Title: Theatralia
Rok: 2014
Ročník: 17
Číslo: 2
Název čísla
Prague semiotic stage revisited II
Rok vydání
2014
ISSN
1803-845X (print)
2336-4548 (online)
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/130868
Poznámka
- This issue presents the outcome from the second symposium "Prague semiotic stage revisited II: an international symposium on Czech structuralist thought on theatre and drama, Brno, 20-22 May, 2013".
- Editoři čísla (Issue Editors): Barbora Příhodová, Tomáš Kačer (Masaryk University, Brno, CZ)
- Toto číslo vychází v rámci projektu Český divadelní strukturalismus: souvislosti a potenciál (2011‒2015; GAČR, č. P409/11/1082), financováno Grantovou agenturou ČR.
- This issue is published under the Research Grant Czech Structuralist Thought on Theatre: context and potency (2011‒2015; GAČR, č. P409/11/1082), subsidized by the Czech Science Foundation.
Ústav FF MU
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Obsah
Title | Document |
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Editorial | 5–6 Kačer, Tomáš; Příhodová, Barbora |
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Prague semiotic stage revisited II: an international symposium on Czech structuralist thought on theatre and drama, Brno, May 20‒22, 2013 : programme | 7–10 |
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[Contents of the section Yorick] | [11]–[12] |
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Responsibilities to the past; duties to the present: considerations on translating, editing and (re)presenting the Czech structuralist canon for modern international audiences | 13–23 Billing, Christian M. |
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Between intentionality and affect: on Jan Mukařovský's theory of reception | 24–40 Meerzon, Yana |
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The Prague School's contribution to the theory of intermediality | 41–49 Šlaisová, Eva |
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Conceptualizing the Hollywood biopic | 50–59 Pérez-Simón, Andrés |
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Mimetic and non-mimetic aspects of space in the theatre: some reflections following Jindřich Honzl's "Dynamics of the sign in the theater" | 60–70 Rokem, Freddie |
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Otakar Zich's invisible actors and creative minds | 71–80 Pšenička, Martin |
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Functional reformulations: Prague School and intralingual translation | 81–95 Drábek, Pavel |
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Jiří Veltruský revisited | 96–110 Schmid, Herta |
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Archaeology of concepts and ambitions: performing structuralism through the field of scenography (Czechoslovakia, 1970s) | 111–121 Havlíčková Kysová, Šárka; Příhodová, Barbora |
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Jan Mukařovský and theatre | 122–136 Sládek, Ondřej |
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Jindřich Honzl's texts on acting – between convention and spontaneity | 137–147 Musilová, Martina |
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Prague Linguistic Circle in English: semantic shifts in selected texts and their consequences | 148–161 Ambros, Veronika |
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Phenomenological aspects of the Prague School theatre theory | 162–171 Sakellaridou, Elizabeth |
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[Contents of the section Archive] | [173]–[174] |
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The Prague Linguistic Circle and the Prager Presse : a remark on the science in interwar Czechoslovakia | 175–187 Bernátek, Martin |
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[Contents of the section Spectrum] | [189]–[190] |
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Where theory meets the practice: Jaroslav Malina's space, function and sign in scenography and painting | 191–222 Příhodová, Barbora |
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[Contents of the section Orientation] | [223]–[224] |
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Hastábhinaja: gesta rukou v tradičním divadelním umění Indie | 225–226 Drábek, Pavel |
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100 years of Croatian set design and costume design 1909‒2009 | 227–229 Rogošić, Višnja |
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Pavel Drábek's attempts at Shakespeare | 230–232 Kačer, Tomáš |
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The chronotopical overview of Croatian performance art | 233–237 Majcen Linn, Olga |
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In double trust: Shakespeare in Central Europe | 238–240 Kostihová, Marcela |
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A fresh approach to old issues | 241–243 Havlíčková Kysová, Šárka |
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[Contents of the section Events] | [245]–[246] |
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"Theatrology at a crossroads": notes from a conference | 247–249 Satková, Naďa |
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O' – Scenographic Video-Essays | 250–251 Kubart, Tomáš |