Název: Impaled Northern Moonforest : konstrukce parodické blackmetalové identity
Variantní název:
- Impaled Northern Moonforest : construction of a parodic black metal identity
Zdrojový dokument: Sacra. 2017, roč. 15, č. 2, s. 62-88
Rozsah
62-88
-
ISSN1214-5351 (print)2336-4483 (online)
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/142126
Type: Článek
Jazyk
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
In 1997, the American parodic duo Impaled Northern Moonforest, consisting of members of a grindcore band Anal Cunt, released a short demo which presented itself as the most authentic Norwegian black metal of all time. This text focuses on Impaled Northern Moonforest as a case study of demonological concepts in contemporary popular culture and utilizes content analysis of track list names. The analysis shows that Impaled Northern Moonforest created their parodic black metal identity in the framework of the reactive, paradigmatically conform Satanism, which is derived mainly from the pop-cultural and panic-inducing image of devil-worshippers. Such a parodic emphasis on Satanic and black metal themes offered an opportunity to observe a specific way of perceiving second wave Norwegian black metal by musicians who approached it from a different position in the social field of extreme metal. It also brought about the possibility of observing a set of elements created by grindcore musicians which made them distinct from black metal by ridiculing it.
Note
Následující text vznikl v rámci projektu specifického výzkumu INTERVYR – Internacionalizace výzkumu v religionistice (MUNI/A/0873/2016), řešeného Ústavem religionistiky FF MU v roce 2017. Analytická část studie je primárně dílem Dana Řezníčka. Ostatní části textu jsou pak spíše prací Miroslava Vrzala.
Reference
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[2] Acoustic Black Metal. (n.d.). Nalezeno [10.8.2015] na http://acousticblackmetal.com/forum/index.php?PHPSESSID=8sdtv4ef6qsnuuh9dijhtclek6&board=11.0.
[3] De Mysteriis Dom Sathanas. (n.d.). In Encyclopaedia Metallum: The Metal Archives. Nalezeno [9.11.2017] na https://www.metal-archives.com/albums/Mayhem/De_Mysteriis_Dom_Sathanas/254.
[4] Grimlord (27.12.2004). Necrowizard. In Urban Dictionary. Nalezeno [19.8.2015] na http://cs.urbandictionary.com/define.php?term=Necrowizard&defid=964703.
[5] Hail the Necrowizard! (n.d.). Nalezeno [19.8.2015] na http://acousticblackmetal.com/forum/index.php?topic=52.0.
[6] Jakemanson (2012). Impaled Northern Moonforest. Nalezeno [11.11.2017] na https://weirdestbandintheworld.com/2012/02/23/weird-band-of-the-week-impaled-northernmoonforest/.
[7] LibidoAirbag (24.10.2006). Impaled Northern Moonforest. Nalezeno [19.8.2015] na https://www.youtube.com/watch?v=D8cPTlFpx9o.
[8] Morbid Thor (27.12.2004). Necrowizard. In Urban Dictionary. Nalezeno [19.8.2015] na http://cs.urbandictionary.com/define.php?term=Necrowizard.
[9] PyiToditt (9.6.2006). Immortal - Call Of The Wintermoon. Nalezeno [11.11.2017] na https://www.youtube.com/watch?v=-VBdAY8eA9w.
[10] Sil Phung (12.8.2008). Necrobation. In Urban Dictionary. Nalezeno [19.8.2015] na http://www.urbandictionary.com/define.php?term=Necrobation.
[11] The Return... (n.d.). In Encyclopaedia Metallum: The Metal Archives. Nalezeno [11.11.2017] na https://www.metal-archives.com/albums/Bathory/The_Return....../756.
[12] Baker, B. (2014). A Man of Wealth and Taste: The Strange Career of Hannibal Lecter. In Ch. H. Partridge & E. S. Christianson (Eds.), The Lure of the Dark Side: Satan and Western Demonology in Popular Culture (pp. 122–134). London – New York: Routledge.
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[14] Bourdieu, P. (1979). Distinction: A Social Critique of the Judgement of Taste. London: Routledge.
[15] Daniel, O. (2016). Násilím proti "novému biedermeieru": Subkultury a většinová společnost pozdního státního socialismu a postsocialismu. Příbram: Pistorius & Olšanská.
