Feelings of isolation and trauma from the Holocaust in the 20th-century Canadian Jewish short story

Název: Feelings of isolation and trauma from the Holocaust in the 20th-century Canadian Jewish short story
Variantní název:
  • Sentiments d'isolement et de traumatisme liés à l'Holocauste dans la nouvelle canadienne-juive
Zdrojový dokument: The Central European journal of Canadian studies. 2019, roč. 14, č. [1], s. 77-86
Rozsah
77-86
  • ISSN
    1213-7715 (print)
    2336-4556 (online)
Type: Článek
Jazyk
Licence: Neurčená licence
Přístupová práva
přístupné po uplynutí embarga
 

Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.

Abstrakt(y)
Canadian Jewish writers of short stories belonged to dual contexts and thus had to adapt to two different contexts – a mainstream one and a minority one. This article analyses short stories mostly from an anthology edited by Norman Ravvin and devoted to works of Canadian Jewish authors: Not Quite Mainstream Canadian Jewish Short Stories. In this anthology, the reader finds examples of subtle discrimination or a cultural shock (in Chava Rosenfarb's "The Greenhorn" or in Robyn Sarah's "A Minor Accident"), but also short stories dealing with the great suffering of Jews fleeing from German concentration camps to safety in the Soviet Union (in Rochl Korn's "Bluma Zelinger" and Roma Gelblum-Bross's "The Black Valises"). In addition to some Canadian Jewish authors, I examine two stories by Barry Callaghan, coming to the conclusion that Callaghan's stories offer a similar kind of experience. The stories examined in this article express the feelings of anxiety, trauma, nostalgia or horror experienced during the Second World War, but they also depict Canadian society through the eyes of a minority. The values present in these stories contribute to humanism and understanding among a variety of ethnic and social groups.
Les écrivains juifs canadiens de nouvelles appartenaient à deux contextes et devaient donc s'adapter à deux contextes différents : un contexte traditionnel et un contexte minoritaire. Cet article analyse des nouvelles tirées principalement d'une anthologie éditée par Norman Ravvin et consacrée à des œuvres écrites par des auteurs juifs canadiens : Not Quite Mainstream Canadian Jewish Short Stories. Dans cette anthologie, le lecteur trouve des exemples de discrimination subtile ou de choc culturel (dans "The Greenhorn" de Chava Rosenfarb ou dans "A Minor Accident" de Robyn Sarah), mais aussi de nouvelles relatant les grandes souffrances des Juifs fuyant les camps de concentration allemands pour se mettre en sécurité en Union soviétique (dans "Bluma Zelinger" de Rochl Korn et "The Black Valises" de Roma Gelblum-Bross). J'examine aussi deux nouvelles de Barry Callaghan et en conclus qu'elles offrent une expérience similaire. Les nouvelles examinées dans cet article expriment les sentiments d'anxiété, de traumatisme, de nostalgie ou d'horreur éprouvés pendant la Seconde Guerre mondiale, mais elles décrivent également la société canadienne à travers des yeux d'une minorité. Les valeurs présentes dans ces nouvelles contribuent à l'humanisme et à la compréhension entre divers groupes ethniques et sociaux.
Reference
[1] Callaghan, Barry. "The Cohen in Cowan." In The Black Queen and Other Stories. Barry Callaghan, 47–58. Toronto: Lester & Orpen Dennys, 1982.

[2] Callaghan, Barry. "Our Thirteenth Summer." In All the Lonely People. Barry Callaghan, location 793–928. Exile Editions, Holstein, Ontario, 2018. Kindle edition.

[3] Cohen, Matt. "The Sin of Tomás Benares." In The Faber Book of Contemporary Canadian Short Stories. Ed. Michael Ondaatje, 303–325. London and Boston: Faber and Faber, 1994 (first ed. 1990).

[4] Darling, Michael (ed). Perspectives on Mordecai Richler. Toronto: ECW Press, 1986.

[5] Eisler, Irena. "Chestnuts for Kafka." In Ravvin (ed.) Not Quite Mainstream, 202–211.

[6] Fuerstenberg, Adam G. "Jewish Writing." In The Canadian Encyclopedia. Year 2000 Edition. Ed. James H. Marsh, 1212–15. Toronto: McClelland & Stewart, 1999.

[7] Gelblum-Bross, Roma. "The Black Valises." In Ravvin (ed.) Not Quite Mainstream, 227–238.

[8] Jackel, David. "Short Fiction." In Literary History of Canada. Canadian Literature in English. Volume Four. 2nd edition. Ed. W. H. New, 46–72. Toronto: University of Toronto Press, 1990.

[9] Kalman Naves, Elaine. "Hair." In Ravvin (ed.) Not Quite Mainstream , 194–201.

[10] Korn, Rochl. "Bluma Zelinger." In Ravvin (ed.) Not Quite Mainstream , 53–74.

[11] Levine, Norman. "By a Frozen River." In I Don't Want to Know Anyone Too Well. Collected Stories. Norman Levine, location 2420–2611. Windsor: Biblioasis, 2017. Kindle edition.

[12] Palmer, Tamara J. and Beverly J. Rasporich. "Ethnic Literature." In The Canadian Encyclopedia. Year 2000 Edition. Ed. James H. Marsh, 793–796. Toronto: McClelland & Stewart, 1999.

[13] Quennet, Fabienne C. "The Social Critic at Work: Mordecai Richler, 'Benny, the War in Europe, and Myerson's Daughter Bella' (1956)." In The Canadian Short Story. Interpretations. Ed. Reingard Nischik, 149–162. Rochester: Camden House, 2007.

[14] Ravvin, Norman (ed). Not Quite Mainstream: Canadian Jewish Short Stories. Calgary: Red Deer Press, 2002.

[15] Ravvin, Norman. "Introduction." In Ravvin (ed.) Not Quite Mainstream, 11–16.

[16] Richler, Mordecai. The Street. Toronto, Penguin 1985.

[17] Rosenfarb, Chava. "The Greenhorn In Ravvin (ed.) Not Quite Mainstream, 75–86.

[18] Sarah, Robyn. "A Minor Accident." In Ravvin (ed.) Not Quite Mainstream, 142–150.

[19] Weinfeld, Morton. "Jews." In Encyclopedia of Canada's Peoples. Ed. Paul Robert Magocsi, 860–881. Toronto: University of Toronto Press, 1999.

[20] Zipper, Yaacov. "That First Morning." In Ravvin (ed.) Not Quite Mainstream , 17–22, trans. by Ode Garfinkle and Mervin Butovsky.