Název: The medium (non-) specific : Rope, Dogville, and Mukařovský's space-as-meaning
Zdrojový dokument: Theatralia. 2019, roč. 22, č. 2, Supplementum, s. 96-108
Rozsah
96-108
-
ISSN1803-845X (print)2336-4548 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/TY2019-S-8
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/142292
Type: Článek
Jazyk
Licence: CC BY-NC-ND 4.0 International
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Reference
[1] AITKEN, Ian. 2001. European film theory and cinema: a critical Introduction. Edinburgh: Edinburgh University Press, 2001.
[2] ANDREW, J. Dudley. 2004. Foreword to the 2004 Edition. In André Bazin. What Is Cinema? Berkeley: University of California Press, 2004: ix-xxiv.
[3] ANDREW, J. Dudley. 1976. Sergei Eisenstein. In J. Dudley Andrew. The Major Film Theories: An Introduction, Oxford: Oxford University Press, 1976: 42–75.
[4] Battleship Potemkin [film]. 1925. Directed by Sergei Eisenstein, performances by Aleksandr Antonov and Vladimir Barksy. Goskino, 1925.
[5] BAZIN, André. 1960. The Ontology of the Photographic Image. Film Quarterly 13 (1960): 4: 4–9. | DOI 10.1525/fq.1960.13.4.04a00030
[6] The Best Years of Our Lives [film]. 1946. Directed by William Wyler, performances by Myrnay Loy and Fredrich March//. The Samuel Goldwyn Company, 1946.
[7] The Big Swallow [film]. 1902. Directed by James Williamson, performance by Sam Dalton. Williamson Kinematograph Company, 1902.
[8] BJÖRKMAN, Stig (ed.). 2003. Trier on von Trier. London: Faber and Faber, 2003.
[9] BORDWELL, David, Janet STAIGER and Kristin THOMPSON. 1985. The classical Hollywood cinema: film style & mode of production to 1960. New York: Columbia University Press, 1985.
[10] The Boss of It All [film]. 2006. Directed by Lars von Trier, performances by Jens Albinus and Peter Gantzler. Zentropa Entertainments, 2006.
[11] Dogville [film]. 2003. Directed by Lars von Trier, performances by Nicole Kidman and Paul Bettany. Zentropa Entertainments, 2003.
[12] ELBESHLAWY, Ahmed. 2016. Woman in Lars von Trier's Cinema. Cham: Palgrave Macmillan, 2016.
[13] EISENSTEIN, Sergei. 1949. The Cinematic Principle and the Ideogram. Film Form: Essays in Film Theory. New York: Harvourt Brace, 1949: 28–44.
[14] GUNNING, Tom. 2004. What's the Point of an Index? Or, Faking Photographs. Nordicom Review 25 (2004): 1–2: 39–49. | DOI 10.1515/nor-2017-0268
[15] HAMILTON, Patrick. 1968. Rope: a play. London: Constable, 1968.
[16] The Idiots [film]. 1998. Directed by Lars von Trier, performances by Bodil Jørgensen and Jens Albinus. Zentropa Entertainments, 1998.
[17] JAKOBSON, Roman. 1978. The Dominant. In Ladislav Matejka and Krystyna Pomorska (eds.). Readings in Russian poetics: formalist and structuralist views. Ann Arbor: Michigan Slavic Publications, 1978: 82–87.
[18] JOVANOVIC, Nenad. 2017. Brechtian cinemas: montage and theatricality in Jean-Marie Straub and Danièle Huillet, Peter Watkins and Lars von Trier. Albany: SUNY Press, 2017.
[19] KOUTSOURAKIS, Angelos. 2013. Politics as form in Lars von Trier. New York: Bloomsbury Academic, 2013.
[20] The lodger: a story of the London fog [film]. 1927. Directed by Alfred Hitchcock, performances by June Tripp and Ivor Novello. Gainsborough Pictures, 1927.
[21] LUEBECKER, Nikolaj. 2015. Feel-bad film. Edinburgh: Edinburgh University Press, 2015.
[22] Man With a Movie Camera [film]. 1929. Directed by Dziga Vertov. VUFKU, 1929.
[23] MUKAŘOVSKÝ, Jan. 2016 [1933]. A note on the aesthetics of film. In David Drozd, Tomáš Kačer and Don Sparling (eds.). Theatre theory reader: Prague School writers. Prague: Karolinum Press, 2016: 272–283.
[24] MUKAŘOVSKÝ, Jan. 1978. The aesthetic norm. Structure, Sign and Function: Selected Essays by Jan Mukařovský, New Haven/London: Yale University Press, 1978: 49–56.
[25] PETRIC, Vlada. 1987. Constructivism in film: the man with the movie camera, a cinematic analysis. Cambridge: Cambridge University Press, 1987.
[26] Knife in the water [film]. 1963. Directed by Roman Polanski, performances by Leon Niemczyk and Jolanta Umecka. Zespol Filmowy “Kamera”, 1963.
[27] Rope [film]. 1948. Directed by Alfred Hitchcock, performances by John Dall and Farley Granger. Warner Bros, 1948.
[28] SALT, Barry. 1983. Film style and technology. London: Starword, 1983.
[29] Synecdoche, New York [film]. 2008. Directed by Charlie Kaufman, performances by Philip Seymour Hoffman and Catherine Keener, Sidney Kimmel Entertainment, 2008.
[30] TOLES, George. 2001. A house made of light: essays on the art of film. Detroit: Wayne State University Press, 2001.
