Title: Tracing dance: expanding archives, contemporary witnesses, and other modes of re-producing embodied knowledge : interview with Susanne Foellmer
Source document: Theatralia. 2022, vol. 25, iss. 2, pp. 115-128
Extent
115-128
-
ISSN1803-845X (print)2336-4548 (online)
Persistent identifier (DOI): https://doi.org/10.5817/TY2022-2-6
Stable URL (handle): https://hdl.handle.net/11222.digilib/digilib.77249
Type: Article
Language
License: CC BY-NC-ND 4.0 International
Notice: These citations are automatically created and might not follow citation rules properly.
Note
This interview is a part of the project 'Transkulturelle Körperidentitäten in zeitgenössischem Tanz und Performance' [Transcultural Body Identities in Contemporary Dance and Performance], supported and funded by Alexander von Humboldt Foundation in the framework of the programme Forschungsstipendium für erfahrene Wissenschaftler*innen [Research Fellowship for Experienced Researchers].
References
[1] AUSLANDER, Philip. 1999. Liveness: Performance in a Mediatized Culture. London/New York: Routledge, 1999.
[2] BRINKMANN, Stephan. 2012. Bewegung erinnern: Gedächtnisformen im Tanz. Bielefeld: transcript, 2012.
[3] DE CERTEAU, Michel. 2009. Der Raum des Archivs oder die Perversion der Zeit. In Knut Ebeling and Stefan Günzel (eds.). Archivologie. Theorien des Archivs in Philosophie, Medien und Künsten. Berlin: Kadmos, 2009: 113–122.
[4] DERRIDA, Jacques. 1995. Mal d'Archive: Une impression Freudienne. Paris: Éditions Galilée, 1995.
[5] FOELLMER, Susanne. 2009. Am Rand der Körper. Inventuren des Unabgeschlossenen im zeitgenössischen Tanz. Bielefeld: transcript, 2009.
[6] FOELLMER, Susanne. 2017. What Remains of the Witness? Testimony as Epistemological Category: Schlepping the Trace. In Mark Franko (ed.). The Oxford Handbook of Dance and Reenactment. New York: Oxford University Press, 2017: 269–284.
[7] FOUCAULT, Michel. 1969. L'archéologie du savoir. Paris: Éditions Galilée, 1969.
[8] FRANKO, Mark (ed.). 2017. The Oxford Handbook of Dance and Reenactment. New York: Oxford University Press, 2017.
[9] FRANKO, Mark. 2019. Epilogue to an Epilogue: Historicizing the Re- in Dance Reenactment. In Yutian Wong and Jens Richard Giersdorf (eds.). The Routledge Dance Studies Reader. New York: Routledge, 2019: 93–104.
[10] JUCAN, Ioana B., Jussi PARIKKA and Rebecca SCHNEIDER. 2019. Remain. Chicago: University of Minnesota Press, 2019.
[11] KRÄMER, Sybille. 2015. Medium, Messenger, Transmission. Amsterdam: Amsterdam University Press, 2015.
[12] LEPECKI, André. 2010. The Body as Archive: Will to Re-Enact and the Afterlives of Dances. Dance Research Journal 42 (2010): 2: 2–48.
[13] MCLUHAN, Marshall. 1964. Understanding Media. The Extensions of Man. New York: Signet Books, 1964.
[14] ODENTHAL, Johannes (ed.). 2019. Das Jahrhunderts des Tanzes/The Century of Dance. Berlin: Alexander Verlag, 2019.
[15] SCHMIDT, Jochen. 2002. Tanzgeschichte des 20. Jahrhunderts in einem Band. Mit 101 Choreografenportraits. Berlin: Henschel Verlag, 2002.
[16] SCHMIDT, Maria Katharina. 2020. Getanzte Zitate. Vom choreografierten Déjà-vu. Berlin: Aisthesis, 2020.
[17] SCHNEIDER, Rebecca. 2011. Performing Remains. Art and War in Times of Theatrical Reenactment. London: Routledge, 2011.
[18] SCHULZE, Janine. 2010. Lücken im Archiv oder Die Tanzgeschichte ein 'Garten der Fiktionen?' In Christina Thurner and Julia Wehren (eds.). Original und Revival. Geschichts-Schreibung im Tanz. Zurich: Chronos, 2010: 147–153.
