Název: [Anténe, Petr. Howard Jacobson's novels in the context of contemporary British Jewish literature]
Zdrojový dokument: Brno studies in English. 2020, roč. 46, č. 2, s. 302-305
Rozsah
302-305
-
ISSN0524-6881 (print)1805-0867 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/BSE2020-2-18
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/143221
Type: Recenze
Jazyk
Licence: CC BY-NC-ND 4.0 International
Reviewed work
Anténe, Petr. Howard Jacobson's novels in the context of contemporary British Jewish literature. First edition. Olomouc: Palacký University, 2019. 163 pp. ISBN 978-80-244-5651-5.
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Reference
[1] Brauner, David (2014) Fetishizing the holocaust: Comedy and transatlantic connections in Howard Jacobson's "Kalloki Nights". European Judaism: A Journal for the New Europe 47 (2), 21–29.
[2] Brauner, David (2020) Howard Jocabson. Manchester: Manchester University Press.
[3] Gracombe, Sarah (2020) 'Precious Books': Conversion, Nationality and the Novel, 1810–2010. In: Theodor Dunkelgrűn and Paweł Maciejko (eds.) Bastards and Believers. Philadelphia: University of Pennsylvania Press, 182–206.
[4] Gasiorek, Andrzej (2012) Michael Chabon, Howard Jacobson, and Post-Holocaust Fiction. Contemporary Literature 53 (4), 875–903. | DOI 10.1353/cli.2012.0037
[5] Wally, Johannes (2017) The return of political fiction? An analysis of Howard Jacobson's Pussy (2017) and Ali Smith's Autumn (2016) as first reactions to the phenomena 'Donald Trump' and 'Brexit' in contemporary British literature. AAA: Arbeiten aus Anglistik und Amerikanistik 43 (1), 63–86.
[6] Witcombe, Mike (2016) A comedy of eruvs: (Re)Locating Jewish identity in Michael Chabon's The Yiddish Policemen's Union and Howard Jacobson's J. Shofar 34 (4), 29–51. | DOI 10.5703/shofar.34.4.0029
[2] Brauner, David (2020) Howard Jocabson. Manchester: Manchester University Press.
[3] Gracombe, Sarah (2020) 'Precious Books': Conversion, Nationality and the Novel, 1810–2010. In: Theodor Dunkelgrűn and Paweł Maciejko (eds.) Bastards and Believers. Philadelphia: University of Pennsylvania Press, 182–206.
[4] Gasiorek, Andrzej (2012) Michael Chabon, Howard Jacobson, and Post-Holocaust Fiction. Contemporary Literature 53 (4), 875–903. | DOI 10.1353/cli.2012.0037
[5] Wally, Johannes (2017) The return of political fiction? An analysis of Howard Jacobson's Pussy (2017) and Ali Smith's Autumn (2016) as first reactions to the phenomena 'Donald Trump' and 'Brexit' in contemporary British literature. AAA: Arbeiten aus Anglistik und Amerikanistik 43 (1), 63–86.
[6] Witcombe, Mike (2016) A comedy of eruvs: (Re)Locating Jewish identity in Michael Chabon's The Yiddish Policemen's Union and Howard Jacobson's J. Shofar 34 (4), 29–51. | DOI 10.5703/shofar.34.4.0029