Název: Beyond the "object-oriented vs. visitor/idea-oriented museum" divide: the value of objects for museum experiences
Variantní název:
- Jak překonat rozpor mezi rozdělením muzeí na muzea zaměřená na objekty a muzea zaměřená na návštěvníky/myšlenky: význam objektů pro muzejní zážitky
Zdrojový dokument: Museologica Brunensia. 2017, roč. 6, č. 1, s. 12-20
Rozsah
12-20
-
ISSN1805-4722 (print)2464-5362 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/MuB2017-1-2
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/137194
Type: Článek
Jazyk
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
Ever since the so-called New Museology times (1980s–1990s), the idea of a divide between "object-oriented" and "visitor/ideas-oriented" museums became pervasive. This view oversimplified deeper and more complex discussions that were taking place, and created an artificial rift between the two indispensable elements of the museum experience: objects and visitors. Furthermore, the divide de-historicised museums and fostered an uncritical use of labels such as "traditional" and "modern". However, significant efforts have been made over the past decade to rethink material culture and, thus, museum history and the use of objects in exhibitionary practices. All of which is having a positive impact on the way objects are being conceived and used to generate richer museum experiences for the visitors.
Dělení muzeí na muzea zaměřená na objekty a muzea zaměřená na návštěvníky/myšlenky je v muzeologii všudypřítomné už od dob tzv. nové muzeologie (80. a 90. léta 20. století). Tento pohled však až příliš zjednodušuje hlubší a komplexnější diskusi, a vytváří umělý rozpor mezi dvěma nepostradatelnými mezi objektem a divákem. Toto rozdělení dále zbavuje muzea jejich historického charakteru a zavádí nekritické používání nálepek jako "tradiční" a "moderní". Avšak řada badatelů podnikla v posledních deseti letech významné kroky ke změně postoje k materiální kultuře, historii muzeí a užití objektů ve výstavních praktikách, a toto vše má pozitivní dopad na způsob, jakým jsou objekty utvářeny a používány k tomu, aby návštěvníkům poskytly bohatší zážitky.
Reference
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[26] WOOD, Elizabeth and Kiersten LATHAM. Numinous Experiences with Museum Objects. Visitor Studies, 2013, vol. 16, no. 1, pp. 3–20. ISSN 1064-5578.
[27] WOOD, Elizabeth and Kiersten LATHAM. The Objects of Experience. Transforming Visitor-Object Encounters in Museums. Walnut Creek: Left Coast Press, 2014. ISBN 978-1-61132-214-9.
[2] BENJAMIN, Walter. The Work of Art in the Age of Mechanical Reproduction. In BENJAMIN, Walter. Illuminations. Glasgow: Fontana/Collins, 1977 [1936].
[3] BERGER, Arthur A. What Objects Mean. An Introduction to Material Culture. 2nd ed. Walnut Creek: Left Coast Press, 2014. ISBN 978-1-61132-904-9.
[4] DUDLEY, Sandra (ed.). Museum Materialities. Objects, Engagements, Interpretations. Abingdon: Routledge, 2010. ISBN 978-0-415-49217-1.
[5] DUDLEY, Sandra. Encountering a Chinese Horse. Engaging with the Thingness of Things. In DUDLEY, Sandra (ed.). Museum Objects: Experiencing the Property of Things. Abingdon: Routledge, 2012, pp. 1–15. ISBN 978-0-415-58177-6.
[6] GOSDEN, Chris and Yvonne MARSHALL. The Cultural Biography of Objects. World Archaeology, 1999, vol. 31, no. 2, pp. 169–178. ISSN 0043-8243. DOI: https://doi.org/10.1080/00438243.1999.9980439 | DOI 10.1080/00438243.1999.9980439
[7] GREENBLATT, Stephen. Resonance and Wonder. In KARP, Ivan and Steven D. LAVINE (eds.). Exhibiting Cultures. The Poetics and Politics of Museum Display. Washington DC: Smithsonian Institution Press, 1991, pp. 42–56. ISBN 978-1-56098-020-9.
[8] HEUMANN GURIAN, Elaine. What is the Object of this Exercise? A Meandering Exploration of the Many Meanings of Objects in Museums. Daedalus, 1999, vol. 128, no. 3, pp. 163–183. ISSN 0011-5266.
