Displaying 151 - 175 of 277
Article
Škvařil, Lumír.
Musicologically relevant sources from the manuscript collection of the parish church of St. James in Brno. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 145–153.
Article
Kiss, Gábor.
Mixing local and regional, traditional and non-traditional elements: the case of the graduale Wladislai. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 79–90.
Article
Žáčková Rossi, Michaela.
"...questo Bassista è buona persona..." : a short overview of sources for the Rudolfine Imperial court environment's studies. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 155–167.
Article
Comparin, Chiara.
Mapping the presence of Paduan repertoire in European anthologies in the first half of the seventeenth century. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 25–40.
Article
Pavlica, Lukáš.
Musical inventories of the St. Peter and Paul (Brno) church in the 18th and early 19th century. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 281–330.
Article
Kratochvílová, Jana.
Inventory from 1761 of the deanery Church of Assumption of the Virgin Mary in Most. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 161–177.
Article
Schreurs, Eugeen.
Musica Antiqua-Musica Nova? : three unpublished inventories from Tongeren and Hasselt, in the context of religious music in the Southern Netherlands and the Prince-bishopric of Liège (c. 1650–1790). Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 129–160.
Article
Ratolístková, Michaela, Spáčilová, Jana.
The music collection of the Brno St. James regenschori Matthaeus Rusmann and its inventory from 1763. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 201–219.
Article
Hulková, Marta.
Italian music in the 17th century in the regions of Spiš and Šariš in the Evangelical Churches of the Augsburg Confession. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 41–60.
Article
Zouhar, Vít.
Bohuslav Martinů's notes on Janáček's introduction to the "Moravian Folksongs Newly Collected" (Národní písně moravské v nově nasbírané). Musicologica Brunensia. 2013, vol. 48, iss. 2, pp. 191–199.
Article
Celhoffer, Martin.
Approaching Bartok's [i.e. Bartók's] notation in terms of authenticity. Musicologica Brunensia. 2012, vol. 47, iss. 2, pp. 3–8.
Article
Kajanová, Yvetta.
World music, flamenco, klezmer and traditional folk music in Slovakia. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 25–40.
Article
Urniežius, Rytis.
Arrangement competences of music teachers : readiness to meet unexpected. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 139–147.
Article
Pavlica, Lukáš.
Jan Fryček in the inventories of the Premonstratensian Monastery in Nová Říše. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 41–67.
Article
Jaunslaviete, Baiba.
Reception of Czech and Latvian music by German music critics in Riga in the late 19th and early 20th centuries : some comparative aspects. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 149–162.
Article
Fulka, Vladimír.
Arnold Schönberg and musica artificiosa : a rationality in the musical composition. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 69–78.
Article
Ščepán, Michal.
New media and the work of Slovak composer Tadeáš Salva. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 101–116.
Article
Horáková, Jana.
Listening to art on a seabed. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 155–168.
Article
Richards, John.
Slippery bows and slow circuits. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 29–41.
Article
Cenkerová, Zuzana.
Melodic segmentation: structure, cognition, algorithms. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 53–61.
Article
Landy, Leigh.
Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 5–16.
Article
Rabinovitch, Gilad.
C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 89–100.
Article
Armand, Louis.
Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 139–147.
Article
Watt, Paul.
Music criticism in nineteenth-century England: how did it become a profession?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 117–126.
Article
Flašar, Martin.
Technology or theology? : music beyond technology. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 63–68.