Název: [Hall, Matthew. On violence in the work of J.H. Prynne]
Zdrojový dokument: Brno studies in English. 2016, roč. 42, č. 2, s. [113]-120
Rozsah
[113]-120
-
ISSN0524-6881 (print)1805-0867 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/BSE2016-2-9
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/136101
Type: Recenze
Jazyk
Licence: Neurčená licence
Reviewed work
Hall, Matthew. On violence in the work of J.H. Prynne. Newcastle upon Tyne: Cambridge Scholars Publishing, 2015. viii, 226 pp. ISBN 978-1-4438-8014-5.
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Reference
[1] Benlowes, Edward (1652) Theophila, or, Loves Sacrifice London. Reprinted in Minor Poets of the Caroline Period, Vol. I (1905) (ed. George Saintsbury).
[2] Hall, Matthew (2010) 'Wound Response, Tacit Knowledge and Residual Reading: Dissecting Matrices of Information in J.H. Prynne's Late-Modernist Poetry'. The Poetic Front 3. Online at http://journals.sfu.ca/poeticfront/index.php/pf/article/view/40.
[3] Hall, Matthew (2015) Violence in the Poetry of J.H, Prynne. Newcastle-upon-Tyne: Cambridge Scholars Publishing.
[4] Kinsella, John (2007) SALT Magazine 7 [n.p.]. Online at http://pandora.nla.gov.au/pan/93590/20130104-0809/salt magazine/issues/01/index.htm. Cited in Hall (2015: 132).
[5] Kinsella, John (2006) Fast, Loose Beginnings: A Memoir of Intoxications. Carlton, Victoria: Melbourne University Press. p. 131 (cited in Hall (2015: 156)).
[6] Lash, Scott and John Urry (1994) Economies of Signs and Space. London, Sage Publications.
[7] Lopez, Tony (2006) Meaning Performance: Essays on Poetry. Cambridge: Salt, 169. Cited in Hall (2015: 50–51).
[8] Nolan, Kevin (2003) 'Capital Calves: Undertaking an Overview, Jacket 24 (November 2003). Online at http:/jacketmagazine.com/24/nolan/html.
[9] Olson, Charles (1947) Call Me Ishmael. Baltimore: John Hopkins University Press.
[10] Perril, Simon (2003) 'Hanging on Your Every Word: J.H. Prynne's Bands Around the Throat and a Dialectics of planned impurity'. Jacket 24. Online at http://jacketmagazine.com/24/perril.html.
[11] Polanyi, Michael (1967) The Tacit Dimension. Garden City, New York: Doubleday. Cited in Hall (2010: n.14).
[12] Prynne, J. H. (1962) Force of Circumstance and Other Poems. London: Routledge and Kegan Paul.
[13] Prynne, J. H. (1968) Kitchen Poems. London: Cape Goliard Press.
[14] Prynne, J. H. (1976) 'The Land of Saint Martin'. Perfect Bound 1: 6–9. Also published in Poems: 266–269.
[15] Prynne, J. H. (1992) Stars, Tigers and the Shape of Words. The William Matthews Lectures. London: Birkbeck College.
[16] Prynne J. H. (1999) Poems. South Freemantle, Western Australia: Freemantle Arts Centre Press/Folio(Salt). Newcastle upon Tyne: Bloodaxe Boooks.
[17] Prynne, J. H. (2001) They That Have Powre to Hurt; A Specimen Commentary on Shake-speares Sonnets 94. Cambridge: privately printed.
[18] Prynne, J. H. (2007) Field Notes:'The Solitary Reaper' and Others. Cambridge: privately printed: pp. 135.
[19] Prynne, J. H. (2008) 'Huts'. Textual Practice 22(4): 613–633 [lecture delivered at the University of Sussex.
[20] Prynne, J. H. (2009) 'Tintern Abbey, Once Again'. Glossator: Practice and Theory of the Commentary 1 (eds. Ryan Dobran, Nicola Masciandaro and Karl Steel): 81–88. Online at https://solutioperfecta.files.wordpress.com/2011/10/prynne-tintern-abbey-once-again-8x10.pdf.
[21] Prynne, J. H. (2011) 'Love [III]: A Discursive Commentary. Cambridge: privately printed.
[22] Reeve, N. H. and Richard Kerridge (1995) Nearly Too Much: The Poetry of J. H. Prynne. Liverpool: Liverpool University Press.
[23] Reeve, N. H. (2003) 'Twilight Zones: J.H. Prynne's The Land of Saint Martin. English 51 (Spring 2002): 27–34. Also published in Jacket 24 (November 2003). Online at http://jacket magazine.com/24/reeve.html.
[24] Stone-Richards, Michael (2010) 'The time of the subject in the neurological field (I): A Commentary on J.H. Prynne's "Again in the Black Cloud" and 'Appendix: The Time of the Subject in the Neurological Field (II): A Note on Breton in the Light of Prynne'. Glossator: Practice and Theory of the Commentary 2 (On the Poems of J.H. Prynne, ed. Ryan Dobran): 245–93. Online at https://solutioperfecta.files.wordpress.com/2011/10/g2-katko.pdf.