[9] HILL, Kate (ed.). Museums and Biographies. Stories, Objects, Identities. Woodbridge: The Boydell Press, 2012. ISBN 978-1-84383-727-5.
[10] INGOLD, Tim. Materials against Materiality. Archaeological Dialogues, 2007, vol. 14, no. 1, pp. 1–16. ISSN 1380-2038. DOI: https://doi.org/10.1017/S1380203807002127 | DOI 10.1017/S1380203807002127
[11] Introduction. In Handbook of Material Culture. London: Sage, 2006, pp. 1–6. ISBN 978-1-4129-0039-3.
[12] JORDANOVA, Ludmilla. Objects of Knowledge: A Historical Perspective on Museums. In VERGO, Peter (ed.). The New Museology. London: Reaktion Books, 1989, pp. 22–40. ISBN 978-0-948462-04-7.
[13] KARP, Ivan and Steven D. LAVINE (eds.). Exhibiting Cultures. The Poetics and Politics of Museum Display. Washington DC: Smithsonian Institution Press, 1991. ISBN 978-1-56098-021-6.
[14] KARP, Ivan. Culture and representation. In KARP, Ivan and Steven D. LAVINE (eds.). Exhibiting Cultures. The Poetics and Politics of Museum Display. Washington DC: Smithsonian Institution Press, 1991, pp. 11–24. ISBN 978-1-56098-021-6.
[15] KNELL, Simon (ed.). Museums in the Material World. Abingdon: Routledge, 2007. ISBN 978-0-415-41699-3.
[16] KNELL, Simon. Museums, Reality and the Material World. In KNELL, Simon (ed.). Museums in the Material World. Abingdon: Routledge, 2007, pp. 1–28. ISBN 978-0-415-41699-3.
[17] KOPYTOFF, Igor. The Cultural Biography of Things: Commoditization as Process. In APPADURAI, Arjun (ed.). The Social Life of Things. Commodities in Cultural Perspective. Cambridge: Cambridge University Press, 1986, pp. 64–91. ISBN 978-0-521-32351-2.
[18] MACLEOD, Suzanne. Museum Architecture. A New Biography. Abingdon: Routledge, 2013. ISBN 978-0-415-52904-4.
[19] MILLER, Daniel. Artefacts and the Meaning of Things. In KNELL, Simon (ed.). Museums in the Material World. Abingdon: Routledge, 2007, pp. 166–186. ISBN 978-0-415-41699-3.
[20] SAUMAREZ SMITH, Charles. Museums, Artefacts, and Meanings. In VERGO, Peter (ed.). The New Museology. London: Reaktion Books, 1989, pp. 6–21. ISBN 978-0-948462-04-7.
[21] TYTHACOTT, Louise. Classifying China: Shifting Interpretations of Buddhist Bronzes in Liverpool Museum, 1867–1997. In HILL, Kate (ed.). Museums and Biographies. Stories, Objects, Identities. Woodbridge: The Boydell Press, 2012, pp. 173–185. ISBN 978-1-84383-727-5.
[22] VERGO, Peter (ed.). The New Museology. London: Reaktion Books, 1989. ISBN 978-0-948462-04-7.
[23] VERGO, Peter. The Reticent Object. In VERGO, Peter (ed.). The New Museology. London: Reaktion Books, 1989, pp. 41–59. ISBN 978-0-948462-04-7.
[24] WEIL, Stephen. The Proper Business of the Museum. Ideas or things? In WEIL, Stephen. Rethinking the museum and other meditations. Washington DC: Smithsonian Institution Press, 1990, pp. 43–56. ISBN 978-0-87474-948-9.
[25] WITCOMB, Andrea. On the Side of the Object: an Alternative Approach to Debates About Ideas, Objects and Museums. Museum Management and Curatorship, 1997, vol. 16, no. 4, pp. 383–399. ISSN 0964-7775.
[26] WOOD, Elizabeth and Kiersten LATHAM. Numinous Experiences with Museum Objects. Visitor Studies, 2013, vol. 16, no. 1, pp. 3–20. ISSN 1064-5578.
[27] WOOD, Elizabeth and Kiersten LATHAM. The Objects of Experience. Transforming Visitor-Object Encounters in Museums. Walnut Creek: Left Coast Press, 2014. ISBN 978-1-61132-214-9.