[31] TRUFFAUT, François. 1984. Hitchcock. New York: Simon and Schuster, 1984.
[32] WOOD, Robin. 2002. Hitchcock's films revisited: revised edition. New York: Columbia University Press, 2002.
[2] ANDREW, J. Dudley. 2004. Foreword to the 2004 Edition. In André Bazin. What Is Cinema? Berkeley: University of California Press, 2004: ix-xxiv.
[3] ANDREW, J. Dudley. 1976. Sergei Eisenstein. In J. Dudley Andrew. The Major Film Theories: An Introduction, Oxford: Oxford University Press, 1976: 42–75.
[4] Battleship Potemkin [film]. 1925. Directed by Sergei Eisenstein, performances by Aleksandr Antonov and Vladimir Barksy. Goskino, 1925.
[5] BAZIN, André. 1960. The Ontology of the Photographic Image. Film Quarterly 13 (1960): 4: 4–9. | DOI 10.1525/fq.1960.13.4.04a00030
[6] The Best Years of Our Lives [film]. 1946. Directed by William Wyler, performances by Myrnay Loy and Fredrich March//. The Samuel Goldwyn Company, 1946.
[7] The Big Swallow [film]. 1902. Directed by James Williamson, performance by Sam Dalton. Williamson Kinematograph Company, 1902.
[8] BJÖRKMAN, Stig (ed.). 2003. Trier on von Trier. London: Faber and Faber, 2003.
[9] BORDWELL, David, Janet STAIGER and Kristin THOMPSON. 1985. The classical Hollywood cinema: film style & mode of production to 1960. New York: Columbia University Press, 1985.
[10] The Boss of It All [film]. 2006. Directed by Lars von Trier, performances by Jens Albinus and Peter Gantzler. Zentropa Entertainments, 2006.
[11] Dogville [film]. 2003. Directed by Lars von Trier, performances by Nicole Kidman and Paul Bettany. Zentropa Entertainments, 2003.
[12] ELBESHLAWY, Ahmed. 2016. Woman in Lars von Trier's Cinema. Cham: Palgrave Macmillan, 2016.
[13] EISENSTEIN, Sergei. 1949. The Cinematic Principle and the Ideogram. Film Form: Essays in Film Theory. New York: Harvourt Brace, 1949: 28–44.
[14] GUNNING, Tom. 2004. What's the Point of an Index? Or, Faking Photographs. Nordicom Review 25 (2004): 1–2: 39–49. | DOI 10.1515/nor-2017-0268
[15] HAMILTON, Patrick. 1968. Rope: a play. London: Constable, 1968.
[16] The Idiots [film]. 1998. Directed by Lars von Trier, performances by Bodil Jørgensen and Jens Albinus. Zentropa Entertainments, 1998.
[17] JAKOBSON, Roman. 1978. The Dominant. In Ladislav Matejka and Krystyna Pomorska (eds.). Readings in Russian poetics: formalist and structuralist views. Ann Arbor: Michigan Slavic Publications, 1978: 82–87.
[18] JOVANOVIC, Nenad. 2017. Brechtian cinemas: montage and theatricality in Jean-Marie Straub and Danièle Huillet, Peter Watkins and Lars von Trier. Albany: SUNY Press, 2017.
[19] KOUTSOURAKIS, Angelos. 2013. Politics as form in Lars von Trier. New York: Bloomsbury Academic, 2013.
[20] The lodger: a story of the London fog [film]. 1927. Directed by Alfred Hitchcock, performances by June Tripp and Ivor Novello. Gainsborough Pictures, 1927.
[21] LUEBECKER, Nikolaj. 2015. Feel-bad film. Edinburgh: Edinburgh University Press, 2015.
[22] Man With a Movie Camera [film]. 1929. Directed by Dziga Vertov. VUFKU, 1929.
[23] MUKAŘOVSKÝ, Jan. 2016 [1933]. A note on the aesthetics of film. In David Drozd, Tomáš Kačer and Don Sparling (eds.). Theatre theory reader: Prague School writers. Prague: Karolinum Press, 2016: 272–283.
[24] MUKAŘOVSKÝ, Jan. 1978. The aesthetic norm. Structure, Sign and Function: Selected Essays by Jan Mukařovský, New Haven/London: Yale University Press, 1978: 49–56.
[25] PETRIC, Vlada. 1987. Constructivism in film: the man with the movie camera, a cinematic analysis. Cambridge: Cambridge University Press, 1987.
[26] Knife in the water [film]. 1963. Directed by Roman Polanski, performances by Leon Niemczyk and Jolanta Umecka. Zespol Filmowy “Kamera”, 1963.
[27] Rope [film]. 1948. Directed by Alfred Hitchcock, performances by John Dall and Farley Granger. Warner Bros, 1948.
[28] SALT, Barry. 1983. Film style and technology. London: Starword, 1983.
[29] Synecdoche, New York [film]. 2008. Directed by Charlie Kaufman, performances by Philip Seymour Hoffman and Catherine Keener, Sidney Kimmel Entertainment, 2008.
[30] TOLES, George. 2001. A house made of light: essays on the art of film. Detroit: Wayne State University Press, 2001.
[31] TRUFFAUT, François. 1984. Hitchcock. New York: Simon and Schuster, 1984.
[32] WOOD, Robin. 2002. Hitchcock's films revisited: revised edition. New York: Columbia University Press, 2002.