Název: Divadlo nezávislé Indie: anglicky psaná indická dramatika
Variantní název:
- Theatre of independent India: Indian drama written in English
Zdrojový dokument: Theatralia. 2009, roč. 12, č. 1-2, s. 79-94
Rozsah
79-94
-
ISSN1803-845X (print)2336-4548 (online)
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/115562
Type: Článek
Jazyk
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
The study focuses on the situation of drama written in the English language whose authors are Indians. Particular attention is paid to the development of drama in the English language in India after 1947, e.g. in the period after gaining the independence, up to the present. Having outlined the main trends, the author deals with work of two dramatists, whose pieces enjoy a considerable public reception on stages in India as well as internationally. They are Girish Karnad and Mahesh Dattani. Both of them create in the spirit of mutually different streams of modern Indian drama. In Karnad's play The Fire and the Rain and in Dattani's Tara, the author particularly observes those aspects that depose of the playwright's approach to psychological, social and mythological themes. The aim of the study is, above all, to offer a basic survey of the issue that has been recently attracting attention of Western theatre studies.
Reference
[1] DATTANI. Mahesh. 2001. "Tara". Drama Contemporary: India. The Johns Hopkins University Press, 2001, s. 229–282.
[2] DHARWADKER, Aparna Bhargava. 2005. Theatres of Independence. Drama, Theory, and Urban Performance in India since 1947. Iowa City: University of Iowa Press, 2005.
[3] FILIPSKÝ, Jan. 2007. Encyklopedie indické mytologie. Postavy indických bájí a letopisů. Praha: Nakladatelství Libri, 2007.
[4] KARNAD, Girish. 2001. "The Fire and the Rain" Drama Contemporary: India. The Johns Hopkins UP, 2001, s. 23–81.
[5] KARNÁD, Giríša. 1985. Hajavadana. Muž s koňskou hlavou. Přel. Dana Kalvodová. Praha: Dilia: 1985.
[6] KYSOVÁ, Šárka. 2006. Estetika staroindického divadelního umění. Teorie rasy. Diplomová práce, FF MU Brno, 2006.
[7] KYSOVÁ, Šárka. 2008a. "Estetika staroindického divadelního umění. Teorie rasy." SPFF Brněnské univerzity, Q 10. Brno: MU, 2008, s. 145–160.
[8] KYSOVÁ, Šárka. 2008b. "Směřování k rase v dramatickém textu: Kálidásův Ztracený prsten." SPFF Brněnské univerzity, Q 11. Brno: MU, 2008, s. 113–132.
[9] LAL, Ananda (ed). 2004a. Indian Theatre. New Delhi: Oxford UP, 2004.
[10] LAL, Ananda (ed). 2004b. The Oxford Companion to Indian Theatre. New Delhi: Oxford University Press, 2004.
[11] MEE, Erin B. 2001. Drama Contemporary: India. The Johns Hopkins UP, 2001.
[12] RAI, R. N. 2006. "Perspectives and Challenges in Indian-English Drama." Perspectives and Challenges in Indian-English Drama. New Delhi: Atlantic, 2006.
[13] SHUKLA, Anupam – SAXENA, Alka. 2006. "The Symbol of Agni in Karnad’s ’The Fire and the Rain‘. Perspectives and Challenges in Indian-English Drama. New Delhi: Atlantic, 2006, s. 42–50.
[14] SINHA, Biswajit. 2003. Encyclopaedia of Indian Theatre (vol. 5). Rabindranath Tagore. Delhi: Raj Publication, 2003.
[15] SINHA, Biswajit. 2004. Encyclopaedia of Indian Theatre (vol. 6). Folk Theatre. Delhi: Raj Publication, 2004.
[16] SINHA, Biswajit. 2005. Encyclopaedia of Indian Theatre (vol. 7). Sanskrit Theatre. Delhi: Raj Publication, 2005.
[17] SINHA, Biswajit. 2008. Encyclopaedia of Indian Theatre (vol. 9). Contemporary Theatre (East and North East). Delhi: Raj Publication, 2008.
[18] STRNAD, Jaroslav a kol. 2003. Dějiny Indie. Praha: Lidové noviny, 2003.
[19] TANDON, Neeru (ed). 2006. Perspectives and Challenges in Indian-English Drama. New Delhi: Atlantic, 2006.
[20] YADAV, Saryug. 2003. "Indian English Drama: Tradition and Achievement". Studies in Indian Drama in English. Bareilly: Prakash Book Depot, 2003.
[21] YADAV, Saryug – PRASAD, Amar Nath (eds). 2003. Studies in Indian Drama in English. Bareilly: Prakash Book Depot, 2003.
[22] WERNER, Karel. 1996. Malá encyklopedie hinduismu. Brno: Atlantis, 1996.
[23] ZBAVITEL, Dušan. 1997. Otazníky starověké Indie. Praha: Lidové noviny, 1997.
[24] ODDY, J. Mahesh Dattani [online]. [citováno dne 2. 12. 2008] Dostupné na: World Wide Web: < http://www.doollee.com/PlaywrightsD/dattani-mahesh.html >.
