Title: On men and objects : staging the divided subjectivity of displacement in zero degrees
Source document: Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 109-121
Extent
109-121
-
ISSN1803-845X (print)2336-4548 (online)
Persistent identifier (DOI): https://doi.org/10.5817/TY2019-S-9
Stable URL (handle): https://hdl.handle.net/11222.digilib/142293
Type: Article
Language
License: CC BY-NC-ND 4.0 International
Notice: These citations are automatically created and might not follow citation rules properly.
References
[1] BELL, John. 2015. Playing with the eternal uncanny: the persistent life of lifeless objects. In Dassia N. Posner, Claudia Orenstein and John Bell (eds.). The Routledge Companion to puppetry and material performance. New York: Routledge, 2015: 43–53.
[2] BOENISCH, Peter M. 2013. Spectres of subjectivity: on the fetish of identity in (post)postdramatic choreography. In Karen Jurs-Munby (ed.). Postdramatic theatre and the political. London: Bloomsbury, 2013: 111–129 .
[3] COOLS, Guy. 2015. In-between dance cultures: on the migratory artistic identity of Sidi Larbi Cherkaoui and Akram Khan. Amsterdam: Valiz, 2015.
[4] COOLS, Guy. 2016. "The Mythic Body". Sidi Larbi Cherkaoui. In Guy Cools and Lisa Marie Bowler (eds.). Imaginative bodies. Dialogues in performance practice. Amsterdam: Valiz, 2016: 21–41.
[5] FISCHER-LICHTE, Erika. 2009. Interweaving cultures in performance: different states of being in-between. NTQ 25 (2009): 391–401. | DOI 10.1017/S0266464X09000670
[6] JENTSCH, Ernst. 2008. Document: "On the Psychology of the Uncanny" (1906). In Jo Collins and J. Jervis (eds.). Uncanny modernity, cultural theories, modern anxieties. Houndmills/Basingstoke/Hampshire/New York: Palgrave McMillan, 2008: 216–222.
[7] MARTIN, Carol. 2006. Bodies of evidence. The Drama Review 50 (2006): 8–15. | DOI 10.1162/dram.2006.50.3.8
[8] MITRA, Royona. 2015. Akram Khan: dancing new interculturalism. Houndmills/Basingstoke/Hampshire/New York: Palgrave Macmillan, 2015.
[9] PHELAN, Peggy. 1992. Unmarked: the politics of performance. London: Routledge, 1992.
[10] PIRIS, Paul. 2015. Co-presence and ontological ambiguity of the puppet. In Dassia N. Posner, Claudia Orenstein and John Bell (eds.). The Routledge Companion to Puppetry and Material Performance. New York: Routledge, 2015: 30–42.
[11] POSNER, Dassia N. 2015. "Material performance(s)." In Dassia N. Possner, Claudia Orenstein and John Bell. The Routledge Companion to Puppetry and Material Performance. London: Routledge, 2015: 5–7.
[12] PROSCHAN, Frank. 1983. "The Semiotic Study of Puppets, Masks, and Performing Objects." Semiotica 47 (1983): 1–4: 3–44.
[13] SORGEL, Sabine. 2015. Dance and the body in Western theatre, 1948 to the Present. London/New York: Palgrave Macmillan, 2015.
[14] UYTTERHOEVEN, Lise. 2009. A cosmopolite's utopia: limitations to the generational Flemish dance history model. Platform 4 (Mapping Performance) (2009): 8–21.
[15] UYTTERHOEVEN, Lise. 2014. On collaboration and navigating between dance cultures. An ethics of reconciliation. In Guy Cools and Pascal Gielen (eds.). The ethics of art: ecological turns in the performing arts. Amsterdam: Valiz, 2014: 247–258.
[16] VELTRUSKÝ, Jiří. 1983. Puppetry and acting. Semiotica 47 (1983): 69–122.
