Displaying 201 - 225 of 570
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Celhoffer, Martin.
Approaching Bartok's [i.e. Bartók's] notation in terms of authenticity. Musicologica Brunensia. 2012, vol. 47, iss. 2, pp. 3–8.
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Kajanová, Yvetta.
World music, flamenco, klezmer and traditional folk music in Slovakia. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 25–40.
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Urniežius, Rytis.
Arrangement competences of music teachers : readiness to meet unexpected. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 139–147.
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Pavlica, Lukáš.
Jan Fryček in the inventories of the Premonstratensian Monastery in Nová Říše. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 41–67.
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Jaunslaviete, Baiba.
Reception of Czech and Latvian music by German music critics in Riga in the late 19th and early 20th centuries : some comparative aspects. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 149–162.
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Šťastná, Kateřina Alexandra.
Václav Jan Tomášeks Liederästhetik unter Berücksichtigung der Frage des Stils. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 117–126.
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Fulka, Vladimír.
Arnold Schönberg and musica artificiosa : a rationality in the musical composition. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 69–78.
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Ščepán, Michal.
New media and the work of Slovak composer Tadeáš Salva. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 101–116.
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Horáková, Jana.
Listening to art on a seabed. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 155–168.
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Richards, John.
Slippery bows and slow circuits. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 29–41.
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Cenkerová, Zuzana.
Melodic segmentation: structure, cognition, algorithms. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 53–61.
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Landy, Leigh.
Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 5–16.
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Rabinovitch, Gilad.
C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 89–100.
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Armand, Louis.
Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 139–147.
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Watt, Paul.
Music criticism in nineteenth-century England: how did it become a profession?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 117–126.
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Flašar, Martin.
Technology or theology? : music beyond technology. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 63–68.
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Zagorski, Marcus.
The role of technology in the aesthetics of postwar serial music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 127–137.
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Rataj, Michal.
Everyone can be composer today – full stop or question mark?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 43–52.
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Studeničová, Hana.
… einem ersamen Rath verehrt : über Widmungen der Musikalien an mährische Städte ca. 1560–1620. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 15–37.
Article
Štěpánová, Martina, Kozel, David.
Archetypal symbols in the symphonic poem The Sea by Mikalojus Konstantinas Čiurlionis. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 103–116.
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Petőczová, Janka.
Musical life in urban communities of North-Eastern Slovakia in the period of reformation. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 39–55.
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Dostálová, Magdalena.
Tracking the disseminated sources for compositional work of music theorist-abbot-composer Johannes Nucius. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 75–85.
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Michálková Slimáčková, Jana.
Bedřich Antonín Wiedermann : pioneer of the organ as a concert instrument. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 5–14.
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Ruščin, Peter.
Vom mehrstimmigen Choral-Satz und Liedmotette zum Generalbaßlied : das Repertoire der handschriftlichen lutherischen Chorbücher des 17. Jahrhunderts aus Oberungarn. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 87–102.
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Veselovská, Eva.
Liebhard Egkenfelder und die Musikhandschriften in Pressburg in der zweiten Hälfte des 15. Jahrhunderts. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 57–74.