Název: Suavis und dulcis bei Aurelius Augustinus
Variantní název:
- Suavis and dulcis in Aurelius Augustinus' works
Zdrojový dokument: Graeco-Latina Brunensia. 2018, roč. 23, č. 2, s. 25-42
Rozsah
25-42
-
ISSN1803-7402 (print)2336-4424 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/GLB2018-2-3
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/138769
Type: Článek
Jazyk
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
The present article deals with the semantics and functioning of gustative adjectives suavis and dulcis as well as of their derivates in Aurelius Augustinus' works. The phenomenon of synesthesia, i. e. combination of primary gustative meanings with perception of odours, sounds, visual objects etc. is characteristic for both lexemes. The result of synesthesia consists in the change of hierarchical structure of above-mentioned gustative lexemes from one-level (gustative meaning proper) to three-level structure (physiological, psychological and abstract levels). The analyzed lexemes used metaphorically are near in their meaning, and can interchange to a certain degree. That allows them to be regarded as partial synonyms. The maximal meaning convergence of suavis and dulcis occurs in syntagmas with abstract or metaphorically used concrete substantives due to the high degree of abstraction.
Reference
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[21] Lambot, C. (Ed.). (1961). Augustinus: Sermones de vetere testamento (1–50) (SL, 41). Turnholti: Brepols.
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[30] Tombeur, P. et al. (2015). Library of Latin Texts – Series A. Centre Traditio Litterarum Occidentalium. Turnhout: Brepols [available from http://clt-1brepolis-1net-1yegvrevx10c0.zugang.nationallizenzen.de/lltadfg/Default.aspx].
[31] Verbraken, P. (1966). Le sermon CXII de saint Augustin sur les invités au festin. Revue Bénédectine, 76(1–2), 41–58. | DOI 10.1484/J.RB.4.00648
[32] Verheijen, L. (Ed.). (1981). Augustinus: Confessionum libri XIII. Turnholti: Brepols.
[33] Vrba, K. F., & Zycha, J. (Eds.). (1913). Augustinus: De peccatorum meritis et remissione et de baptismo parvulorum. De spiritu et littera. De natura et gratia. De natura et origine animae. Contra duas epistulas Pelagianorum (CSEL, 60). Wien – Leipzig: Tempsky; Freytag.
[34] Weber, D. (Ed.). (1998). Augustinus: De Genesi contra Manichaeos (CSEL, 91). Wien: ÖAW.
[35] Weihrich, F. (Ed.). (1887). Augustinus: Speculum. Pseudo-Augustinus. Liber de divinis scripturis (CSEL, 12). Wien: Gerold.
[36] Willems, R. (Ed.). (1954). Augustinus: In Iohannis evangelium tractatus CXXIV. Turnholti: Brepols. Zelzer, M. (Ed.). (2004). Augustinus: Contra Iulianum opus imperfectum (libri 4–6) (CSEL, 85/2). Wien: Tempsky.
[37] Zycha, J. (Ed.). (1891). Augustinus: De utilitate credendi. De duabus animabus. Contra Fortunatum Manichaeum. Contra Adimantum. Contra epistulam fundamenti. Contra Faustum Manichaeum (CSEL, 25/1). Wien – Prag – Leipzig: Tempsky; Freytag.
[38] Zycha, J. (Ed.). (1894). Augustinus: De Genesi ad litteram. De Genesi ad litteram liber imperfectus. Locutiones in Heptateuchum (CSEL, 28/1). Wien – Prag – Leipzig: Tempsky; Freytag.
[39] Zycha, J. (Ed.). (1895). Augustinus: Quaestiones in Heptateuchum. Adnotationes in Iob (CSEL, 28/2). Wien – Prag – Leipzig: Tempsky; Freytag.
[40] Zycha, J. (Ed.). (1900). Augustinus: De fide et symbolo. De fide et operibus. De agone christiano. De continentia. De bono coniugali. De sancta virginitate. De bono viduitatis. De adulterinis coniugiis. De mendacio. Contra mendacium. De opere monachorum. De divinatione daemonum. De cura pro mortuis gerenda. De patientia (CSEL, 41). Wien – Prag – Leipzig: Tempsky; Freytag.
