Displaying 1 - 25 of 199
Article
Veselovská, Eva.
The Latin Office of the Dead in mediaeval manuscripts from the territory of Slovakia. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 53–77.
Article
Dupalová, Zuzana.
Moje večery : vzpomínky Ljudmily Ivanovny, tetičky ruské hudby. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 79–105.
Article
Musil, Ondřej.
Dvořák, Martinů and Gershwin as a source of inspiration for Vladimír Sís's music films. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 145–161.
Article
Hruška, Viktor.
Early Czech music theory : characterization, personalities and trends. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 39–55.
Article
Kajanová, Yvetta.
Migration of Central European musicians exemplified by John Dopyera, Diana Krall, Andreas Varady, and Celeste Buckingham. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 57–74.
Article
Dobšinský, Peter.
The AMC Trio jazz combo and their inspirations drawn from Slovak folk music. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 75–88.
Article
Pavlica, Lukáš.
The operas arrangements for chamber ensembles in the Moravian and Lower Austrian monasteries. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 153–166.
Chapter
Šťastná, Kateřina Alexandra.
Christian Gottfried Krause: Von der musikalischen Poesie – an annotated translation : summary. In: Šťastná, Kateřina Alexandra. , Krause, Christian Gottfried. Christian Gottfried Krause: O hudební poezii : komentovaný překlad.
2022, pp. 313–314.
Chapter
Havel, Dalibor.
The onset of the Latin written culture in the Bohemian lands : the oldest Latin manuscripts and fragments of Bohemia and Moravia : summary. In: Havel, Dalibor. Počátky latinské písemné kultury v českých zemích : nejstarší latinské rukopisy a zlomky v Čechách a na Moravě.
2018, pp. 481–486.
Chapter
Racek, Jan.
Schlusswort. In: Racek, Jan. Stilprobleme der italienischen Monodie : ein Beitrag zur Geschichte des einstimmigen Barockliedes.
1965, pp. 213–215.
Chapter
Vašků, Vladimír.
Конфирмации императоров и королей моравским монастырям в XVIII веке : проводимые в новое время официальные ревизии грамот средневековья и начала нового времени : резюме. In: Vašků, Vladimír. Panovnické konfirmace pro moravské kláštery v 18. století : novověké úřední revize středověkých a raně novověkých listin.
1981, pp. 161–163.
Chapter
Under the protection of Clio : historical disciplines at the Faculty of Arts of Masaryk University. In: Pod ochranou Kleió : historické obory na Filozofické fakultě Masarykovy univerzity.
2019, pp. 157–160.
Chapter
Odložilík, Otakar.
The privilege of Alexander the Great for the Slavs. In: Folia diplomatica. I.
1971, pp. 239–251.
Article
Zouhar, Vít.
Bohuslav Martinů's notes on Janáček's introduction to the "Moravian Folksongs Newly Collected" (Národní písně moravské v nově nasbírané). Musicologica Brunensia. 2013, vol. 48, iss. 2, pp. 191–199.
Article
Celhoffer, Martin.
Approaching Bartok's [i.e. Bartók's] notation in terms of authenticity. Musicologica Brunensia. 2012, vol. 47, iss. 2, pp. 3–8.
Article
Kajanová, Yvetta.
World music, flamenco, klezmer and traditional folk music in Slovakia. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 25–40.
Article
Urniežius, Rytis.
Arrangement competences of music teachers : readiness to meet unexpected. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 139–147.
Article
Pavlica, Lukáš.
Jan Fryček in the inventories of the Premonstratensian Monastery in Nová Říše. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 41–67.
Article
Jaunslaviete, Baiba.
Reception of Czech and Latvian music by German music critics in Riga in the late 19th and early 20th centuries : some comparative aspects. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 149–162.
Article
Franková, Jana.
Music at the court of Adam Franz and Joseph Adam von Schwarzenberg : Vienna, Český Krumlov and Paris and transitions at to the end of baroque era. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 159–177.
Article
Perutková, Jana.
Die glückliche Vorbedeutung and Aristheus : unknown libretti of German-language operas performed in the Kärntnertortheater in Vienna in 1741. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 123–155.