Název: Robert Frost's dramatic monologue : the two sides of the narrative in "A Servant to Servants"
Zdrojový dokument: Brno studies in English. 2022, roč. 48, č. 2, s. 177-188
Rozsah
177-188
-
ISSN0524-6881 (print)1805-0867 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/BSE2022-2-9
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/digilib.77883
Type: Článek
Jazyk
Licence: CC BY-NC-ND 4.0 International
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
The structuralist-inspired development of narrative theories in France from the late 1960s onward has spawned a whole host of opportunities to explore the way narratives function. This is precisely what Gerald Prince undertakes in his Narratology: The Form and Functioning of Narrative, in which he delineates the mutual relationship between the narrator and the narratee as two of the most important constituents in any narrative. This framework is useful for the study of Robert Frost's narrative poetry, which comprised a large part of his oeuvre at a time when the form had become marginalized due to conforming to the poetic conventions that modernism tended to undermine. This research explores Frost's modernist take on this conventional genre through a narratological study of his poem “A Servant to Servants.”
Reference
[1] Abbott, H. Porter (2005) The future of all narrative futures. In: Phelan, James and Peter J. Rabinowitz (eds.) A Companion to Narrative Theory. Oxford: Blackwell Publishing. 529–541.
[2] Abrams, M. H. and Geoffrey Galt Harpham (2015) A Glossary of Literary Terms. Boston: Cengage.
[3] Bell, Vereen (1985) Robert Frost and the nature of narrative. New England Review and Bread Loaf Quarterly 8 (1), 70–78.
[4] Cooper, John Xiros (2014) Robert Frost and modernism. In: Richardson, Mark (ed.) Robert Frost in Context. Cambridge: Cambridge University Press, 85–91.
[5] Durham, John M. (1969) Robert Frost: A bleak, darkly realistic poet. Revista de Letras 12, 57–89.
[6] Faggen, Robert (2001) Frost and the questions of pastoral. In: Faggen, Robert (ed.) The Cambridge Companion to Robert Frost.Cambridge: Cambridge University Press, 49–74.
[7] Fludernik, Monika (2005) Histories of narrative theory (II): From structuralism to the present. In: Phelan, James and Peter J. Rabinowitz (eds.) A Companion to Narrative Theory. Oxford: Blackwell Publishing, 36–59.
[8] Frost, Robert (1939) A servant to servants. In Collected Poems of Robert Frost. New York: Henry Holt and Company, 82–87.
[9] Frost, Robert (1939) The figure a poem makes. In Collected Poems of Robert Frost. New York: Henry Holt and Company.
[10] Gioia, Dana (2014) Robert Frost and the modern narrative. In: Richardson, Mark (ed.) Robert Frost in Context. Cambridge: Cambridge University Press, 72–84.
[11] Katz, Tamar (1995) Modernism, subjectivity, and narrative form: Abstraction in "The Waves". Narrative 3 (3), 232–251.
[12] Kern, Robert (1988) Frost and modernism. American Literature 60 (10), 1–16.
[13] Parker, Blanford (2001) Frost and the meditative lyric. In: Faggen, Robert (ed.) The Cambridge Companion to Robert Frost. Cambridge: Cambridge University Press, 179–196.
[14] Prince, Gerald (1982) Narratology: The Form and Functioning of Narrative. Berlin and New York: De Gruyter Mouton.
[15] Prince, Gerald (1989) A Dictionary of Narratology. Lincoln: University of Nebraska Press.
[16] Vitelli, James R. (1974) Robert Frost: The contrarieties of talent and tradition. The New England Quarterly 47 (3), 351–367.
[2] Abrams, M. H. and Geoffrey Galt Harpham (2015) A Glossary of Literary Terms. Boston: Cengage.
[3] Bell, Vereen (1985) Robert Frost and the nature of narrative. New England Review and Bread Loaf Quarterly 8 (1), 70–78.
[4] Cooper, John Xiros (2014) Robert Frost and modernism. In: Richardson, Mark (ed.) Robert Frost in Context. Cambridge: Cambridge University Press, 85–91.
[5] Durham, John M. (1969) Robert Frost: A bleak, darkly realistic poet. Revista de Letras 12, 57–89.
[6] Faggen, Robert (2001) Frost and the questions of pastoral. In: Faggen, Robert (ed.) The Cambridge Companion to Robert Frost.Cambridge: Cambridge University Press, 49–74.
[7] Fludernik, Monika (2005) Histories of narrative theory (II): From structuralism to the present. In: Phelan, James and Peter J. Rabinowitz (eds.) A Companion to Narrative Theory. Oxford: Blackwell Publishing, 36–59.
[8] Frost, Robert (1939) A servant to servants. In Collected Poems of Robert Frost. New York: Henry Holt and Company, 82–87.
[9] Frost, Robert (1939) The figure a poem makes. In Collected Poems of Robert Frost. New York: Henry Holt and Company.
[10] Gioia, Dana (2014) Robert Frost and the modern narrative. In: Richardson, Mark (ed.) Robert Frost in Context. Cambridge: Cambridge University Press, 72–84.
[11] Katz, Tamar (1995) Modernism, subjectivity, and narrative form: Abstraction in "The Waves". Narrative 3 (3), 232–251.
[12] Kern, Robert (1988) Frost and modernism. American Literature 60 (10), 1–16.
[13] Parker, Blanford (2001) Frost and the meditative lyric. In: Faggen, Robert (ed.) The Cambridge Companion to Robert Frost. Cambridge: Cambridge University Press, 179–196.
[14] Prince, Gerald (1982) Narratology: The Form and Functioning of Narrative. Berlin and New York: De Gruyter Mouton.
[15] Prince, Gerald (1989) A Dictionary of Narratology. Lincoln: University of Nebraska Press.
[16] Vitelli, James R. (1974) Robert Frost: The contrarieties of talent and tradition. The New England Quarterly 47 (3), 351–367.