[16] Dentith, S. (2000). Parody. London – New York: Routledge.
[17] Di Nola, A. (1998). Ďábel a podoby zla v historii lidstva. Praha: VOLVOX GLOBATOR.
[18] Duriez, C. (2014). Voldemort, Death Eaters, Dementors, and the Dark Arts: A Contemporary Theology of Spiritual Perversion in the Harry Potter Story. In Ch. H. Partridge & E. S. Christianson (Eds.), The Lure of the Dark Side: Satan and Western Demonology in Popular Culture (pp. 182–192). //London – New York: Routledge.
[19] Dyrendal, A. (2008). Devilish Consumption: Popular Culture in Satanic Socialization. Numen, 55(1), 68–98. | DOI 10.1163/156852708X289009
[20] Dyrendal, A. (2014). Satanism and Popular Music. In Ch. H. Partridge & E. S. Christianson (Eds.), The Lure of the Dark Side: Satan and Western Demonology in Popular Culture (pp. 25–38). London – New York: Routledge.
[21] Dyrendal, A., Lewis, J., & Petersen, J. A. (2016). The Invention of Satanism. New York. Oxford University Press.
[22] Ginzburg, C. (2000). Noční Příběh: Sabat čarodějnic. Praha: Argo.
[23] Granholm, K. (2011). "Sons of Northern Darkness”: Heathen Influences in Black Metal and Neofolk Music. Numen, 58(4), 514–544. | DOI 10.1163/156852711X577069
[24] Granholm, K. (2013). Ritual Black Metal: Popular Music as Occult Mediation and Practice. Correspondences, 1(1), 5–33.
[25] Hjelm, T. (2014). Celluloid Vampires, Scientization, and the Decline of Religion. In Ch. H. Partridge & E. S. Christianson (Eds.), The Lure of the Dark Side: Satan and Western Demonology in Popular Culture (pp. 105–121). London – New York: Routledge.
[26] Hjelm, T., Kahn-Harris, K., & LeVine, M. (2011). Heavy Metal as Controversy and Counterculture. Popular Music History, 6(1–2), 5–18.
[27] Hutcheon, L. (2000). A Theory of Parody: The Teachings of Twentieth-Century Art Forms. Urbana – Chicago: University of Illinois Press.
[28] Kahn-Harris, K. (2007). Extreme Metal: Music and Culture on the Edge. Oxford – New York: Berg.
[29] Kolářová, M. (Ed.) (2011). Revolta stylem: Hudební subkultury mládeže v České republice. Praha: Sociologické nakladatelství – Sociologický ústav AV ČR, V. V. I.
[30] Krippendorff, K. (2004). Content Analysis: An introduction to its Methodology. Thousand Oaks – London – New Delhi: SAGE.
[31] Mercer-Taylor, P. (2014). Between Hymn and Horror Film: How do We Listen to Cradle of Filth? In Ch. H. Partridge & E. S. Christianson (Eds.), The Lure of the Dark Side: Satan and Western Demonology in Popular Culture (pp. 39–59). London – New York: Routledge.
[32] Moberg, M. (2009). Popular Culture and the 'Darker Side' of Alternative Spirituality: The Case of Metal Music. Scripta Instituti Donneriani Aboensis, 21, 110–128. | DOI 10.30674/scripta.67347
[33] Mokrý, M. (2016). Kontrakulturní tvorba Thursatrú: Black metal coby model tvorby náboženské identity v chaos-gnosticismu. Sacra, 14(2), 18–36.
[34] Motal, J. (2013). Habent papam: Volba papeže v celostátním českém tisku. Sacra, 11(1), 7–30.
[35] Moynihan, M. & Søderlind, D. (1998). Lords of Chaos: The Bloody Rise of the Satanic Metal Underground. Los Angeles: Feral House.
[36] Mørk, G. (2009). With my Art I am the Fist in the Face of God: On Old-school Black Metal. In J. A. Petersen (Ed.), Contemporary Religious Satanism: A Critical Anthology (pp. 171–198). Farnham – Burlington: Ashgate.
[37] Muchembled, R. (2008). Dějiny ďábla. Praha: Argo.
[38] Partridge, Ch. H. (2004). The Re-Enchantment of the West: Volume 1: Alternative Spiritualities, Sacralization, Popular Culture, and Occulture. London – New York: T & T Clark International.
