2

Title: Theatralia

Year: 2018

Volume: 21

Issue: 2

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Issue title

Czech and Slovak scenography for Shakespeare

Publication year

2018

ISSN

1803-845X (print)

2336-4548 (online)

Stable URL (handle): https://hdl.handle.net/11222.digilib/138508

Note

Editoři čísla (Issue Editors): Šárka Havlíčková Kysová (Masaryk University, Brno, CZ), Christian M. Billing (University of Hull, UK)

Department FF MU

Department of Theatre Studies

Topic

Theatre Studies

Fulltext

Content

Table of Contents

hidden section Making space for Shakespeare in the Central European imaginary : editorial
Title	Document
Making space for Shakespeare in the Central European imaginary : editorial \| 7–13 Billing, Christian M.; Havlíčková Kysová, Šárka	PDF

Yorick
Title	Document
Visualising process: Hofman's 1926 Hamlet reconstructive practice \| 15–28 Fergusson, Cat	PDF
A technical and contextual analysis of scenography through sculptural reproduction: Hofman and Tröster's Hamlets \| 29–37 Matthews, Dan	PDF
Scenographer Antonín Heythum and his work in the US: the case of King Lear \| 38–63 Koubská, Vlasta	PDF
From creating spaces to evoking images: 4 + 1 Hamlets in Slovak theatre \| 64–78 Wild, Jana	PDF
Ladislav Vychodil's approach to designing stages for Shakespeare home and abroad \| 79–94 Koblišková, Zuzana	PDF
A midsummer night's dream in Polish puppet theatres in Silesia – Mise-en-Scène by Jan Dorman, Josef Krofta and Marián Pecko \| 95–111 Tomaszewska, Ewa	PDF
The Scenography of Shakespearománie I–III [The Shakespearomania Trilogy] directed by Peter Scherhaufer at the Goose on a String Theatre in Brno \| 112–126 Inštitorisová, Dagmar	PDF
Othello and the perception of race within the cultural context of Czech and Slovak theatres \| 127–140 Koblišková, Zuzana	PDF

Spectrum
Title	Document
Socialist realism in the Bulgarian National Theatre's Stage design: processes, influences, concepts \| 141–160 Tagareva, Albena	PDF
The political dimension of the performance Jeanne d'Arc au bûcher [Joan of Arc at the Stake] in the Janáček Theatre, Brno in 1969 \| 161–172 Spurná, Helena	PDF

Guests
Title	Document
Interview with Jan Dušek (13. 2. 2018) \| 173–181 Koubská, Vlasta; Dušek, Jan	PDF
We must take these risks : interview with Matthias Warstat \| 182–186 Kunderová, Radka; Warstat, Matthias	PDF
Obamovo tělo : performativní aspekty politické rétoriky \| 187–199 Warstat, Matthias	PDF

Reviews
Title	Document
Mirrors of/for the times: Shakespeare in Central European theatre \| 201–203 Krajník, Filip	PDF
Hlasy troch prekladateľov \| 204–207 Wild, Jana	PDF
What makes British musicals uniquely British? \| 208–210 Zálešáková, Tereza	PDF
Theatre and philosophy: the two as two-in-one in a theoretical issue of Anglia Journal and a Follow-up Symposium \| 211–213 Kačer, Tomáš	PDF
How to present ancient theatre on television \| 214–216 Stehlíková, Eva	PDF

Events
Title	Document
The urge to share knowledge \| 217–219 Turzíková, Tereza	PDF
Theory as a 'tool-box': Brno Theatralia Conference 2018 \| 220–222 Lánská, Dita	PDF
Zich's Guilt – reactions to the concert performance of extracts \| 223–235 Drozd, David; Spurná, Helena; Bártová, Jindřiška; Flašar, Martin; Drábek, Pavel; Zahrádka, Jiří; Částková, Patricie; Kovaříková, Hana; Hložková, Hana	PDF

Appendix
Title	Document
Curculio aneb Darmojed \| 237–267 Plautus	PDF