Displaying 151 - 175 of 3522
Article
Plašienková, Zlatica, Slobodian, Oksana.
Some ethical-religious views of Nikolai O. Lossky and Eugene V. Spektorsky : (searching for thought parallels). Studia philosophica. 2019, vol. 66, iss. 2, pp. 7–23.
Article
Koseska-Toszewa, Violetta.
Many-volume contrastive grammar of Bulgarian and Polish. Opera Slavica. 2009, vol. 19, iss. 2, pp. 36–43.
Article
Kyzlinková, Lidia.
Eliot and Tennyson : (some facts to the dramatic technique of Murder in the cathedral). Sborník prací Filozofické fakulty brněnské univerzity. D, Řada literárněvědná. 1974, vol. 23, iss. D21, pp. 131–144.
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Pospíšil, Ivo.
"The old times" and the genre forms : an interpretative triangle. Opera Slavica. 1994, vol. 4, iss. 1, pp. 39–45.
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Iatrou, Maria.
Human apes and the dual self: notes on the intertext of Ο Πίθηκος Ξουθ (Xouth the Αpe) by Iakovos Pitsipios. Neograeca Bohemica. 2017, vol. 17, iss. [1], pp. 9–29.
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Stupňánek, Bronislav.
Anaximander's πρηστῆρος αὐλός. Studia philosophica. 2015, vol. 62, iss. 1, pp. 5–15.
Article
Czernianin, Wiktor.
Reception of Kazimierz Przerwa Tetmajer's works in foreign countries: Germany, Czech Republic, Slovakia and Russia, according to critics at the turn of the 19th and the 20th centuries. Opera Slavica. 2013, vol. 23, iss. 3, pp. 1–12.
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Ilieva, Boyka, Todorova, Bilyana, Anastasova, Maria.
International academic forum Bulgarian Studies Abroad, Philology at Home. Opera Slavica. 2019, vol. 29, iss. 2, pp. 73–76.
Article
Zouhar, Vít.
Bohuslav Martinů's notes on Janáček's introduction to the "Moravian Folksongs Newly Collected" (Národní písně moravské v nově nasbírané). Musicologica Brunensia. 2013, vol. 48, iss. 2, pp. 191–199.
Article
Celhoffer, Martin.
Approaching Bartok's [i.e. Bartók's] notation in terms of authenticity. Musicologica Brunensia. 2012, vol. 47, iss. 2, pp. 3–8.
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Maňas, Vladimír.
Inventář hudebnin farního kostela v Novem Jičíně z roku 1630. Musicologica Brunensia. 2012, vol. 47, iss. 2, pp. 73–77.
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Kajanová, Yvetta.
World music, flamenco, klezmer and traditional folk music in Slovakia. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 25–40.
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Urniežius, Rytis.
Arrangement competences of music teachers : readiness to meet unexpected. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 139–147.
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Pavlica, Lukáš.
Jan Fryček in the inventories of the Premonstratensian Monastery in Nová Říše. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 41–67.
Article
Jaunslaviete, Baiba.
Reception of Czech and Latvian music by German music critics in Riga in the late 19th and early 20th centuries : some comparative aspects. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 149–162.
Article
Špačková, Stanislava.
The impact of political changes on the use of Latin script in Russian texts. Opera Slavica. 2015, vol. 25, iss. 2, pp. 47–58.
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Chorna, Milena.
The Ukrainian folk painting "Cossack Mamay" and Cossacks' spiritual practice. Opera Slavica. 2015, vol. 25, iss. 2, pp. 59–70.
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Schacherl, Martin.
The (formal) exclusiveness of Julius Zeyer's literary language. Opera Slavica. 2019, vol. 29, iss. 3, pp. 5–11.
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Kocmanová, Jessie.
The unpublished lectures of William Morris. Sborník prací Filozofické fakulty brněnské univerzity. D, Řada literárněvědná. 1972, vol. 21, iss. D19, pp. 174–175.
Article
Stirton, Paul.
Faces of modernism after Trianon : Károly Kós, Lajos Kozma and Neo-Baroque design in interwar Hungary. Art East Central. 2021, vol. 1, iss. 1, pp. 11–49.
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Secklehner, Julia.
Women and the Wiener Werkstätte. Art East Central. 2021, vol. 1, iss. 1, pp. 141–145.