[39] Partridge, Ch. H. (2005). The Re-Enchantment of the West: Volume 2: Alternative Spiritualities, Sacralization, Popular Culture, and Occulture. London – New York: T & T Clark International.
[40] Partridge, Ch. H. & Christianson, E. S. (Eds.) (2014). The Lure of the Dark Side: Satan and Western Demonology in Popular Culture. London – New York: Routledge.
[41] Partridge, Ch. H. & Christianson, E. S. (2014). Introduction: A Brief History of Western Demonology. In Ch. H. Partridge & E. S. Christianson (Eds.), The Lure of the Dark Side: Satan and Western Demonology in Popular Culture (pp. 1–21). London – New York: Routledge.
[42] Petersen, J. A. (2005). Modern Satanism: Dark Doctrines and Black Flames. In J. R. Lewis & J. A. Petersen (Eds.), Controversial New Religions (pp. 423–457). Oxford – New York: Oxford UP.
[43] Petersen, J. A. (2009). Introduction: Embracing Satan. In J. A. Petersen (Ed.), Contemporary Religious Satanism: A Critical Anthology (pp. 1–24). Farnham – Burlington: Ashgate.
[44] Sarelin, M. (2009). Religion within Finnish Black Metal. In U. Wolf-Kunts & K. Grant (Eds.), Rethinking the Sacred: Proceedings of the Ninth SIEF Conference in Derry 2008 (pp. 75–87). Åbo: Åbo Akademi University.
[45] Schock, P. A. (2003). Romantic Satanism: Myth and the Historical Moment in Blake, Shelley and Byron. Basingstoke – New York: Palgrave Macmillan.
[46] Smolík, J. (2017). Subkultury mládeže: Sociologické, psychologické a pedagogické aspekty. Brno: Mendelova univerzita v Brně.
[47] Thornton, S. (1997). The Social Logic of Subcultural Capital. In K. Gelder & S. Thornton (Eds.), The Subcultures Reader (pp. 200–209). London: Routledge.
[48] Victor, J. S. (1993). Satanic Panic: The Creation of Contemporary Legend. Chicago: Open Court Press.
[49] Vrzal, M. (2009). "Satan, Ódin, Hitler": Spojení satanismu, pohanství a ultrapravicové ideologie v black metalové subkultuře. Sacra, 7(1), 5–24.
[50] Vrzal, M. (2015). Okultní aspekty v metalové hudbě: Od hororového stylu k temné spiritualitě. Sacra, 13(2), 7–29.
[51] Vrzal, M. (2017). Pagan Terror: The Role of Pagan Ideology in Church Burnings and the 1990s Norwegian Black Metal Subculture. The Pomegranate: The International Journal of Pagan Studies, 19(2), 173–204.
[52] Vrzal, M. & Vencálek, M. (2016). Nejsou rohy jako rohy: Vztah moderního pohanství a satanismu. Sacra, 14(2), 37–54.
[2] Acoustic Black Metal. (n.d.). Nalezeno [10.8.2015] na http://acousticblackmetal.com/forum/index.php?PHPSESSID=8sdtv4ef6qsnuuh9dijhtclek6&board=11.0.
[3] De Mysteriis Dom Sathanas. (n.d.). In Encyclopaedia Metallum: The Metal Archives. Nalezeno [9.11.2017] na https://www.metal-archives.com/albums/Mayhem/De_Mysteriis_Dom_Sathanas/254.
[4] Grimlord (27.12.2004). Necrowizard. In Urban Dictionary. Nalezeno [19.8.2015] na http://cs.urbandictionary.com/define.php?term=Necrowizard&defid=964703.
[5] Hail the Necrowizard! (n.d.). Nalezeno [19.8.2015] na http://acousticblackmetal.com/forum/index.php?topic=52.0.
[6] Jakemanson (2012). Impaled Northern Moonforest. Nalezeno [11.11.2017] na https://weirdestbandintheworld.com/2012/02/23/weird-band-of-the-week-impaled-northernmoonforest/.
[7] LibidoAirbag (24.10.2006). Impaled Northern Moonforest. Nalezeno [19.8.2015] na https://www.youtube.com/watch?v=D8cPTlFpx9o.
[8] Morbid Thor (27.12.2004). Necrowizard. In Urban Dictionary. Nalezeno [19.8.2015] na http://cs.urbandictionary.com/define.php?term=Necrowizard.