[25] ODDY, J. Mahesh Dattani [online]. [citováno dne 2. 12. 2008] Dostupné na: World Wide Web: http://images.google.cz/images?um=1&hl=cs&lr=&q=Mahesh+Dattani+plays&&sa=N&start=18&ndsp=18.
[26] ODDY, J. Girish Karnad [online]. [citováno dne 2. 12. 2008] Dostupné na: World Wide Web:http://images.google.cz/images?um=1&hl=cs&lr=&q=Girish+Karnad&&sa=N&start=18&ndsp=18.
[2] DHARWADKER, Aparna Bhargava. 2005. Theatres of Independence. Drama, Theory, and Urban Performance in India since 1947. Iowa City: University of Iowa Press, 2005.
[3] FILIPSKÝ, Jan. 2007. Encyklopedie indické mytologie. Postavy indických bájí a letopisů. Praha: Nakladatelství Libri, 2007.
[4] KARNAD, Girish. 2001. "The Fire and the Rain" Drama Contemporary: India. The Johns Hopkins UP, 2001, s. 23–81.
[5] KARNÁD, Giríša. 1985. Hajavadana. Muž s koňskou hlavou. Přel. Dana Kalvodová. Praha: Dilia: 1985.
[6] KYSOVÁ, Šárka. 2006. Estetika staroindického divadelního umění. Teorie rasy. Diplomová práce, FF MU Brno, 2006.
[7] KYSOVÁ, Šárka. 2008a. "Estetika staroindického divadelního umění. Teorie rasy." SPFF Brněnské univerzity, Q 10. Brno: MU, 2008, s. 145–160.
[8] KYSOVÁ, Šárka. 2008b. "Směřování k rase v dramatickém textu: Kálidásův Ztracený prsten." SPFF Brněnské univerzity, Q 11. Brno: MU, 2008, s. 113–132.
[9] LAL, Ananda (ed). 2004a. Indian Theatre. New Delhi: Oxford UP, 2004.
[10] LAL, Ananda (ed). 2004b. The Oxford Companion to Indian Theatre. New Delhi: Oxford University Press, 2004.
[11] MEE, Erin B. 2001. Drama Contemporary: India. The Johns Hopkins UP, 2001.
[12] RAI, R. N. 2006. "Perspectives and Challenges in Indian-English Drama." Perspectives and Challenges in Indian-English Drama. New Delhi: Atlantic, 2006.
[13] SHUKLA, Anupam – SAXENA, Alka. 2006. "The Symbol of Agni in Karnad’s ’The Fire and the Rain‘. Perspectives and Challenges in Indian-English Drama. New Delhi: Atlantic, 2006, s. 42–50.
[14] SINHA, Biswajit. 2003. Encyclopaedia of Indian Theatre (vol. 5). Rabindranath Tagore. Delhi: Raj Publication, 2003.
[15] SINHA, Biswajit. 2004. Encyclopaedia of Indian Theatre (vol. 6). Folk Theatre. Delhi: Raj Publication, 2004.
[16] SINHA, Biswajit. 2005. Encyclopaedia of Indian Theatre (vol. 7). Sanskrit Theatre. Delhi: Raj Publication, 2005.
[17] SINHA, Biswajit. 2008. Encyclopaedia of Indian Theatre (vol. 9). Contemporary Theatre (East and North East). Delhi: Raj Publication, 2008.
[18] STRNAD, Jaroslav a kol. 2003. Dějiny Indie. Praha: Lidové noviny, 2003.
[19] TANDON, Neeru (ed). 2006. Perspectives and Challenges in Indian-English Drama. New Delhi: Atlantic, 2006.
[20] YADAV, Saryug. 2003. "Indian English Drama: Tradition and Achievement". Studies in Indian Drama in English. Bareilly: Prakash Book Depot, 2003.
[21] YADAV, Saryug – PRASAD, Amar Nath (eds). 2003. Studies in Indian Drama in English. Bareilly: Prakash Book Depot, 2003.
[22] WERNER, Karel. 1996. Malá encyklopedie hinduismu. Brno: Atlantis, 1996.
[23] ZBAVITEL, Dušan. 1997. Otazníky starověké Indie. Praha: Lidové noviny, 1997.
[24] ODDY, J. Mahesh Dattani [online]. [citováno dne 2. 12. 2008] Dostupné na: World Wide Web: < http://www.doollee.com/PlaywrightsD/dattani-mahesh.html >.
[25] ODDY, J. Mahesh Dattani [online]. [citováno dne 2. 12. 2008] Dostupné na: World Wide Web: http://images.google.cz/images?um=1&hl=cs&lr=&q=Mahesh+Dattani+plays&&sa=N&start=18&ndsp=18.
[26] ODDY, J. Girish Karnad [online]. [citováno dne 2. 12. 2008] Dostupné na: World Wide Web:http://images.google.cz/images?um=1&hl=cs&lr=&q=Girish+Karnad&&sa=N&start=18&ndsp=18.