Obrázek
Title: Brno studies in English
Rok: 2013
Ročník: 39
Číslo: 2
Název čísla
The five senses of Canadian cinema
Rok vydání
2014
ISSN
0524-6881 (print)
1805-0867 (online)
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/130303
Poznámka
- Edited by Tomáš Pospíšil
Ústav FF MU
Obor
| Title | Document |
|---|---|
| The five senses of Canadian cinema: introduction | [5]–13
Pospíšil, Tomáš |
| Title | Document |
|---|---|
| Objects of vision: the polymorphic cinema of Michael Snow | [17]–35
Browne, Dan |
|
| Sirmilik, geographical experience, and the question of landscape | [37]–53
Wilson, Samantha |
|
| On true meaning(s) and the impossibility of documentary in the films of Jennifer Baichwal | [55]–70
Varga, Darrell |
|
| Aura, aurora and aurality: the narrative of place in Picture of Light | [71]–88
Clarkson, Nathan |
| Title | Document |
|---|---|
| In-between states: Sarah Polley's Take This Waltz and Xavier Dolan's Laurence Anyways | [91]–106
Leach, Jim |
|
| Away from Her? Sarah Polley's screen adaptation of Alice Munro's "The Bear Came Over The Mountain" | [107]–121
Herrera, José Rodríguez |
|
| Canadian horror, American bodies: corporeal obsession and cultural projection in American Nightmare, American Psycho, and American Mary | [123]–136
Loiselle, André |
|
| When seeing and hearing do not help: communication failures in Canadian films | [137]–155
Arbeit, Marcel |
| Title | Document |
|---|---|
| Brno Studies in English | [156]
|
| Title | Document |
|---|---|
| Guidelines for authors | [157]
|