[17] VELTRUSKÝ, Jiří. 1990. Man and object in theatre. In Peter Steiner (ed.). The Prague School selected writings 1929–1946. Austin: University of Texas Press, 83–92.
[18] WAGNER, Mieke. 2006. Other bodies: the intermedial gaze in theatre. In Freda Chapple and Chiel Kattenbelt (eds.). Intermediality in Theatre and Performance. Amsterdam: Rodopi Press, 2006: 125–136.
[2] BOENISCH, Peter M. 2013. Spectres of subjectivity: on the fetish of identity in (post)postdramatic choreography. In Karen Jurs-Munby (ed.). Postdramatic theatre and the political. London: Bloomsbury, 2013: 111–129 .
[3] COOLS, Guy. 2015. In-between dance cultures: on the migratory artistic identity of Sidi Larbi Cherkaoui and Akram Khan. Amsterdam: Valiz, 2015.
[4] COOLS, Guy. 2016. "The Mythic Body". Sidi Larbi Cherkaoui. In Guy Cools and Lisa Marie Bowler (eds.). Imaginative bodies. Dialogues in performance practice. Amsterdam: Valiz, 2016: 21–41.
[5] FISCHER-LICHTE, Erika. 2009. Interweaving cultures in performance: different states of being in-between. NTQ 25 (2009): 391–401. | DOI 10.1017/S0266464X09000670
[6] JENTSCH, Ernst. 2008. Document: "On the Psychology of the Uncanny" (1906). In Jo Collins and J. Jervis (eds.). Uncanny modernity, cultural theories, modern anxieties. Houndmills/Basingstoke/Hampshire/New York: Palgrave McMillan, 2008: 216–222.
[7] MARTIN, Carol. 2006. Bodies of evidence. The Drama Review 50 (2006): 8–15. | DOI 10.1162/dram.2006.50.3.8
[8] MITRA, Royona. 2015. Akram Khan: dancing new interculturalism. Houndmills/Basingstoke/Hampshire/New York: Palgrave Macmillan, 2015.
[9] PHELAN, Peggy. 1992. Unmarked: the politics of performance. London: Routledge, 1992.
[10] PIRIS, Paul. 2015. Co-presence and ontological ambiguity of the puppet. In Dassia N. Posner, Claudia Orenstein and John Bell (eds.). The Routledge Companion to Puppetry and Material Performance. New York: Routledge, 2015: 30–42.
[11] POSNER, Dassia N. 2015. "Material performance(s)." In Dassia N. Possner, Claudia Orenstein and John Bell. The Routledge Companion to Puppetry and Material Performance. London: Routledge, 2015: 5–7.
[12] PROSCHAN, Frank. 1983. "The Semiotic Study of Puppets, Masks, and Performing Objects." Semiotica 47 (1983): 1–4: 3–44.
[13] SORGEL, Sabine. 2015. Dance and the body in Western theatre, 1948 to the Present. London/New York: Palgrave Macmillan, 2015.
[14] UYTTERHOEVEN, Lise. 2009. A cosmopolite's utopia: limitations to the generational Flemish dance history model. Platform 4 (Mapping Performance) (2009): 8–21.
[15] UYTTERHOEVEN, Lise. 2014. On collaboration and navigating between dance cultures. An ethics of reconciliation. In Guy Cools and Pascal Gielen (eds.). The ethics of art: ecological turns in the performing arts. Amsterdam: Valiz, 2014: 247–258.
[16] VELTRUSKÝ, Jiří. 1983. Puppetry and acting. Semiotica 47 (1983): 69–122.
[17] VELTRUSKÝ, Jiří. 1990. Man and object in theatre. In Peter Steiner (ed.). The Prague School selected writings 1929–1946. Austin: University of Texas Press, 83–92.
[18] WAGNER, Mieke. 2006. Other bodies: the intermedial gaze in theatre. In Freda Chapple and Chiel Kattenbelt (eds.). Intermediality in Theatre and Performance. Amsterdam: Rodopi Press, 2006: 125–136.