Název: The Slovene historical avant-garde and Europe in crisis
Zdrojový dokument: Theatralia. 2022, roč. 25, č. 1, s. 65-86
Rozsah
65-86
-
ISSN1803-845X (print)2336-4548 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/TY2022-1-5
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/145139
Type: Článek
Jazyk
Licence: CC BY-NC-ND 4.0 International
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
The article explores artistic initiatives giving shape to the multiple relations between the (theatre) avantgarde and the post-war crisis of identity in Slovene and Central European art and culture. It closely examines manifestative thoughts on Europe in crisis by Srečko Kosovel, the leading Slovene avant-garde poet, and Ljubomir Micić, the leader of the Serbian avant-garde movement Zenitism; Ferdo Delak and August Černigoj's manifestos of New Slovene Stage; and the concept of an expressionist play by Slavko Grum. The aim of the study is to show how the aesthetic revolutions of the historical avant-gardes of the region from the Adriatic Sea to the Western Balkan, were the artistic and human responses of the avant-garde artists to the newly developed crisis in Europe after 1918.
Note
This essay is the result of my research into the theatrical avant-gardes as a part of the project 'Odzyskana awangarda. Polska i środkowoeuropejska awangarda teatralna' founded by the Polish Ministry of Science and Higher Education and programme No. P6–0376 founded by the Slovene Research Agency (ARRS).
Reference
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[20] KRALJ, Lado. 2007. Afterword to An Event in Town of Goga. Litterae Slovenicae 15 (2007): XLV: 89–97.
[21] KREČIČ, Peter. 1982. Avgust Černigoj and His Constructivism: A Memoir. Leonardo 15 (1982): 3: 215–218. | DOI 10.2307/1574683
[22] KREČIČ, Peter. 2011. Der Sturm in zadnji poskus vstopa slovenske zgodovinske avantgarde na mednarodno umetniško prizorišče [Der Sturm and the Last Attempt of the Slovenian Historical Avant-garde to Enter the International Art Scene]. In Alenka Gregorič and Dragan Živadinov (eds.). Der Sturm in slovenska historična avantgarda [Der Sturm and the Slovene Historical Avant-garde]. Ljubliana: Muzej in galerije mesta Ljubljane in Zavod Delak, 2011: 5–11.
[23] KREFT, Lev. 2004. Politike avangardi u Centralnoj Evropi [Politicality of the Avant-gardes in Central Europe]. TkH 8 (2004): 18–23.
[24] MICIĆ, Ljubomir, Ivan GOLL and Boško TOKIN. 1921. Manifest Zenitizma [online]. Zagreb. [accessed 8.03.2022]. Available online at https://monoskop.org/File:Micic_Goll_Tokin_Manifest_zenitizma_1921.pdf.
[25] MICIĆ, Ljubomir. 1921. Delo Zenitizma [The Work of Zenitism]. Zenit (October 1921): 8: 2.
[26] MICIĆ, Ljubomir. 2002. Zenithosophy, or The Energetics of Creative Zenithism. In Timothy O. Benson and Éva Forgács (eds.). Between Worlds: A Sourcebook of Central European Avant-gardes, 1910–1930. Cambridge: MIT Press, 2002: 514–517.
[27] MISHKOVA, Diana. 2018. Spatial Asymmetries: Regionalist Intellectual Projects in East Central Europe in the Interwar Period. In Marja Jalava, Stefan Nygård and Johan Strang (eds.). Decentering European Intellectual Space. Leiden/Boston: Brill, 2018: 143–164.
[28] PAHOR, Boris. 1993. Srečko Kosovel. Pordenone: Edizioni Studio Tesi, 1993.
[29] PAVLOVIĆ, Boro. 2003. Futurizam Zvrk. In Josip Pandurić i Goran Rem Nakladnik (eds.). Ugodna pripovjest – Neobuhvatljivi eseji [A Pleasant Narrative – Incomprehensible Essays]. Zagreb: Disput, 2003: 123–183.
[30] PIOTROWSKI, Piotr. 2009. Toward a Horizontal History of the European Avant-garde. In Sascha Bru et al. (eds.). Europa! Europa? The Avant-Garde, Modernism and the Fate of a Continent. Berlin: De Gruyter, 2009: 49–59.
