[45] STERLING, Bruce. 1984. "Real SF Fans Don't Read Priest", Cheap Truth 8, prosinec 1984. Jako Vincent Omniaveritas
[2] GIBSON, William. 1998. Vypálit Chrom (Brno: Návrat)
[3] GIBSON, William. 1992. Neuromancer (Plzeň: Laser)
[4] GIBSON, William. 1998. Zběsilá jízda (Brno: Návrat)
[5] GIBSON, William. 1997. Hrabě nula (Brno: Návrat)
[6] RUSS, Joanna. 1977. The Female Man (Boston: Gregg Press)
[7] BALSAMO, Anne. 1996. Technologies of the Gendered Body. Reading Cyborg Women (Durham, London: Duke University Press)
[8] BALSAMO, Anne. 1995. "Forms of Technological Embodiment: Reading the Body in Contemporary Culture", in M. Featherstone, R. Burrows (eds.), Cyberspace/Cyberbodies/Cyberpunk (London: Sage Publications), s. 215–237
[9] BELL, David aj. 2004. Cyberculture. The Key Concepts (London, New York: Routledge)
[10] BUTLER, Andrew M. 2000. Cyberpunk (Harpenden: Pocket Essentials)
[11] CADIGAN, Pat. 2002. "Introduction, Not a Manifesto," in P. Cadigan (ed.): The Ultimate Cyberpunk (New York: ibooks)
[12] CADIGAN, Pat. 1987. Mindplayers (New York: Bantam Spectra)
[13] CADORA, Karen. 1995. "Feminist Cyberpunk", Science Fiction Studies, roč. 22, č. 3, s. 357–372
[14] CAVALLARO, Dani. 2000. Cyberpunk and Cyberculture (London, New Brunswick NJ: The Athlone Press)
[15] CYBERPUNK FORUM. 1988. "Cyberpunk Forum/Symposium", Mississippi Review, roč. 16, č. 2–3, s. 16–65
[16] DERY, Mark. 1996. Escape velocity. Cyberculture at the End of the Century (New York: Groove Press)
[17] DĚDINOVÁ Tereza. 2015. Po divné krajině: charakteristika a vnitřní členění fantastické literatury (Brno: Filozofická fakulta, Masarykova univerzita)
[18] DOZOIS, Gardner. 1984. "Science-Fiction in the Eighties", The Washington Post, 30. 12. 1984
[19] HARAWAY, Donna. 1991. "A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century" in D. Haraway: Simians, Cyborgs and Women: The Reinvention of Nature (London/New York: Routledge), s. 149–181
[20] HEREC, Ondrej. 2001. Cyberpunk (vstupenka do tretieho tisícročia) (Bratislava: Vydavateľstvo Spolku slovenských spisovateľov)
[21] HICKS, Heather J. 1996. ""Whatever It Is That She's since Become": Writing Bodies of Text and Bodies of Women in James Tiptree, Jr.'s "The Girl Who Was Plugged in" and William Gibson's "The Winter Market"", Contemporary Literature, roč. 37, č. 1, s. 62–93 | DOI 10.2307/1208751
[22] HOLLINGER, Veronica. 2009. "Posthumanism and Cyborg Theory", in M. Bould aj. (eds.), The Routledge Companion to Science Fiction (London,New York: Routledge), s. 267–278
[23] HOLLINGER, Veronica. 1999 "(Re)reading Queerly: Science Fiction, Feminism, and the Defamiliarization of Gender", Science Fiction Studies, roč. 25, č. 1, s. 23–40
[24] HOLLINGER, Veronica. 1991. "Cybernetic Deconstructions: Cyberpunk and Postmodernism", in L. McCaffery (ed.), Storming the reality studio (Durham/London: Duke University Press), s. 203–218
[25] LAVIGNE, Carlen. 2013. Cyberpunk Women, Feminism and Science Fiction (Jefferson: McFarland)
[26] LEARY, Timothy. 1997. Chaos a kyberkultura (Praha: Maťa/DharmaGaia)
[27] LEVY, Michael. 2009. "Fiction, 1980–1992", in M. Bould aj. (eds.), The Routledge Companion to Science Fiction (London, New York: Routledge), s. 153–162
[28] LÉVY, Pierre. 2000. Kyberkultura (Praha: Karolinum)
[29] LIPPA, Richard A. 2009. Pohlaví: příroda a výchova (Praha: Academia)
[30] McCAFFERY, Larry. 1988. "The Desert of the Real: The Cyberpunk Controversy", Mississippi Review, roč. 16, č. 2–3, s. 7–15
[31] McCAFFERY, Larry. 1991. "An interview with William Gibson", in L. McCaffery (ed.): Storming the reality studio (Durham/London: Duke University Press), s. 263–285
[32] NIXON, Nicola. 1992. "Cyberpunk: Preparing the Ground for Revolution or Keeping the Boys Satisfied?", Science Fiction Studies, roč. 19, č. 2, s. 219–235
[33] PLANT, Sadie. 1997. "Beyond the Screens: Film, Cyberpunk and Cyberfeminism", in S. Kemp aj. Squires (eds.), Feminisms (Oxford/New York: Oxford University Press), s. 497–502
[34] PLANT, Sadie. 1995. "The Future Looms: Weaving Women and Cybernetics", in M. Featherstone, R. Burrows (eds.), Cyberspace/Cyberbodies/Cyberpunk (London: Sage Publications), s. 45–64
[35] POLÁCH, Vladimír. 2012. "Re/de/konstrukce genderových rolí v Gibsonově románu Neuromancer", in R. Slabáková Švaříčková a kol. (eds.): Re/de/konstrukce genderových rolí v Gibsonově románu Neuromancer (Praha: Nakladatelství
[36] Lidové noviny), s. 362–371
[37] RENZETTI, Claire M. – CURRAN, Daniel J. 2003. Ženy, muži a společnost (Praha: Karolinum)
[38] RUSHKOFF, Douglas. 1994. Cyberia: Life in the Trenches of Hyperspace (London: Flamingo)
[39] SHINER, Lewis. 1991. "Confessions of an Ex-Cyberpunk", The New York Times, 7. ledna 1991. Dostupné z http://www.fictionliberationfront.net/cyberpunk.html, přístup 14. 3. 2018
[40] STERLING, Bruce. 2008. "Předmluva", in B. Sterling, Vidím to jinak (Praha: Laser-Books), s. 13–19
[41] STERLING, Bruce. 2000. Zrcadlovky. B. Sterling (ed.) (Praha: Laser-books)
[42] STERLING, Bruce. 2000. "Předmluva", in B. Sterling (ed.), Zrcadlovky (Praha: Laser-books), s. 7–15
[43] STERLING, Bruce. 2002. "Bruce Sterling's Idea of What Every Well-Appointed "Cyberpunk SF" Library Collection Should Posses", in : P. Cadigan (ed.), The Ultimate Cyberpunk (New York: ibooks), s. 383–389
[44] STERLING, Bruce. 1991. "Cyberpunk in the Nineties", Interzone, červenec 1991
[45] STERLING, Bruce. 1984. "Real SF Fans Don't Read Priest", Cheap Truth 8, prosinec 1984. Jako Vincent Omniaveritas