[9] PyiToditt (9.6.2006). Immortal - Call Of The Wintermoon. Nalezeno [11.11.2017] na https://www.youtube.com/watch?v=-VBdAY8eA9w.
[10] Sil Phung (12.8.2008). Necrobation. In Urban Dictionary. Nalezeno [19.8.2015] na http://www.urbandictionary.com/define.php?term=Necrobation.
[11] The Return... (n.d.). In Encyclopaedia Metallum: The Metal Archives. Nalezeno [11.11.2017] na https://www.metal-archives.com/albums/Bathory/The_Return....../756.
[12] Baker, B. (2014). A Man of Wealth and Taste: The Strange Career of Hannibal Lecter. In Ch. H. Partridge & E. S. Christianson (Eds.), The Lure of the Dark Side: Satan and Western Demonology in Popular Culture (pp. 122–134). London – New York: Routledge.
[13] Bourdieu, P. (1998). Teorie jednání. Praha: Karolinum.
[14] Bourdieu, P. (1979). Distinction: A Social Critique of the Judgement of Taste. London: Routledge.
[15] Daniel, O. (2016). Násilím proti "novému biedermeieru": Subkultury a většinová společnost pozdního státního socialismu a postsocialismu. Příbram: Pistorius & Olšanská.
[16] Dentith, S. (2000). Parody. London – New York: Routledge.
[17] Di Nola, A. (1998). Ďábel a podoby zla v historii lidstva. Praha: VOLVOX GLOBATOR.
[18] Duriez, C. (2014). Voldemort, Death Eaters, Dementors, and the Dark Arts: A Contemporary Theology of Spiritual Perversion in the Harry Potter Story. In Ch. H. Partridge & E. S. Christianson (Eds.), The Lure of the Dark Side: Satan and Western Demonology in Popular Culture (pp. 182–192). //London – New York: Routledge.
[19] Dyrendal, A. (2008). Devilish Consumption: Popular Culture in Satanic Socialization. Numen, 55(1), 68–98. | DOI 10.1163/156852708X289009
[20] Dyrendal, A. (2014). Satanism and Popular Music. In Ch. H. Partridge & E. S. Christianson (Eds.), The Lure of the Dark Side: Satan and Western Demonology in Popular Culture (pp. 25–38). London – New York: Routledge.
[21] Dyrendal, A., Lewis, J., & Petersen, J. A. (2016). The Invention of Satanism. New York. Oxford University Press.
[22] Ginzburg, C. (2000). Noční Příběh: Sabat čarodějnic. Praha: Argo.
[23] Granholm, K. (2011). "Sons of Northern Darkness”: Heathen Influences in Black Metal and Neofolk Music. Numen, 58(4), 514–544. | DOI 10.1163/156852711X577069
[24] Granholm, K. (2013). Ritual Black Metal: Popular Music as Occult Mediation and Practice. Correspondences, 1(1), 5–33.
[25] Hjelm, T. (2014). Celluloid Vampires, Scientization, and the Decline of Religion. In Ch. H. Partridge & E. S. Christianson (Eds.), The Lure of the Dark Side: Satan and Western Demonology in Popular Culture (pp. 105–121). London – New York: Routledge.
[26] Hjelm, T., Kahn-Harris, K., & LeVine, M. (2011). Heavy Metal as Controversy and Counterculture. Popular Music History, 6(1–2), 5–18.
[27] Hutcheon, L. (2000). A Theory of Parody: The Teachings of Twentieth-Century Art Forms. Urbana – Chicago: University of Illinois Press.
[28] Kahn-Harris, K. (2007). Extreme Metal: Music and Culture on the Edge. Oxford – New York: Berg.
[29] Kolářová, M. (Ed.) (2011). Revolta stylem: Hudební subkultury mládeže v České republice. Praha: Sociologické nakladatelství – Sociologický ústav AV ČR, V. V. I.
[30] Krippendorff, K. (2004). Content Analysis: An introduction to its Methodology. Thousand Oaks – London – New Delhi: SAGE.
[31] Mercer-Taylor, P. (2014). Between Hymn and Horror Film: How do We Listen to Cradle of Filth? In Ch. H. Partridge & E. S. Christianson (Eds.), The Lure of the Dark Side: Satan and Western Demonology in Popular Culture (pp. 39–59). London – New York: Routledge.