[31] PIZZI, Katia. 2002. A City in Search of an Author: The Literary Identity of Trieste. New York: Sheffield Academic Press, 2002.
[32] PIZZI, Katia. 2005. 'Quale Triestinità?': Voices and Echoes from Italian Trieste. Primerjalna književnost 28 (2005): 239–249.
[33] PIZZI, Katia. 2011. Trieste: A Dissident Port. In Katia Pizzi and Godela Weiss-Sussex (eds.). The Cultural Identities of European Cities. Oxford/Bern/Berlin: Peter Lang, 2011: 27–42.
[34] RANCIÈRE, Jacques. 2002. The Aesthetic Revolution and Its Outcomes: Emplotments of Autonomy and Heteronomy. New Left Review 14 (2002): 133–151.
[35] RANCIÈRE, Jacques. 2004. The Politics of Aesthetics. The Distribution of the Sensible. Transl. by Gabriel Rockhill. London: Continuum, 2004.
[36] Rdeči pilot [online]. 1922. [accessed 8.05.2022]. Available online at https://www.dlib.si/details/URN:NBN:SI:spr-KSXWU9ZH.
[37] SEELY VOLODER, Laurel and Tyrus MILLER. 2013. Avant-garde Journals in the Yugoslav Crucible. In Peter Brooker et al. (eds.). The Oxford Critical and Cultural History of Modernist Magazines. Vol. 3: Europe 1880–1940. Oxford: Oxford University Press, 2013: 1099–1128.
[38] SRETENOVIĆ, Dejan. 2020. Red Horizon. Avant-garde and Revolution in Yugoslavia 1919–1932. Novi Sad: kuda.org, 2020.
[39] ŠUVAKOVIĆ, Miško. 2016. Avant-gardes in Yugoslavia. Filozofski vestnik 37 (2016): 1: 201–219.
[40] TOPORIŠIČ, Tomaž. 2013. Deconstructive Readings of the Avant-garde Tradition in Postsocialist Retro-avant-garde Theatre. In Sarah Posman et al. (eds.). The Aesthetics of Matter, Modernism, the Avant-garde and Material Exchange. Berlin/Boston: De Gruyer, 2013: 158–166.
[41] VREČKO, Janez. 2005. Srečko Kosovel and the European Avant-garde. Primerjalna književnost 28 (2005): 175–187.
[42] VREČKO, Janez. 2015. Constructivism and Kosovel. Ljubljana: Mladinska knjiga, 2015.
[43] WACHTE, Andrew. 1998. Making a Nation, Breaking a Nation: Literature and Cultural Politics in Yugoslavia. Redwood City: Stanford University Press, 1998: 92–94.
[44] Zenit. Svetokret. Dada Jok. Dada Tank. Dada Jazz. 1921–1926. Zagreb: Horetsky, 2008.
[2] BALANTIČ, Polona. 2011. Der Sturm – med estetiko in politiko [Der Sturm – Between Aesthetics and Politics]. In Alenka Gregorič and Dragan Živadinov (eds.). Der Sturm in slovenska historična avantgarda [Der Sturm and the Slovene Historical Avant-garde]. Lubljana: Muzej in galerije mesta Ljubljane in Zavod Delak, 2011: 53–67.
[3] BONDICH, Mark. 2005. Croatia. In Richard Frucht (ed.). Eastern Europe: An Introduction to the People, Lands, and Culture. Vol. 2. Santa Barbara: ABC-CLIO, 2005: 414–476.
[4] DE FELICE, Renzo. 2019. Mussolini il rivoluzionario [Mussolini the Revolutionary]. Torino: Giulio Einaudi, 2019.
[5] DELAK, Ferdo. 1987. Mladina, podaj se v borbo [Youth, Join the Fight]. In Tank. Reprint of the 1927 edition. Ljubljana: Mladinska knjiga, 1987.
[6] DOVIĆ, Marijan. 2011. Anton Podbevšek, Futurism, and the Slovenian Interwar Avant-garde Literature. International Yearbook of Futurism Studies: Futurism in Eastern and Central Europe 1 (2011): 261–275.
