Title: The political dimension of the performance Jeanne d'Arc au bûcher [Joan of Arc at the Stake] in the Janáček Theatre, Brno in 1969
Source document: Theatralia. 2018, vol. 21, iss. 2, pp. 161-172
Extent
161-172
-
ISSN1803-845X (print)2336-4548 (online)
Persistent identifier (DOI): https://doi.org/10.5817/TY2018-2-11
Stable URL (handle): https://hdl.handle.net/11222.digilib/138521
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
16 January 1969 was an important day for Czechoslovakia: Jan Palach, a student at the Faculty of Arts, set himself on fire next to the statue of St. Wenceslas in Prague. The artistic scene reacted to the incident through several works. The performance of Arthur Honegger's stage oratorio Jeanne d'Arc au bûcher in Janáček Theatre in Brno was one of them. The article introduces political circumstances and artistic form of the performance, summarizing photos, materials from the legacy of the director Miloš Wasserbauer, various reflections and reviews. For the author of the article the importance of the performance lies in the fact that the Brno opera presented a work which had not been performed on the Czechoslovak stages before. The primary reason for this was the undoubted staging and interpretation demands connected with Honegger's monumental hybrid creation. The fact that Brno put Jeanne d'Arc au bûcher to their repertoire at the time of the revolutionary political changes in Czechoslovakia provided the story of Joan of Arc with an up-to-date message.
Note
This study came about as part of the research project The Generation of Miloš Wasserbauer, the Theatre Director, and Progressive Dramaturgy of the State Theatre in Brno, supported by the Czech Science Foundation (No. GA15–06548S).
References
[1] FUKAČ, Jiří. 1969. Dlouho očekávaná premiéra [A Long Awaited Premiere]. Rovnost 84 (2. 7. 1969): 5.
[2] HALBREICH, Harry. 1999. Arthur Honegger (translated by Roger Nichols). Portland: Amadeus Press, 1999.
[3] HAVLÍČKOVÁ KYSOVÁ, Šárka and SPURNÁ, Helena. 2016. Dramaturgická východiska opery Státního divadla v Brně v době působení Václava Noska a Miloše Wasserbauera [The Dramaturgy of the State Theatre Brno under Václav Nosek and Miloš Wasserbauer]. Theatralia 19 (2016): 1: 212–227. | DOI 10.5817/TY2016-1-11
[4] HEERENOVÁ, Petra. 1969. Rozhovor před premiérou [Interview Before the Première]. Rovnost 84 (26. 6. 1969): 5.
[5] HEERENOVÁ, Petra. 1970. Brněnská opera v letech 1945–1970 [The Brno Opera in 1945–1970]. Brno: Univerzita J. E. Purkyně, 1970. Master's Thesis, unpublished.
[6] KELLY, Barbara L. 2013. Music and Ultra-modernism in France. A Fragile Consensus, 1913–1939. Woodbridge: The Boydell Press, 2013.
[7] MEDEK, Ivan. 2005. Děkuji, mám se výborně [Thank You, I'm Doing Great]. Praha: Torst, 2005.
[8] MUSILOVÁ, Martina. 2008. Vlivy Brechtovy divadelní poetiky na herectví Mahenovy činohry v letech 1959–1969 [Influences of Brecht's Theatre Poetics on the Acting Style of Mahen Drama Theatre In 1959–1969]. Sborník prací Filozofické fakulty brněnské univerzity (Q) 11 (2008): 85–112.
[9] NACHMILNEROVÁ, Eva. 2009. Duše však zabít nemohou. Ohlas činu Jana Palacha v české klasické hudbě [They Cannot Kill the Spirit. Responses to the Act of Jan Palach in Czech Classical Music]. In Michala Benešová, Petr Blažek, Patrik Eichler (eds.). Jan Palach ´69. Praha: Filozofická fakulta UK v Praze, 2009: 223–227.
[10] NOSEK, Václav. 1995. Jana z Arku na hranici [Joan of Arc at the Stake]. In A. Honegger: Jana z Arku na hranici. Programová brožura k inscenaci v Janáčkově divadle v Brně, premiéra 3. listopadu 1995, nestr. [A. Honegger: Joan of Arc at the Stake. Brochure for the staging in Janáček Theatre in Brno. Premiered on November 3, 1995. Unpaged.].
