Název: When the ear gets an earful : metapoetic connotations audible in Persius' satiric programme
Zdrojový dokument: Graeco-Latina Brunensia. 2022, roč. 27, č. 1, s. 29-41
Rozsah
29-41
-
ISSN1803-7402 (print)2336-4424 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/GLB2022-1-3
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/145028
Type: Článek
Jazyk
Licence: CC BY-SA 4.0 International
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
The literary-critical force of the ear(s)-motif in Persius' satiric programme has long been detected. My article moves further to consider the 'asexuality' of the ear(s) in Satire 1, while it completes the picture with the 'mimetic' acoustic dimension of the Prologue. In the Prologue, the poetasters of the contemporary literary scene find themselves in the state of a passive listener, not any different from talking-mimicking birds (parrots and magpies) duplicating exactly what they hear. Venal poets write for a living, so they are 'all ears' in order to fill their bellies. In an analogous way, the ear is also the medium for the reception of ethereal inspiration during an encounter with a divine inspirer. In Satire 1, the sensitivity of the ear(s) to being aroused by the sounds of poetry is crucial. To investigate this issue, I analyse a scene representing listeners driven to orgasm. The scene is almost pornographic; the muddle involves poetry together with sex. The sounds of poetry, conceived as an alternative erect penis, do not penetrate the ear(s) of the audience for they are either diseased or clogged, somehow, but rather, the audience's only open and receptive body orifice, which is their anus.
Reference
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[34] Witke, E. C. (1962). The Function of Persius' Choliambics. Mnemosyne, 4th series, 15(2), 153–158. | DOI 10.1163/156852562X00118
[35] Zietsman, J. C. (1988). Persius and the Vates Concept. Akroterion, 33, 71–78.
[2] Bartsch, S. (2015). Persius: A Study in Food, Philosophy, and the Figural. London – Chicago: University of Chicago Press.
[3] Bramble, J. C. (1974). Persius and the Programmatic Satire. A Study in Form and Imagery. Cambridge: University Press.
[4] Braund, S. M. (Ed.). (2004). Juvenal and Persius. Cambridge: Harvard University Press.
[5] Brugnoli, G. (2004). Studi di Filologia e Letteratura Latina. Pisa: ETS.
[6] Clausen, W. V. (Ed.). (1956). A. Persi Flacci Saturarum Liber. Oxford: Clarendon Press.
[7] Clausen, W. (1963). Sabinus' MS of Persius. Hermes, 91(2), 251–256.
[8] Conington, J. (Transl.). (1893). The Satires of A. Persius Flaccus (3d ed.). Oxford: Clarendon Press.
[9] D' Alessandro Behr, F. (2009). Open Bodies and Closed Minds? Persius' Saturae in the Light of Bakhtin and Voloshinov. In M. Plaza (Ed.), Persius and Juvenal (pp. 222–254). Oxford: Oxford University Press.
[10] Dessen, C. S. (1996). The Satires of Persius. Iunctura Callidus Acri (2nd ed.). London: Bristol Classical Press.
[11] Freudenburg, K. (2009). Faking It in Nero's Orgasmatron: Persius 1 and the Death of Criticism. In M. Plaza (Ed.), Persius and Juvenal (pp. 199–221). Oxford: Oxford University Press.
[12] Harvey, R. A. (1981). A Commentary on Persius (Mnemosyne, suppl. 64). Leiden: Brill.
[13] Katz, J. T., & Volk, K. (2000). 'Mere Bellies'?: A New Look at Theogony 26–8. Journal of Hellenic Studies, 120, 122–131. | DOI 10.2307/632484
[14] Knoche, U. (1957). Die römische Satire. Göttingen: Vandenhoeck & Ruprecht.
[15] Korfmacher, W. C. (1933). Persius as a Literary Critic. Classical Journal, 28(4), 276–286.
[16] Lee, G., & Barr, W. (Eds.). (1987). The Satires of Persius. Liverpool: Cairns.
[17] LSJ = Liddell, H. G., Scott, R., & Jones, H. S. (1969). A Greek-English lexicon. Oxford: Clarendon Press.
[18] Marmorale, E. V. (1956). Persio. Firenze: La nuova Italia.
[19] Miller, J. F. (1986). Disclaiming Divine Inspiration: A Programmatic Pattern. Wiener Studien, 20, 151–164.
[20] Miller, P. A. (2009). The Bodily Grotesque in Roman Satire: Images of Sterility. In M. Plaza (Ed.), Persius and Juvenal (pp. 327–348). Oxford: Oxford University Press.
[21] Miller, P. A. (2010). Persius, Irony, and Truth. American Journal of Philology, 131(2), 233–258. | DOI 10.1353/ajp.0.0108
[22] Moretti, G. (2001). Allusioni etimologiche al genus satirico: per una nuova esegesi di Persio, choliambi 6–7 (e una tradizione della satira latino). Materiali e discussioni per l'analisi dei testi classici, 46, 183–200. | DOI 10.2307/40236198
[23] Paratore, E. (1964). L' ultimo verso dei «choliambi» di Persio. Latomus, 23(4), 685–712.
[24] Powell, J. G. F. (1992). Persius' First Satire. A Re-examination. In T. Woodman, & J. Powell (Eds.), Author and Audience in Latin Literature (pp. 150–172). Cambridge: Cambridge University Press.
[25] Pretor, A. (1907). A Few Notes on the Satires of Persius with Special Reference to the Purport and Position of the Prologue. Classical Review, 21(3), 72–75. | DOI 10.1017/S0009840X00171021
[26] Ramage, E. S. (1979). Method and Structure in the Satires of Persius. Illinois Classical Studies, 4, 136–151.
[27] Reckford, K. J. (1962). Studies in Persius. Hermes, 90(4), 476–504.
[28] Reckford, K. J. (2009). Recognizing Persius. Oxford – Princeton: Princeton University Press.
[29] Sosin, J. D. (1999). Lucretius, Seneca and Persius 1.1–2. Transactions of the American Philological Association, 129, 281–299. | DOI 10.2307/284431
[30] Sullivan, J. P. (1978). Ass's Ears and Attises: Persius and Nero. American Journal of Philology, 99(2), 159–170. | DOI 10.2307/293643
[31] Tartari Chersoni, M. (2003). I Choliambi di Persio: Osservazioni metrico-stilistiche. Philologus, 147(2), 270–288. | DOI 10.1524/phil.2003.147.2.270
[32] Villeneuve, F. (1918). Essai sur Perse. Paris: Hachette.
[33] Wehrle, W. T. (1992). Persius semipaganus? Scholia, 1, 55–65.
[34] Witke, E. C. (1962). The Function of Persius' Choliambics. Mnemosyne, 4th series, 15(2), 153–158. | DOI 10.1163/156852562X00118
[35] Zietsman, J. C. (1988). Persius and the Vates Concept. Akroterion, 33, 71–78.