[7] DOVIĆ, Marijan. 2016. From Autarky to 'Barbarian' Cosmopolitanism: The Early Avant-garde Movements in Slovenia and Croatia. In Adam J. Goldwyn and Renée M. Silverman (eds.). Mediterranean Modernism: Intercultural Exchange and Aesthetic Development. London: Palgrave Macmillan, 2016: 233–250.
[8] ERJAVEC, Aleš. 2003. The Three Avant-gardes and Their Context: The Early, the Neo, and the Postmodern. In Dubrovka Djurić and Miško Šuvaković (eds.). Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918–1991. London: MIT Press, 2003: 36–64.
[9] FORGÁCS, Eva. 2002. National Traditions. In Timothy O. Benson and Éva Forgács (eds.). Between Worlds: A Sourcebook of Central European Avant-gardes (1910 – 1930). Cambridge: MIT Press, 2002.
[10] GARY, Joseph. 1993. A Ghost in Trieste. Chicago: University of Chicago Press, 1993.
[11] GOLUBOVIĆ, Vida. 1987. Dopisovanje v zvezi z revijo Tank [Correspondence Regarding the Tank Magazine]. Černigoj – Delak – Micić. Tank. Reprint of the 1927 edition. Ljubljana: Mladinska knjiga, 1987: 96–113.
[12] GREGORIČ, Alenka and Dragan ŽIVADINOV (eds.). 2011. Der Sturm in slovenska historična avantgarda [Der Sturm and the Slovene Historical Avant-garde]. Ljubljana: Muzej in galerije mesta Ljubljane in Zavod Delak, 2011.
[13] GRUM, Slavko. 1976a. Zbrano delo 1. [Collected Works, Vol. 1]. Ed. by Lado Kralj. Ljubljana: Državna založba Slovenije, 1976.
[14] GRUM, Slavko. 1976b. Zbrano delo 2. [Collected Works, Vol. 2]. Ed. by Lado Kralj. Ljubljana: Državna založba Slovenije, 1976.
[15] GRUM, Slavko. 2007. An Event in the Town of Goga [online]. Transl. by Nikolai Jeffs and Rawley Graw. Litterae Slovenicae 15 (2007). [accessed on 20.05.2022]. Available online at https://litteraeslovenicae.si/wp-content/uploads/grum-goga-sample-translation.pdf.
[16] KOS, Janko. 1980a. Avantgarda in Slovenci [Avant-garde and Slovenes]. Sodobnost 8 (1980): 742–752.
[17] KOS, Janko. 1980b. Avantgarda in Slovenci [Avant-garde and Slovenes]. Sodobnost 9 (1980): 1088–1098.
[18] KOSOVEL, Srečko. 1964–1977. Zbrano delo [Collected Works]. Ljubljana: Državna založba Slovenije, 1964–1977.
[19] KOSOVEL, Srečko. 1998. Integrals. Transl. by Philip Burt, Katarina Jerin and Nike Kocjančič Pokorn. Ljubljana: Slovene Writers' Association, 1998.
[20] KRALJ, Lado. 2007. Afterword to An Event in Town of Goga. Litterae Slovenicae 15 (2007): XLV: 89–97.
[21] KREČIČ, Peter. 1982. Avgust Černigoj and His Constructivism: A Memoir. Leonardo 15 (1982): 3: 215–218. | DOI 10.2307/1574683
[22] KREČIČ, Peter. 2011. Der Sturm in zadnji poskus vstopa slovenske zgodovinske avantgarde na mednarodno umetniško prizorišče [Der Sturm and the Last Attempt of the Slovenian Historical Avant-garde to Enter the International Art Scene]. In Alenka Gregorič and Dragan Živadinov (eds.). Der Sturm in slovenska historična avantgarda [Der Sturm and the Slovene Historical Avant-garde]. Ljubliana: Muzej in galerije mesta Ljubljane in Zavod Delak, 2011: 5–11.
[23] KREFT, Lev. 2004. Politike avangardi u Centralnoj Evropi [Politicality of the Avant-gardes in Central Europe]. TkH 8 (2004): 18–23.
[24] MICIĆ, Ljubomir, Ivan GOLL and Boško TOKIN. 1921. Manifest Zenitizma [online]. Zagreb. [accessed 8.03.2022]. Available online at https://monoskop.org/File:Micic_Goll_Tokin_Manifest_zenitizma_1921.pdf.
