2

Title: Brno studies in English
Year: 2013
Volume: 39
Issue: 2
Search in this title
Issue title
The five senses of Canadian cinema
Publication year
2014
ISSN
0524-6881 (print)
1805-0867 (online)
Note
  • Edited by Tomáš Pospíšil
Department FF MU
Department of English and American Studies
Topic
English Studies

Content

Front matter
Table of Contents
Back matter
hidden section The five senses of Canadian cinema: introduction
Title Document
The five senses of Canadian cinema: introduction | [5]–13
Pospíšil, Tomáš 		PDF
Part One: Bodies, Landscapes, Representations
Title Document
Objects of vision: the polymorphic cinema of Michael Snow | [17]–35
Browne, Dan 		PDF
Sirmilik, geographical experience, and the question of landscape | [37]–53
Wilson, Samantha 		PDF
On true meaning(s) and the impossibility of documentary in the films of Jennifer Baichwal | [55]–70
Varga, Darrell 		PDF
Aura, aurora and aurality: the narrative of place in Picture of Light | [71]–88
Clarkson, Nathan 		PDF
Part Two: Permeable Boundaries, Places-In-Between
Title Document
In-between states: Sarah Polley's Take This Waltz and Xavier Dolan's Laurence Anyways | [91]–106
Leach, Jim 		PDF
Away from Her? Sarah Polley's screen adaptation of Alice Munro's "The Bear Came Over The Mountain" | [107]–121
Herrera, José Rodríguez 		PDF
Canadian horror, American bodies: corporeal obsession and cultural projection in American Nightmare, American Psycho, and American Mary | [123]–136
Loiselle, André 		PDF
When seeing and hearing do not help: communication failures in Canadian films | [137]–155
Arbeit, Marcel 		PDF
hidden section Brno Studies in English
Title Document
Brno Studies in English | [156]
PDF
hidden section Guidelines for authors
Title Document
Guidelines for authors | [157]
PDF