Obrázek
Title: Theatralia
Rok: 2014
Ročník: 17
Číslo: 2
Název čísla
Prague semiotic stage revisited II
Rok vydání
2014
ISSN
1803-845X (print)
2336-4548 (online)
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/130868
Poznámka
- This issue presents the outcome from the second symposium "Prague semiotic stage revisited II: an international symposium on Czech structuralist thought on theatre and drama, Brno, 20-22 May, 2013".
- Editoři čísla (Issue Editors): Barbora Příhodová, Tomáš Kačer (Masaryk University, Brno, CZ)
- Toto číslo vychází v rámci projektu Český divadelní strukturalismus: souvislosti a potenciál (2011‒2015; GAČR, č. P409/11/1082), financováno Grantovou agenturou ČR.
- This issue is published under the Research Grant Czech Structuralist Thought on Theatre: context and potency (2011‒2015; GAČR, č. P409/11/1082), subsidized by the Czech Science Foundation.
Ústav FF MU
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Obsah
| Title | Document |
|---|---|
| Editorial | 5–6 Kačer, Tomáš; Příhodová, Barbora |
| Title | Document |
|---|---|
| Prague semiotic stage revisited II: an international symposium on Czech structuralist thought on theatre and drama, Brno, May 20‒22, 2013 : programme | 7–10 |
| Title | Document |
|---|---|
| [Contents of the section Yorick] | [11]–[12] |
|
| Responsibilities to the past; duties to the present: considerations on translating, editing and (re)presenting the Czech structuralist canon for modern international audiences | 13–23 Billing, Christian M. |
| Title | Document |
|---|---|
| Between intentionality and affect: on Jan Mukařovský's theory of reception | 24–40 Meerzon, Yana |
|
| The Prague School's contribution to the theory of intermediality | 41–49 Šlaisová, Eva |
|
| Conceptualizing the Hollywood biopic | 50–59 Pérez-Simón, Andrés |
| Title | Document |
|---|---|
| Mimetic and non-mimetic aspects of space in the theatre: some reflections following Jindřich Honzl's "Dynamics of the sign in the theater" | 60–70 Rokem, Freddie |
|
| Otakar Zich's invisible actors and creative minds | 71–80 Pšenička, Martin |
| Title | Document |
|---|---|
| Functional reformulations: Prague School and intralingual translation | 81–95 Drábek, Pavel |
|
| Jiří Veltruský revisited | 96–110 Schmid, Herta |
|
| Archaeology of concepts and ambitions: performing structuralism through the field of scenography (Czechoslovakia, 1970s) | 111–121 Havlíčková Kysová, Šárka; Příhodová, Barbora |
|
| Jan Mukařovský and theatre | 122–136 Sládek, Ondřej |
|
| Jindřich Honzl's texts on acting – between convention and spontaneity | 137–147 Musilová, Martina |
| Title | Document |
|---|---|
| Prague Linguistic Circle in English: semantic shifts in selected texts and their consequences | 148–161 Ambros, Veronika |
|
| Phenomenological aspects of the Prague School theatre theory | 162–171 Sakellaridou, Elizabeth |
| Title | Document |
|---|---|
| [Contents of the section Archive] | [173]–[174] |
|
| The Prague Linguistic Circle and the Prager Presse : a remark on the science in interwar Czechoslovakia | 175–187 Bernátek, Martin |
| Title | Document |
|---|---|
| [Contents of the section Spectrum] | [189]–[190] |
|
| Where theory meets the practice: Jaroslav Malina's space, function and sign in scenography and painting | 191–222 Příhodová, Barbora |
| Title | Document |
|---|---|
| [Contents of the section Orientation] | [223]–[224] |
|
| Hastábhinaja: gesta rukou v tradičním divadelním umění Indie | 225–226 Drábek, Pavel |
|
| 100 years of Croatian set design and costume design 1909‒2009 | 227–229 Rogošić, Višnja |
|
| Pavel Drábek's attempts at Shakespeare | 230–232 Kačer, Tomáš |
|
| The chronotopical overview of Croatian performance art | 233–237 Majcen Linn, Olga |
|
| In double trust: Shakespeare in Central Europe | 238–240 Kostihová, Marcela |
|
| A fresh approach to old issues | 241–243 Havlíčková Kysová, Šárka |
| Title | Document |
|---|---|
| [Contents of the section Events] | [245]–[246] |
|
| "Theatrology at a crossroads": notes from a conference | 247–249 Satková, Naďa |
|
| O' – Scenographic Video-Essays | 250–251 Kubart, Tomáš |