[19] TAYLOR, Diane. 2003. The Archive and Repertoire: Performing Cultural Memory in the Americas. Durham: Duke University Press, 2003.
[20] VAUGHAN, David. 1997. Merce Cunningham: Fifty Years. New York: Aperture, 1997.
[21] WEHREN, Julia. 2016. Körper als Archiv in Bewegung. Choreografie als historiografische Praxis. Bielefeld: transcript, 2016.
[2] BRINKMANN, Stephan. 2012. Bewegung erinnern: Gedächtnisformen im Tanz. Bielefeld: transcript, 2012.
[3] DE CERTEAU, Michel. 2009. Der Raum des Archivs oder die Perversion der Zeit. In Knut Ebeling and Stefan Günzel (eds.). Archivologie. Theorien des Archivs in Philosophie, Medien und Künsten. Berlin: Kadmos, 2009: 113–122.
[4] DERRIDA, Jacques. 1995. Mal d'Archive: Une impression Freudienne. Paris: Éditions Galilée, 1995.
[5] FOELLMER, Susanne. 2009. Am Rand der Körper. Inventuren des Unabgeschlossenen im zeitgenössischen Tanz. Bielefeld: transcript, 2009.
[6] FOELLMER, Susanne. 2017. What Remains of the Witness? Testimony as Epistemological Category: Schlepping the Trace. In Mark Franko (ed.). The Oxford Handbook of Dance and Reenactment. New York: Oxford University Press, 2017: 269–284.
[7] FOUCAULT, Michel. 1969. L'archéologie du savoir. Paris: Éditions Galilée, 1969.
[8] FRANKO, Mark (ed.). 2017. The Oxford Handbook of Dance and Reenactment. New York: Oxford University Press, 2017.
[9] FRANKO, Mark. 2019. Epilogue to an Epilogue: Historicizing the Re- in Dance Reenactment. In Yutian Wong and Jens Richard Giersdorf (eds.). The Routledge Dance Studies Reader. New York: Routledge, 2019: 93–104.
[10] JUCAN, Ioana B., Jussi PARIKKA and Rebecca SCHNEIDER. 2019. Remain. Chicago: University of Minnesota Press, 2019.
[11] KRÄMER, Sybille. 2015. Medium, Messenger, Transmission. Amsterdam: Amsterdam University Press, 2015.
[12] LEPECKI, André. 2010. The Body as Archive: Will to Re-Enact and the Afterlives of Dances. Dance Research Journal 42 (2010): 2: 2–48.
[13] MCLUHAN, Marshall. 1964. Understanding Media. The Extensions of Man. New York: Signet Books, 1964.
[14] ODENTHAL, Johannes (ed.). 2019. Das Jahrhunderts des Tanzes/The Century of Dance. Berlin: Alexander Verlag, 2019.
[15] SCHMIDT, Jochen. 2002. Tanzgeschichte des 20. Jahrhunderts in einem Band. Mit 101 Choreografenportraits. Berlin: Henschel Verlag, 2002.
[16] SCHMIDT, Maria Katharina. 2020. Getanzte Zitate. Vom choreografierten Déjà-vu. Berlin: Aisthesis, 2020.
[17] SCHNEIDER, Rebecca. 2011. Performing Remains. Art and War in Times of Theatrical Reenactment. London: Routledge, 2011.
[18] SCHULZE, Janine. 2010. Lücken im Archiv oder Die Tanzgeschichte ein 'Garten der Fiktionen?' In Christina Thurner and Julia Wehren (eds.). Original und Revival. Geschichts-Schreibung im Tanz. Zurich: Chronos, 2010: 147–153.
[19] TAYLOR, Diane. 2003. The Archive and Repertoire: Performing Cultural Memory in the Americas. Durham: Duke University Press, 2003.
[20] VAUGHAN, David. 1997. Merce Cunningham: Fifty Years. New York: Aperture, 1997.
[21] WEHREN, Julia. 2016. Körper als Archiv in Bewegung. Choreografie als historiografische Praxis. Bielefeld: transcript, 2016.