[32] Moberg, M. (2009). Popular Culture and the 'Darker Side' of Alternative Spirituality: The Case of Metal Music. Scripta Instituti Donneriani Aboensis, 21, 110–128. | DOI 10.30674/scripta.67347
[33] Mokrý, M. (2016). Kontrakulturní tvorba Thursatrú: Black metal coby model tvorby náboženské identity v chaos-gnosticismu. Sacra, 14(2), 18–36.
[34] Motal, J. (2013). Habent papam: Volba papeže v celostátním českém tisku. Sacra, 11(1), 7–30.
[35] Moynihan, M. & Søderlind, D. (1998). Lords of Chaos: The Bloody Rise of the Satanic Metal Underground. Los Angeles: Feral House.
[36] Mørk, G. (2009). With my Art I am the Fist in the Face of God: On Old-school Black Metal. In J. A. Petersen (Ed.), Contemporary Religious Satanism: A Critical Anthology (pp. 171–198). Farnham – Burlington: Ashgate.
[37] Muchembled, R. (2008). Dějiny ďábla. Praha: Argo.
[38] Partridge, Ch. H. (2004). The Re-Enchantment of the West: Volume 1: Alternative Spiritualities, Sacralization, Popular Culture, and Occulture. London – New York: T & T Clark International.
[39] Partridge, Ch. H. (2005). The Re-Enchantment of the West: Volume 2: Alternative Spiritualities, Sacralization, Popular Culture, and Occulture. London – New York: T & T Clark International.
[40] Partridge, Ch. H. & Christianson, E. S. (Eds.) (2014). The Lure of the Dark Side: Satan and Western Demonology in Popular Culture. London – New York: Routledge.
[41] Partridge, Ch. H. & Christianson, E. S. (2014). Introduction: A Brief History of Western Demonology. In Ch. H. Partridge & E. S. Christianson (Eds.), The Lure of the Dark Side: Satan and Western Demonology in Popular Culture (pp. 1–21). London – New York: Routledge.
[42] Petersen, J. A. (2005). Modern Satanism: Dark Doctrines and Black Flames. In J. R. Lewis & J. A. Petersen (Eds.), Controversial New Religions (pp. 423–457). Oxford – New York: Oxford UP.
[43] Petersen, J. A. (2009). Introduction: Embracing Satan. In J. A. Petersen (Ed.), Contemporary Religious Satanism: A Critical Anthology (pp. 1–24). Farnham – Burlington: Ashgate.
[44] Sarelin, M. (2009). Religion within Finnish Black Metal. In U. Wolf-Kunts & K. Grant (Eds.), Rethinking the Sacred: Proceedings of the Ninth SIEF Conference in Derry 2008 (pp. 75–87). Åbo: Åbo Akademi University.
[45] Schock, P. A. (2003). Romantic Satanism: Myth and the Historical Moment in Blake, Shelley and Byron. Basingstoke – New York: Palgrave Macmillan.
[46] Smolík, J. (2017). Subkultury mládeže: Sociologické, psychologické a pedagogické aspekty. Brno: Mendelova univerzita v Brně.
[47] Thornton, S. (1997). The Social Logic of Subcultural Capital. In K. Gelder & S. Thornton (Eds.), The Subcultures Reader (pp. 200–209). London: Routledge.
[48] Victor, J. S. (1993). Satanic Panic: The Creation of Contemporary Legend. Chicago: Open Court Press.
[49] Vrzal, M. (2009). "Satan, Ódin, Hitler": Spojení satanismu, pohanství a ultrapravicové ideologie v black metalové subkultuře. Sacra, 7(1), 5–24.
[50] Vrzal, M. (2015). Okultní aspekty v metalové hudbě: Od hororového stylu k temné spiritualitě. Sacra, 13(2), 7–29.
[51] Vrzal, M. (2017). Pagan Terror: The Role of Pagan Ideology in Church Burnings and the 1990s Norwegian Black Metal Subculture. The Pomegranate: The International Journal of Pagan Studies, 19(2), 173–204.
[52] Vrzal, M. & Vencálek, M. (2016). Nejsou rohy jako rohy: Vztah moderního pohanství a satanismu. Sacra, 14(2), 37–54.