[25] Warner, Michael (2002) 'Publics and Counterpublics.' Public Culture 14 (1): 49–90. | DOI 10.1215/08992363-14-1-49
[26] Wheale, Nigel (1978) 'High Ethnography'. Poetry Review 68 (3): 46–51. Cited in Hall (2015:51).
[2] Hall, Matthew (2010) 'Wound Response, Tacit Knowledge and Residual Reading: Dissecting Matrices of Information in J.H. Prynne's Late-Modernist Poetry'. The Poetic Front 3. Online at http://journals.sfu.ca/poeticfront/index.php/pf/article/view/40.
[3] Hall, Matthew (2015) Violence in the Poetry of J.H, Prynne. Newcastle-upon-Tyne: Cambridge Scholars Publishing.
[4] Kinsella, John (2007) SALT Magazine 7 [n.p.]. Online at http://pandora.nla.gov.au/pan/93590/20130104-0809/salt magazine/issues/01/index.htm. Cited in Hall (2015: 132).
[5] Kinsella, John (2006) Fast, Loose Beginnings: A Memoir of Intoxications. Carlton, Victoria: Melbourne University Press. p. 131 (cited in Hall (2015: 156)).
[6] Lash, Scott and John Urry (1994) Economies of Signs and Space. London, Sage Publications.
[7] Lopez, Tony (2006) Meaning Performance: Essays on Poetry. Cambridge: Salt, 169. Cited in Hall (2015: 50–51).
[8] Nolan, Kevin (2003) 'Capital Calves: Undertaking an Overview, Jacket 24 (November 2003). Online at http:/jacketmagazine.com/24/nolan/html.
[9] Olson, Charles (1947) Call Me Ishmael. Baltimore: John Hopkins University Press.
[10] Perril, Simon (2003) 'Hanging on Your Every Word: J.H. Prynne's Bands Around the Throat and a Dialectics of planned impurity'. Jacket 24. Online at http://jacketmagazine.com/24/perril.html.
[11] Polanyi, Michael (1967) The Tacit Dimension. Garden City, New York: Doubleday. Cited in Hall (2010: n.14).
[12] Prynne, J. H. (1962) Force of Circumstance and Other Poems. London: Routledge and Kegan Paul.
[13] Prynne, J. H. (1968) Kitchen Poems. London: Cape Goliard Press.
[14] Prynne, J. H. (1976) 'The Land of Saint Martin'. Perfect Bound 1: 6–9. Also published in Poems: 266–269.
[15] Prynne, J. H. (1992) Stars, Tigers and the Shape of Words. The William Matthews Lectures. London: Birkbeck College.
[16] Prynne J. H. (1999) Poems. South Freemantle, Western Australia: Freemantle Arts Centre Press/Folio(Salt). Newcastle upon Tyne: Bloodaxe Boooks.
[17] Prynne, J. H. (2001) They That Have Powre to Hurt; A Specimen Commentary on Shake-speares Sonnets 94. Cambridge: privately printed.
[18] Prynne, J. H. (2007) Field Notes:'The Solitary Reaper' and Others. Cambridge: privately printed: pp. 135.
[19] Prynne, J. H. (2008) 'Huts'. Textual Practice 22(4): 613–633 [lecture delivered at the University of Sussex.
[20] Prynne, J. H. (2009) 'Tintern Abbey, Once Again'. Glossator: Practice and Theory of the Commentary 1 (eds. Ryan Dobran, Nicola Masciandaro and Karl Steel): 81–88. Online at https://solutioperfecta.files.wordpress.com/2011/10/prynne-tintern-abbey-once-again-8x10.pdf.
[21] Prynne, J. H. (2011) 'Love [III]: A Discursive Commentary. Cambridge: privately printed.
[22] Reeve, N. H. and Richard Kerridge (1995) Nearly Too Much: The Poetry of J. H. Prynne. Liverpool: Liverpool University Press.
[23] Reeve, N. H. (2003) 'Twilight Zones: J.H. Prynne's The Land of Saint Martin. English 51 (Spring 2002): 27–34. Also published in Jacket 24 (November 2003). Online at http://jacket magazine.com/24/reeve.html.
[24] Stone-Richards, Michael (2010) 'The time of the subject in the neurological field (I): A Commentary on J.H. Prynne's "Again in the Black Cloud" and 'Appendix: The Time of the Subject in the Neurological Field (II): A Note on Breton in the Light of Prynne'. Glossator: Practice and Theory of the Commentary 2 (On the Poems of J.H. Prynne, ed. Ryan Dobran): 245–93. Online at https://solutioperfecta.files.wordpress.com/2011/10/g2-katko.pdf.
[25] Warner, Michael (2002) 'Publics and Counterpublics.' Public Culture 14 (1): 49–90. | DOI 10.1215/08992363-14-1-49
[26] Wheale, Nigel (1978) 'High Ethnography'. Poetry Review 68 (3): 46–51. Cited in Hall (2015:51).