[41] Antonyuk-Kyrychenko, S. A. (2018). Taktyl'ni prykmetnyky latynskoyi movy: strukturno-systemnyy vymir (na materiali poetychnykh tvoriv Horaciya, Verhiliya ta Ovidiya) [Latin adjectives denoting touch perception: a structural-systemic aspect (in the poetry of Horace, Virgil and Ovid)]. PhD thesis, University of Lviv.
[42] Bradley, M. (2013). Colour as synaesthetic experience in antiquity. In S. Butler, & A. Purves (Eds.), Synaesthesia and the ancient senses (pp. 127–140). London – New York: Routledge.
[43] Catricalà, M. (2008). Fenomenologie sinestetiche tra retorica e pragmatica. Studi e saggi linguistici, 46, 7–92.
[44] De Felice, I. (2014). La sinestesia nella poesia latina. Studi e saggi linguistici, 52(1), 61–107.
[45] De Vaan, M. (2008). Etymological Dictionary of Latin and other Italic Languages. Leiden: Brill.
[46] Döderlein, L. (1849). Handbuch der lateinischen Synonymik (2. Aufl.) Leipzig: Vogel.
[47] Ernout, A., & Meillet, A. (1939). Dictionnaire etymologique de la langue latine. Paris: Klincksieck.
[48] Forcellini, Ae. (1965). Lexicon totius latinitatis. Pataviae: Forni.
[49] Gentner, D. (1983). Structure-mapping. A theoretical framework for analogy. Cognitive Science, 7, 155–170. | DOI 10.1207/s15516709cog0702_3
[50] Glare, P. G. W. (1968). Oxford Latin Dictionary. Oxford: Clarendon Press.
[51] Grosheva, A. V. (2013). Prilagatelnyye so znacheniyem 'sladkiy' v poemakh Gomera [Adjectives denoting sweetness in Homer's poems]. Indo-European Linguistics and Classical Philology, XVII (Sankt-Petersburg: Nauka), 228–243.
[52] Kirschner, A., & Nicolić, D. (2017). One-Shot Synaesthesia. Translational Neuroscience, 8, 167–175.
[53] Lakoff, G., & Johnson, M. (1980). Metaphors We Live By. Chicago: University of Chicago Press.
[54] Mamojee, A. H. (1981). Suavis and dulcis: a study of Ciceronian usage. Phoenix, 35(3), 220–236. | DOI 10.2307/1087655
[55] Panagl, O. (2002). Zur indogermanischen Syntax und Stilistik. In H. Hettrich (Ed.), Indogermanische Syntax. Fragen und Perspektiven (pp. 281–300). Wiesbaden: Reichert.
[56] Panagl, O. (2007). Bildmusik – Klangbilder. Metaphern und Synästhesien im Reden über Kunst. In J. Brügge, W. Gratzer, & O. Neumaier (Eds.), Bildmusik. Gerhard Rühm und die Kunst der Gegenwart (pp. 61–71). Saarbrücken: Pfau Verlag.
[57] Panagl, O. (2009). Stilfiguren als Grenzgänger: Apokoinu und Zeugma. In M. Danner et al. (Eds.), Gesprochen – geschrieben – gedichtet. Variation und Transformation von Sprache (pp. 80–88). Berlin: Erich Schmidt.
[58] Primožič, J. (2017). Les metaphores synesthesiques et le son. Vestnik za tujej jeziki / Journal for foreign languages, 9(1), 25–43.
[59] Rogowska, A. (2011). Categorization of Synaesthesia. Review of General Psychology, 15(3), 213–227. | DOI 10.1037/a0024078
[60] Shen, Y. (1997). Cognitive constraints on poetic figures. Cognitive Linguistics, 8(1), 33–71. | DOI 10.1515/cogl.1997.8.1.33
[61] Shen, Y., & Aisenman, R. (2008). 'Heard melodies are sweet, but those unheard are sweeter': synaesthetic metaphors and cognition. Language and Literature, 17(2), 107–121. | DOI 10.1177/0963947007088222
[62] Stepantsov, S. A. (2006). Dobryy koren: lyubov v obraznom yazyke propovedey blazhennogo Avgustina (po "Rassuzhdeniyam na Poslaniye Ioanna k Parfyanam") [A Good Root: Love in the figurative language of Sermons by Saint Augustine (about "Homilies on the Epistle of John to the Parthians")]. Moscow: IVI RAN.
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