Název: Meaning-making in contemporary operatic performance
Zdrojový dokument: Theatralia. 2022, roč. 25, č. 1, s. 172-176
Rozsah
172-176
-
ISSN1803-845X (print)2336-4548 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/TY2022-1-12
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/145146
Type: Recenze
Jazyk
Licence: CC BY-NC-ND 4.0 International
Reviewed work
Havelková, Tereza. Opera as hypermedium: meaning-making, immediacy, and the politics of perception. New York: Oxford University Press, 2021. xii, 186 pp. ISBN 978-0-19-009126-2.
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Reference
[1] ADORNO, Theodor W. 2005. In Search of Wagner. London: Verso, 2005.
[2] BENJAMIN, Walter. 1969. Illuminations. New York: Schocken Books, 1969.
[3] BENJAMIN, Walter. 1977. The Origin of German Tragic Drama. New York: New Left Books, 1977.
[4] BOLTER, Jay David and Richard GRUSIN. 1999. Remediation. Understanding New Media. Cambridge, MA: MIT Press, 1999.
[5] BRYSON, Norman. 1983. Vision and Painting: The Logic of the Gaze. London: Macmillan, 1983.
[6] KRAMER, Lawrence. 2002. Musical Meaning: Towards a Critical History. Berkeley: University of California Press, 2002.
[7] LEHMANN, Hans-Thies. 1999. Postdramatisches Theatre. Frankfurt: Verlag der Autoren, 1999.
[2] BENJAMIN, Walter. 1969. Illuminations. New York: Schocken Books, 1969.
[3] BENJAMIN, Walter. 1977. The Origin of German Tragic Drama. New York: New Left Books, 1977.
[4] BOLTER, Jay David and Richard GRUSIN. 1999. Remediation. Understanding New Media. Cambridge, MA: MIT Press, 1999.
[5] BRYSON, Norman. 1983. Vision and Painting: The Logic of the Gaze. London: Macmillan, 1983.
[6] KRAMER, Lawrence. 2002. Musical Meaning: Towards a Critical History. Berkeley: University of California Press, 2002.
[7] LEHMANN, Hans-Thies. 1999. Postdramatisches Theatre. Frankfurt: Verlag der Autoren, 1999.