Název: Editorial
Zdrojový dokument: Theatralia. 2020, roč. 23, č. 1, s. 7-11
Rozsah
7-11
-
ISSN1803-845X (print)2336-4548 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/TY2020-1-1
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/142545
Type: Editorial; Ediční poznámka
Jazyk
Licence: CC BY-NC-ND 4.0 International
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Reference
[1] DROZD, David, Tomáš KAČER and Don SPARLING (eds.). 2016. Theatre Theory Reader: Prague School Writings. Prague: Karolinum, 2016.
[2] QUINN, Michael L. 1995. The Semiotic Stage. Prague School Theater Theory. New York: Peter Lang, 1995.
[3] ZICH, Otakar. 2015. Puppet Theatre. Transl. by Pavel Drábek. Theatralia 18 (2015): 2: 505–513, eds. Christian M. Billing and Pavel Drábek. | DOI 10.5817/TY2015-2-23
[4] ZICH, Otakar. 2016. Principles of Theoretical Dramaturgy. Transl. by Pavel Drábek. In David Drozd, Tomáš Kačer and Don Sparling (eds.). Theatre Theory Reader: Prague School Writings. Prague: Karolinum Press, 2016: 34–58.
[5] ZICH, Otakar. 2019. The Theatrical Illusion. Transl. by Emil Volek and Andrés Pérez-Simón. PMLA 134 (March 2019): 2: 351–358.
[2] QUINN, Michael L. 1995. The Semiotic Stage. Prague School Theater Theory. New York: Peter Lang, 1995.
[3] ZICH, Otakar. 2015. Puppet Theatre. Transl. by Pavel Drábek. Theatralia 18 (2015): 2: 505–513, eds. Christian M. Billing and Pavel Drábek. | DOI 10.5817/TY2015-2-23
[4] ZICH, Otakar. 2016. Principles of Theoretical Dramaturgy. Transl. by Pavel Drábek. In David Drozd, Tomáš Kačer and Don Sparling (eds.). Theatre Theory Reader: Prague School Writings. Prague: Karolinum Press, 2016: 34–58.
[5] ZICH, Otakar. 2019. The Theatrical Illusion. Transl. by Emil Volek and Andrés Pérez-Simón. PMLA 134 (March 2019): 2: 351–358.