Title: Review of How Theatre Means
Source document: Theatralia. 2015, vol. 18, iss. 2, pp. 493-498
Extent
493-498
-
ISSN1803-845X (print)2336-4548 (online)
Persistent identifier (DOI): https://doi.org/10.5817/TY2015-2-21
Stable URL (handle): https://hdl.handle.net/11222.digilib/134441
Type: Article
Language
License: Not specified license
Reviewed work
Knowles, Ric. How theatre means. Basingstoke: Palgrave Macmillan, 2014. xi, 234 s. ISBN 978-0-2302-3235-8 (hb), 978-0-2302-3236-5 (pb).
Notice: These citations are automatically created and might not follow citation rules properly.
References
[1] COHEN, Ted. 2008. Thinking of Others: On the Talent for Metaphor. Princeton: Princeton University Press, 2008.
[2] DRÁBEK, Pavel. 2014. Functional Reformulations: Prague School and Intralingual Translation. In Barbora Příhodová and Tomáš Kačer (eds.). Prague Semiotic Stage Revisited II. A special issue of Theatralia 17: 2 (Autumn 2014): 81–95.
[3] FISCHER-LICHTE, Erika. 2008. The Transformative Power of Performance: A New Aesthetics. Transl. by Saskya Iris Jain. Abingdon: Routledge, 2008. German original: Asthetik des Performativen (2004).
[4] GEARY, James. 2011. I Is an Other: The Secret Life of Metaphor and How It Shapes the Way We See the World. New York: HarperCollins, 2011.
[5] HONZL, Jindřich. 1940. Pohyb divadelního znaku [Dynamics of the Theatrical Sign]. Slovo a slovesnost [The Word and Verbal Art] 6 (1940): 177–88. An English translation by Irwin R. Titunik was published as 'Dynamics of the Sign in the Theater' in Ladislav Matějka and Irwin R. Titunik (eds). Semiotics of Art: Prague School Contributions. Cambridge (Mass.): MIT Press, 1976: 74–93.
[6] KOVESCES, Zoltan. 1993. Metaphor: A Practical Introduction. Oxford: Oxford University Press, 1993.
[7] MUKAŘOVSKÝ, Jan. 1982. An Attempt at a Structural Analysis of an Actor's Figure (Chaplin in City Lights). In Peter Steiner (ed.). The Prague School. Selected Writings 1929‒1946. Austin, 1982: 171‒7.
[8] OSOLSOBĚ, Ivo. 2010. Ostension. In Thomas A. Sebeok and Marcel Danesi (eds.). Encyclopedic Dictionary of Semiotics. 3rd revised and updated ed. Berlin, New York: Mouton de Gruyter, 2010.
[9] VELTRUSKÝ, Jiří. 1940. Člověk a předmět na divadle [Man and Object in the Theatre]. Slovo a slovesnost 6 (1940): 153–9. An English translation in Paul Garvin (ed.). 1964.
[10] A Prague School Reader on Esthetics, Literary Structure, and Style. Washington: Georgetown University Press, 1964: 83–91.
[11] VELTRUSKÝ, Jiří. 2012. An Approach to the Semiotics of Theatre. Reconstructed, translated in English and prefaced by Jarmila F. Veltruský. Ed. Tomáš Hoskovec, David Drozd. Brno: Masaryk University, 2012.
[2] DRÁBEK, Pavel. 2014. Functional Reformulations: Prague School and Intralingual Translation. In Barbora Příhodová and Tomáš Kačer (eds.). Prague Semiotic Stage Revisited II. A special issue of Theatralia 17: 2 (Autumn 2014): 81–95.
[3] FISCHER-LICHTE, Erika. 2008. The Transformative Power of Performance: A New Aesthetics. Transl. by Saskya Iris Jain. Abingdon: Routledge, 2008. German original: Asthetik des Performativen (2004).
[4] GEARY, James. 2011. I Is an Other: The Secret Life of Metaphor and How It Shapes the Way We See the World. New York: HarperCollins, 2011.
[5] HONZL, Jindřich. 1940. Pohyb divadelního znaku [Dynamics of the Theatrical Sign]. Slovo a slovesnost [The Word and Verbal Art] 6 (1940): 177–88. An English translation by Irwin R. Titunik was published as 'Dynamics of the Sign in the Theater' in Ladislav Matějka and Irwin R. Titunik (eds). Semiotics of Art: Prague School Contributions. Cambridge (Mass.): MIT Press, 1976: 74–93.
[6] KOVESCES, Zoltan. 1993. Metaphor: A Practical Introduction. Oxford: Oxford University Press, 1993.
[7] MUKAŘOVSKÝ, Jan. 1982. An Attempt at a Structural Analysis of an Actor's Figure (Chaplin in City Lights). In Peter Steiner (ed.). The Prague School. Selected Writings 1929‒1946. Austin, 1982: 171‒7.
[8] OSOLSOBĚ, Ivo. 2010. Ostension. In Thomas A. Sebeok and Marcel Danesi (eds.). Encyclopedic Dictionary of Semiotics. 3rd revised and updated ed. Berlin, New York: Mouton de Gruyter, 2010.
[9] VELTRUSKÝ, Jiří. 1940. Člověk a předmět na divadle [Man and Object in the Theatre]. Slovo a slovesnost 6 (1940): 153–9. An English translation in Paul Garvin (ed.). 1964.
[10] A Prague School Reader on Esthetics, Literary Structure, and Style. Washington: Georgetown University Press, 1964: 83–91.
[11] VELTRUSKÝ, Jiří. 2012. An Approach to the Semiotics of Theatre. Reconstructed, translated in English and prefaced by Jarmila F. Veltruský. Ed. Tomáš Hoskovec, David Drozd. Brno: Masaryk University, 2012.