[11] TONCROVÁ, Dana. 2000. Miloš Wasserbauer a jeho hledání realistické scénické interpretace v opeře. Tvorba Miloše Wasserbauera ve Státním divadle Brno v letech 1958–1970 [Miloš Wasserbauer and His Search for Realistic Staging of Opera: the Work of Miloš Wasserbauer in the Brno State Theatre in 1958–1970]. Brno: Masarykova univerzita, 2000. Master's Thesis, unpublished.
[12] TROJAN, Jan. 1969. Vrcholná událost letošní operní sezóny: Jana z Arcu na hranici [Top Events from This Year's Opera Season: Joan of Arc at the Stake]. Práce 25 (4. 7. 1969): 6.
[13] YANNAKAKIS, Ilios. 2009. Nepochopená oběť Jana Palacha [The Misunderstood Victim of Jan Palach]. In Michala Benešová, Petr Blažek, Patrik Eichler (eds.). Jan Palach ´69. Praha: Filozofická fakulta UK v Praze, 2009: 176–179.
[2] HALBREICH, Harry. 1999. Arthur Honegger (translated by Roger Nichols). Portland: Amadeus Press, 1999.
[3] HAVLÍČKOVÁ KYSOVÁ, Šárka and SPURNÁ, Helena. 2016. Dramaturgická východiska opery Státního divadla v Brně v době působení Václava Noska a Miloše Wasserbauera [The Dramaturgy of the State Theatre Brno under Václav Nosek and Miloš Wasserbauer]. Theatralia 19 (2016): 1: 212–227. | DOI 10.5817/TY2016-1-11
[4] HEERENOVÁ, Petra. 1969. Rozhovor před premiérou [Interview Before the Première]. Rovnost 84 (26. 6. 1969): 5.
[5] HEERENOVÁ, Petra. 1970. Brněnská opera v letech 1945–1970 [The Brno Opera in 1945–1970]. Brno: Univerzita J. E. Purkyně, 1970. Master's Thesis, unpublished.
[6] KELLY, Barbara L. 2013. Music and Ultra-modernism in France. A Fragile Consensus, 1913–1939. Woodbridge: The Boydell Press, 2013.
[7] MEDEK, Ivan. 2005. Děkuji, mám se výborně [Thank You, I'm Doing Great]. Praha: Torst, 2005.
[8] MUSILOVÁ, Martina. 2008. Vlivy Brechtovy divadelní poetiky na herectví Mahenovy činohry v letech 1959–1969 [Influences of Brecht's Theatre Poetics on the Acting Style of Mahen Drama Theatre In 1959–1969]. Sborník prací Filozofické fakulty brněnské univerzity (Q) 11 (2008): 85–112.
[9] NACHMILNEROVÁ, Eva. 2009. Duše však zabít nemohou. Ohlas činu Jana Palacha v české klasické hudbě [They Cannot Kill the Spirit. Responses to the Act of Jan Palach in Czech Classical Music]. In Michala Benešová, Petr Blažek, Patrik Eichler (eds.). Jan Palach ´69. Praha: Filozofická fakulta UK v Praze, 2009: 223–227.
[10] NOSEK, Václav. 1995. Jana z Arku na hranici [Joan of Arc at the Stake]. In A. Honegger: Jana z Arku na hranici. Programová brožura k inscenaci v Janáčkově divadle v Brně, premiéra 3. listopadu 1995, nestr. [A. Honegger: Joan of Arc at the Stake. Brochure for the staging in Janáček Theatre in Brno. Premiered on November 3, 1995. Unpaged.].
[11] TONCROVÁ, Dana. 2000. Miloš Wasserbauer a jeho hledání realistické scénické interpretace v opeře. Tvorba Miloše Wasserbauera ve Státním divadle Brno v letech 1958–1970 [Miloš Wasserbauer and His Search for Realistic Staging of Opera: the Work of Miloš Wasserbauer in the Brno State Theatre in 1958–1970]. Brno: Masarykova univerzita, 2000. Master's Thesis, unpublished.
[12] TROJAN, Jan. 1969. Vrcholná událost letošní operní sezóny: Jana z Arcu na hranici [Top Events from This Year's Opera Season: Joan of Arc at the Stake]. Práce 25 (4. 7. 1969): 6.
[13] YANNAKAKIS, Ilios. 2009. Nepochopená oběť Jana Palacha [The Misunderstood Victim of Jan Palach]. In Michala Benešová, Petr Blažek, Patrik Eichler (eds.). Jan Palach ´69. Praha: Filozofická fakulta UK v Praze, 2009: 176–179.