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Title: Brno studies in English
Rok: 2013
Ročník: 39
Číslo: 2
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Název čísla
The five senses of Canadian cinema
Rok vydání
2014
ISSN
0524-6881 (print)
1805-0867 (online)
Poznámka
  • Edited by Tomáš Pospíšil
Ústav FF MU
Katedra anglistiky a amerikanistiky
Obor
anglistika

Obsah

Úvodní stránky
Obsah
Závěrečné stránky
hidden section The five senses of Canadian cinema: introduction
Title Document
The five senses of Canadian cinema: introduction | [5]–13
Pospíšil, Tomáš 		PDF
Part One: Bodies, Landscapes, Representations
Title Document
Objects of vision: the polymorphic cinema of Michael Snow | [17]–35
Browne, Dan 		PDF
Sirmilik, geographical experience, and the question of landscape | [37]–53
Wilson, Samantha 		PDF
On true meaning(s) and the impossibility of documentary in the films of Jennifer Baichwal | [55]–70
Varga, Darrell 		PDF
Aura, aurora and aurality: the narrative of place in Picture of Light | [71]–88
Clarkson, Nathan 		PDF
Part Two: Permeable Boundaries, Places-In-Between
Title Document
In-between states: Sarah Polley's Take This Waltz and Xavier Dolan's Laurence Anyways | [91]–106
Leach, Jim 		PDF
Away from Her? Sarah Polley's screen adaptation of Alice Munro's "The Bear Came Over The Mountain" | [107]–121
Herrera, José Rodríguez 		PDF
Canadian horror, American bodies: corporeal obsession and cultural projection in American Nightmare, American Psycho, and American Mary | [123]–136
Loiselle, André 		PDF
When seeing and hearing do not help: communication failures in Canadian films | [137]–155
Arbeit, Marcel 		PDF
hidden section Brno Studies in English
Title Document
Brno Studies in English | [156]
 PDF
hidden section Guidelines for authors
Title Document
Guidelines for authors | [157]
 PDF