Displaying 151 - 175 of 3452
Article
Iatrou, Maria.
Human apes and the dual self: notes on the intertext of Ο Πίθηκος Ξουθ (Xouth the Αpe) by Iakovos Pitsipios. Neograeca Bohemica. 2017, vol. 17, iss. [1], pp. 9–29.
Article
Stupňánek, Bronislav.
Anaximander's πρηστῆρος αὐλός. Studia philosophica. 2015, vol. 62, iss. 1, pp. 5–15.
Article
Czernianin, Wiktor.
Reception of Kazimierz Przerwa Tetmajer's works in foreign countries: Germany, Czech Republic, Slovakia and Russia, according to critics at the turn of the 19th and the 20th centuries. Opera Slavica. 2013, vol. 23, iss. 3, pp. 1–12.
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Ilieva, Boyka, Todorova, Bilyana, Anastasova, Maria.
International academic forum Bulgarian Studies Abroad, Philology at Home. Opera Slavica. 2019, vol. 29, iss. 2, pp. 73–76.
Article
Zouhar, Vít.
Bohuslav Martinů's notes on Janáček's introduction to the "Moravian Folksongs Newly Collected" (Národní písně moravské v nově nasbírané). Musicologica Brunensia. 2013, vol. 48, iss. 2, pp. 191–199.
Article
Celhoffer, Martin.
Approaching Bartok's [i.e. Bartók's] notation in terms of authenticity. Musicologica Brunensia. 2012, vol. 47, iss. 2, pp. 3–8.
Article
Kajanová, Yvetta.
World music, flamenco, klezmer and traditional folk music in Slovakia. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 25–40.
Article
Urniežius, Rytis.
Arrangement competences of music teachers : readiness to meet unexpected. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 139–147.
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Pavlica, Lukáš.
Jan Fryček in the inventories of the Premonstratensian Monastery in Nová Říše. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 41–67.
Article
Jaunslaviete, Baiba.
Reception of Czech and Latvian music by German music critics in Riga in the late 19th and early 20th centuries : some comparative aspects. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 149–162.
Article
Špačková, Stanislava.
The impact of political changes on the use of Latin script in Russian texts. Opera Slavica. 2015, vol. 25, iss. 2, pp. 47–58.
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Chorna, Milena.
The Ukrainian folk painting "Cossack Mamay" and Cossacks' spiritual practice. Opera Slavica. 2015, vol. 25, iss. 2, pp. 59–70.
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Schacherl, Martin.
The (formal) exclusiveness of Julius Zeyer's literary language. Opera Slavica. 2019, vol. 29, iss. 3, pp. 5–11.
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Kocmanová, Jessie.
The unpublished lectures of William Morris. Sborník prací Filozofické fakulty brněnské univerzity. D, Řada literárněvědná. 1972, vol. 21, iss. D19, pp. 174–175.
Article
Stirton, Paul.
Faces of modernism after Trianon : Károly Kós, Lajos Kozma and Neo-Baroque design in interwar Hungary. Art East Central. 2021, vol. 1, iss. 1, pp. 11–49.
Article
Secklehner, Julia.
Women and the Wiener Werkstätte. Art East Central. 2021, vol. 1, iss. 1, pp. 141–145.
Article
Franková, Jana.
Music at the court of Adam Franz and Joseph Adam von Schwarzenberg : Vienna, Český Krumlov and Paris and transitions at to the end of baroque era. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 159–177.
Article
Perutková, Jana.
Die glückliche Vorbedeutung and Aristheus : unknown libretti of German-language operas performed in the Kärntnertortheater in Vienna in 1741. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 123–155.
Article
Spáčilová, Jana.
Orlandini's Antigona (vendicata) : transformation of a Venetian opera on its transalpine journey. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 227–248.
Article
Slouka, Petr.
Viva eterno Leopoldo! : Italian birthday serenatas by Johann Heinrich Schmelzer. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 35–46.
Article
Ryszka-Komarnicka, Anna.
Between Venice, Lubowla in Spiš and Kraków : Prince Teodor Lubomirski – an enthusiast of Italian opera (a preliminary study). Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 191–205.
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Selfridge-Field, Eleanor.
The Teatro Sant'Angelo : cradle of fledgling opera troupes. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 157–170.
Article
Macek, Petr.
Jaroslav Střítecký at 70. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 5–7.