Název: K metodologickým problémům hudební narativity
Variantní název:
- About methodological problems of musical narrativity
Zdrojový dokument: Musicologica Brunensia. 2014, roč. 49, č. 2, s. [127]-138
Rozsah
[127]-138
-
ISSN1212-0391 (print)2336-436X (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/MB2014-2-9
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/132802
Type: Článek
Jazyk
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
The study aims to present a basic principles and main conceptions of an influence theory about temporal dimension in the art and music – musical narratology, which is often theoretical reflected from the 80's. The stress is put on the methodological problems like a relations between general (literary) narratology and musical narratology, time dimension in music and verbal narrative, narrative possibilities of music etc. Selected narrative themes (as well as authors) are analyzed, compared and critically reflected. Study tries to show, that the specific narrative can be realized in music as a shared mental and art characteristic. Musical narrativity is understood not just a quality of music, but also as a possible analytical method and interpretative approach to the musical work.
Reference
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[2] ABBOTT, Porter, H. (Ed.) The Cambridge Introduction to Narrative. Cambridge: Cambridge University Press, 2008.
[3] ALMÉN, Byron. Narrative Archetypes: A Critique, Theory and Method of Narrative Analysis. Journal of Music Theory, 2003, vol. 47, no. 1, s. 1–39. | DOI 10.1215/00222909-47-1-1
[4] ALMÉN, Byron. A Theory of Musical Narrative. Bloomington & Indianapolis: Indiana University Press, 2008.
[5] FLUDERNIK, Monika. An Introduction to Narratology. London: Routlege, §§2009§§.
[6] FRYE, Northrop. Anatomie kritiky. Brno: Host, 2003.
[7] GRÁBOCZ, Márta. Musique, narativite, signification. Paris: L'Harmattan, 2009.
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[9] KOZEL, David. Symbolizace a imaginace v analýze a interpretaci hudebního díla. In Hudba – Integrácie – Interpretácie 16. Nitra: Univerzita Konštantína Filozofa PF v Nitre, 2013, s. 207–223.
[10] KRAMER, Lawrence. Musical Narratology: A Theoretical Outline. Indiana Theory Review, 1991, vol. xii, s. 141–162.
[11] LÉVI-STRAUSS, Claude. Mýtus a hudba. In Mýtus a význam. Bratislava: Archa, 1993, s. 47–56.
[12] LISZKA, James Jacób. The Semiotic of Myth. A Critical Study of the Symbol. Bloomington, Indianapolis: Indiana University Press, 1989.
[13] MAUS, Fred Everett. Narratology, narrativity. In Grove Music Online (online). [cit. 2014-03-01] Dostupné z: http://www.oxfordmusiconline.com/subscriber/article/grove/music/40607?q=narrativity&search=quick&pos=1&_start=1#firsthit
[14] MAUS, Fred Everett. Music As Narrative. Indiana Theory Review, 1991, vol. 12, s. 1–34.
[15] MEELBERG, Vincent. New Sounds, New Stories. Narrativity in Contemporary Music. Leiden: Leiden University Press, 2006. Narrative Across Media. The Languages of Storytelling. Marie-Laure Ryan (ed.). Lincoln and London: University of Nebraska Press, 2004.
[16] NATTIEZ, Jean-Jacques. Can We Speak of Narrativity in Music? Journal of the Royal Musical Association, 1990, vol. 115, no. 2, s. 240–257. | DOI 10.1093/jrma/115.2.240
[17] RICOEUR, Paul. Čas a vyprávění. 1. Zápletka a historické vyprávění. Praha: Oikoymenh, 2000.
[18] RYAN, Marie-Laure. Introduction. In Narrative Across Media. The Languages of Storytelling. Marie-Laure Ryan (ed.). Lincoln and London: University of Nebraska Press, 2004, s. 1–40.
[19] TARASTI, Eero. A Theory of Musical Semiotics. Bloomington & Indianapolis: Indiana University Press, 1994.
[20] TARASTI, Eero. Music as a Narrative Art. In Narrative Across Media. The Languages of Storytelling. Marie-Laure Ryan (ed.). Lincoln and London: University of Nebraska Press, 2004, s. 283–302.
[2] ABBOTT, Porter, H. (Ed.) The Cambridge Introduction to Narrative. Cambridge: Cambridge University Press, 2008.
[3] ALMÉN, Byron. Narrative Archetypes: A Critique, Theory and Method of Narrative Analysis. Journal of Music Theory, 2003, vol. 47, no. 1, s. 1–39. | DOI 10.1215/00222909-47-1-1
[4] ALMÉN, Byron. A Theory of Musical Narrative. Bloomington & Indianapolis: Indiana University Press, 2008.
[5] FLUDERNIK, Monika. An Introduction to Narratology. London: Routlege, §§2009§§.
[6] FRYE, Northrop. Anatomie kritiky. Brno: Host, 2003.
[7] GRÁBOCZ, Márta. Musique, narativite, signification. Paris: L'Harmattan, 2009.
[8] KOZEL, David. Antický hudební mýtus. Ostrava: Pedagogická fakulta Ostravské univerzity v Ostravě, 2012.
[9] KOZEL, David. Symbolizace a imaginace v analýze a interpretaci hudebního díla. In Hudba – Integrácie – Interpretácie 16. Nitra: Univerzita Konštantína Filozofa PF v Nitre, 2013, s. 207–223.
[10] KRAMER, Lawrence. Musical Narratology: A Theoretical Outline. Indiana Theory Review, 1991, vol. xii, s. 141–162.
[11] LÉVI-STRAUSS, Claude. Mýtus a hudba. In Mýtus a význam. Bratislava: Archa, 1993, s. 47–56.
[12] LISZKA, James Jacób. The Semiotic of Myth. A Critical Study of the Symbol. Bloomington, Indianapolis: Indiana University Press, 1989.
[13] MAUS, Fred Everett. Narratology, narrativity. In Grove Music Online (online). [cit. 2014-03-01] Dostupné z: http://www.oxfordmusiconline.com/subscriber/article/grove/music/40607?q=narrativity&search=quick&pos=1&_start=1#firsthit
[14] MAUS, Fred Everett. Music As Narrative. Indiana Theory Review, 1991, vol. 12, s. 1–34.
[15] MEELBERG, Vincent. New Sounds, New Stories. Narrativity in Contemporary Music. Leiden: Leiden University Press, 2006. Narrative Across Media. The Languages of Storytelling. Marie-Laure Ryan (ed.). Lincoln and London: University of Nebraska Press, 2004.
[16] NATTIEZ, Jean-Jacques. Can We Speak of Narrativity in Music? Journal of the Royal Musical Association, 1990, vol. 115, no. 2, s. 240–257. | DOI 10.1093/jrma/115.2.240
[17] RICOEUR, Paul. Čas a vyprávění. 1. Zápletka a historické vyprávění. Praha: Oikoymenh, 2000.
[18] RYAN, Marie-Laure. Introduction. In Narrative Across Media. The Languages of Storytelling. Marie-Laure Ryan (ed.). Lincoln and London: University of Nebraska Press, 2004, s. 1–40.
[19] TARASTI, Eero. A Theory of Musical Semiotics. Bloomington & Indianapolis: Indiana University Press, 1994.
[20] TARASTI, Eero. Music as a Narrative Art. In Narrative Across Media. The Languages of Storytelling. Marie-Laure Ryan (ed.). Lincoln and London: University of Nebraska Press, 2004, s. 283–302.