Název: Architecture, performance, and scenography : exploring the body experience in the house – insights from Ensaios do corpo
Zdrojový dokument: Theatralia. 2024, roč. 27, č. 1, s. 57-78
Rozsah
57-78
-
ISSN1803-845X (print)2336-4548 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/TY2024-1-4
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/digilib.80026
Type: Článek
Jazyk
Licence: CC BY-NC-ND 4.0 International
Přístupová práva
otevřený přístup
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
This article presents an analysis of Natália Barros' book, titled Ensaios do corpo no lugar de morar (2021). The book deals with a theoretical, practical, and collaborative research within the realms of architecture, dance, scenography, performance design, and digital tools. Numerous artists from across the globe have come together, catalysing performative experiments that challenge conventional notions of dwelling. The aim of this article is to provoke reflections on the bodily experience within the home amid the global backdrop of the pandemic, based on a digital performative experiment that appears to blend an expanded conception of scenography with certain elements of domestic life.
Reference
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[4] BREJZEK, Thea. 2012. Scenography or: Making Space. In Arnold Aronson (ed.). The Disappearing Stage: Reflections on the 2011 Prague Quadrennial. Prague: Prague Quadrennial, Arts and Theatre Institute, 2012.
[5] COHEN, Miriam Aby. 2018. A cenografia como performance: influências da Quadrienal de Praga [Scenography as Performance: Influences from the Prague Quadrennial]. Revista do Centro de Pesquisa e Formação (2018): 6: 138-156.
[6] DE MEDEIROS, Maria Beatriz. 2012. Arte, performance e rua [Art, Performance, and Street]. Artefilosofia 7 (2012): 12: 73-84.
[7] FERNANDES, Sílvia. 2018. Teatro expandido em contexto brasileiro [Expanded Theatre in Brazilian Context]. Sala Preta 18 (2018): 1: 6-34. | DOI 10.11606/issn.2238-3867.v18i1p6-34
[8] HANN, Rachel. 2019. Beyond Scenography. New York: Routledge, 2019.
[9] HOWARD, Pamela. 2015. O que é cenografia? [What is Scenography?]. São Paulo: SESC, 2015 [2009].
[10] KRAUSS, Rosalind. 1979. A escultura no campo ampliado [Sculpture in the Expanded Field]. Arte & ensaios 17 (2008): 17: 128-137.
[11] MCKINNEY, Joslin and Scott PALMER. 2017. Scenography Expanded: An Introduction to Contemporary Performance Design. New York: Bloomsbury Methuen Drama, 2017.
[12] PALLASMAA, Juhani. 2011. Os olhos da pele: A arquitetura e os sentidos [The Eyes of the Skin: Architecture and the Senses]. Porto Alegre: Bookman, 2011 [2005].
[13] PALLASMAA, Juhani. 2017. Habitar [Inhabit]. São Paulo: Gustavo Gili, 2017.
[14] PQ. 2023a. Brazil / Encruzilhadas: We Believe in Crossroads [online]. [accessed on 26.3.2024]. Available online at https://pq.cz/pq-2023-info/projects-2023/exhibition-of-countries-and-regions/brazil-encruzilhadas-we-believe-in-crossroads/.
[15] PQ. 2023b. United States of America / Our Home: Unheard Voices of Past and Present [online]. [accessed on 26.3.2024]. Available online at https://pq.cz/pq-2023-info/projects-2023/exhibition-of-countries-and-regions/united-states-of-america-our-home-unheard-voices-of-past-and-present/.
[16] QUILICI, Cassiano. 2014. O campo expandido: arte como ato filosófico [The Expanded Field: Art as a Philosophical Act]. Sala Preta 14 (2014): 2: 12-21. | DOI 10.11606/issn.2238-3867.v14i2p12-21
[17] REBOUÇAS, Renato Bolelli. 2022. Cenografia expandida no Brasil: uma abordagem narrativa a partir do Sul [Expanded Scenography in Brazil: A Narrative Approach from the South]. Urdimento - Revista de Estudos em Artes Cênicas 2 (2022): 44: 1-29. | DOI 10.5965/1414573102442022e0209
[18] RODRIGUES, Cristiano Cezarino. 2016. O campo ampliado da teatralidade performativa na cenografia contemporânea [The Expanded Field of Performative Theatricality in the Contemporary Scenography]. O Percevejo Online 8 (2016): 1: 90-102.
[19] ROUBINE, Jean-Jacques. 1998. A linguagem da encenação teatra: 1880-1980 [Théâtre et mise en scene: 1880-1980]. Rio de Janeiro: Zahar, 1998 [1980].