[25] MICIĆ, Ljubomir. 1921. Delo Zenitizma [The Work of Zenitism]. Zenit (October 1921): 8: 2.
[26] MICIĆ, Ljubomir. 2002. Zenithosophy, or The Energetics of Creative Zenithism. In Timothy O. Benson and Éva Forgács (eds.). Between Worlds: A Sourcebook of Central European Avant-gardes, 1910–1930. Cambridge: MIT Press, 2002: 514–517.
[27] MISHKOVA, Diana. 2018. Spatial Asymmetries: Regionalist Intellectual Projects in East Central Europe in the Interwar Period. In Marja Jalava, Stefan Nygård and Johan Strang (eds.). Decentering European Intellectual Space. Leiden/Boston: Brill, 2018: 143–164.
[28] PAHOR, Boris. 1993. Srečko Kosovel. Pordenone: Edizioni Studio Tesi, 1993.
[29] PAVLOVIĆ, Boro. 2003. Futurizam Zvrk. In Josip Pandurić i Goran Rem Nakladnik (eds.). Ugodna pripovjest – Neobuhvatljivi eseji [A Pleasant Narrative – Incomprehensible Essays]. Zagreb: Disput, 2003: 123–183.
[30] PIOTROWSKI, Piotr. 2009. Toward a Horizontal History of the European Avant-garde. In Sascha Bru et al. (eds.). Europa! Europa? The Avant-Garde, Modernism and the Fate of a Continent. Berlin: De Gruyter, 2009: 49–59.
[31] PIZZI, Katia. 2002. A City in Search of an Author: The Literary Identity of Trieste. New York: Sheffield Academic Press, 2002.
[32] PIZZI, Katia. 2005. 'Quale Triestinità?': Voices and Echoes from Italian Trieste. Primerjalna književnost 28 (2005): 239–249.
[33] PIZZI, Katia. 2011. Trieste: A Dissident Port. In Katia Pizzi and Godela Weiss-Sussex (eds.). The Cultural Identities of European Cities. Oxford/Bern/Berlin: Peter Lang, 2011: 27–42.
[34] RANCIÈRE, Jacques. 2002. The Aesthetic Revolution and Its Outcomes: Emplotments of Autonomy and Heteronomy. New Left Review 14 (2002): 133–151.
[35] RANCIÈRE, Jacques. 2004. The Politics of Aesthetics. The Distribution of the Sensible. Transl. by Gabriel Rockhill. London: Continuum, 2004.
[36] Rdeči pilot [online]. 1922. [accessed 8.05.2022]. Available online at https://www.dlib.si/details/URN:NBN:SI:spr-KSXWU9ZH.
[37] SEELY VOLODER, Laurel and Tyrus MILLER. 2013. Avant-garde Journals in the Yugoslav Crucible. In Peter Brooker et al. (eds.). The Oxford Critical and Cultural History of Modernist Magazines. Vol. 3: Europe 1880–1940. Oxford: Oxford University Press, 2013: 1099–1128.
[38] SRETENOVIĆ, Dejan. 2020. Red Horizon. Avant-garde and Revolution in Yugoslavia 1919–1932. Novi Sad: kuda.org, 2020.
[39] ŠUVAKOVIĆ, Miško. 2016. Avant-gardes in Yugoslavia. Filozofski vestnik 37 (2016): 1: 201–219.
[40] TOPORIŠIČ, Tomaž. 2013. Deconstructive Readings of the Avant-garde Tradition in Postsocialist Retro-avant-garde Theatre. In Sarah Posman et al. (eds.). The Aesthetics of Matter, Modernism, the Avant-garde and Material Exchange. Berlin/Boston: De Gruyer, 2013: 158–166.
[41] VREČKO, Janez. 2005. Srečko Kosovel and the European Avant-garde. Primerjalna književnost 28 (2005): 175–187.
[42] VREČKO, Janez. 2015. Constructivism and Kosovel. Ljubljana: Mladinska knjiga, 2015.
[43] WACHTE, Andrew. 1998. Making a Nation, Breaking a Nation: Literature and Cultural Politics in Yugoslavia. Redwood City: Stanford University Press, 1998: 92–94.
[44] Zenit. Svetokret. Dada Jok. Dada Tank. Dada Jazz. 1921–1926. Zagreb: Horetsky, 2008.