Beckett and the theatrical sign : the need for semiotics

Název: Beckett and the theatrical sign : the need for semiotics
Zdrojový dokument: Theatralia. 2019, roč. 22, č. 2, Supplementum, s. 9-22
Rozsah
9-22
  • ISSN
    1803-845X (print)
    2336-4548 (online)
Type: Článek
Jazyk
 

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Reference
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[3] BAKOLA, Emmanuela. 2010. Cratinus and the art of comedy. Oxford: Oxford University Press, 2010.

[4] BECKETT, Samuel. 1986. The Complete Dramatic Works. London: Faber and Faber, 1986.

[5] DAVIS, Robin and Lance BUTLER (eds.). 1988. "Make sense who may". Essays on Samuel Beckett's later works. Colin Smythe: Gerrards Cross, 1988.

[6] DRÁBEK, Pavel. 2016. Prague School Theatre Theory and its Contexts (Afterword). In David Drozd, Tomáš Kačer and Don Sparling. Theatre theory reader: Prague School writings. Prague: Karolinum Press, 2016: 533–635.

[7] DROZD, David, Tomáš KAČER and Don SPARLING (eds.). 2016. Theatre theory reader: Prague School writings. Prague: Karolinum Press, 2016.

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[9] HONZL, Jindřich. 2016a [1940]. The mobility of the theatrical sign. In David Drozd, Tomáš Kačer and Don Sparling. Theatre theory reader: Prague School writings. Prague: Karolinum Press, 2016: 129–146.

[10] HONZL, Jidřich. 2016b [1943]. The hierarchy of theatrical devices. In David Drozd, Tomáš Kačer and Don Sparling. Theatre theory reader: Prague School writings. Prague: Karolinum Press, 2016: 157–164.

[11] KNOWLSON, James. 1996. Damned to fame. The life of Samuel Beckett. New York: Simon and Schuster, 1996.

[12] KUHN, Thomas. 1962. The structure of scientific revolutions. Chicago: The University of Chicago Press, 1962.

[13] KUNDERT-GIBB, John. 1999. No-thing is left to tell. Zen/chaos theory in the dramatic art of Samuel Beckett. Madison: Associated University Presses, 1999.

[14] LEHMANN, Hans-Thies. 1999. Postdramatisches Theater. Frankfurt a. M.: Verlag der Autoren, 1999. (English translation Postdramatic theatre. London: Routledge, 2006).

[15] O'GORMAN, Kathleen. 1988. The speech act in Beckett's Ohio Impromptu. In Robin Davis and Lance Butler (eds.). "Make sense who may". Essays on Samuel Beckett's later works. Colin Smythe: Gerrards Cross, 1988: 108–119.

[16] SCHEINER, Corinne. 2013. Self-Translation. In Anthony Uhlmann (ed.). Samuel Beckett in context. Cambridge: Cambridge University Press, 2013: 370–380.

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[18] SLOTE, Sam. 2013. The Joyce circle. In Anthony Uhlmann (ed.). Samuel Beckett in context. Cambridge: Cambridge University Press, 2013: 150–159.

[19] UHLMANN, Anthony (ed.). 2013. Samuel Beckett in context. Cambridge: Cambridge University Press, 2013.