Title: Theatralia
Year: 2019
Volume: 22
Issue: 2, Supplementum
Issue title
Semiotics in action
Publication year
2019
ISSN
1803-845X (print)
2336-4548 (online)
ISBN
978-80-210-9564-9
Stable URL (handle): https://hdl.handle.net/11222.digilib/142282
Note
- Editor čísla (Issue editor): Martin Revermann (University of Toronto)
Department FF MU
Topic
Content
Title | Document |
---|---|
Editorial note | 7–8
Revermann, Martin |
Title | Document |
---|---|
Beckett and the theatrical sign : the need for semiotics | 9–22
Revermann, Martin |
Title | Document |
---|---|
Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics | 23–38
Schmid, Herta |
Title | Document |
---|---|
"Hungry for interpretation" : Woyzeck on the Highveld and the polyphony of performance | 39–58
Ambros, Veronika; Switzky, Lawrence |
Title | Document |
---|---|
Stage life and stage death (after Veltruský) | 59–71
Jestrović, Silvija |
Title | Document |
---|---|
Intertextuality and autonomous fictional worlds in Disney : the case of Moana (2016) | 72–82
Pérez-Simón, Andrés |
Title | Document |
---|---|
Animate, inanimate and beyond in Švankmajer's Faust (1994) | 83–95
Pontieri, Laura |
Title | Document |
---|---|
The medium (non-) specific : Rope, Dogville, and Mukařovský's space-as-meaning | 96–108
Jovanovic, Nenad |
Title | Document |
---|---|
On men and objects : staging the divided subjectivity of displacement in zero degrees | 109–121
Meerzon, Yana |
Title | Document |
---|---|
Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding | 122–139
Šlaisová, Eva |