Hlas a gesto v operách Harryho Partcha a Johna Zorna

Název: Hlas a gesto v operách Harryho Partcha a Johna Zorna
Variantní název:
  • Voice and gesture in the operas by Harry Partch and John Zorn
Autor: Cseres, Jozef
Zdrojový dokument: Musicologica Brunensia. 2013, roč. 48, č. 2, s. [33]-38
Rozsah
[33]-38
  • ISSN
    1212-0391 (print)
    2336-436X (online)
Type: Článek
Jazyk
slovensky
Licence: Neurčená licence
 

Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.

Abstrakt(y)
The paper deals with the mutual relationships between voice and gesture in the Harry Partch's Delusion of the Fury and John Zorn's Astronome. From the philosophical standpoint it reveals the progressive evolvement of the vocal performance poetics towards a corporeality of voice in current staged intermedia. It also regards the process of ritualization and the way of treatment the mythological subjects in reflected works of art.
Klíčová slova:
eng

Reference
[1] BEY, Hakim. T.A.Z. The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism. New York: Autonomedia, 2003.

[2] LUCIER, Alvin. Reflections/Reflexionen. Kolín nad Rýnom: MusikTexte, 1995.

[3] PARTCH, Harry. Genesis of a Music. New York: Da Capo Press, 1974.

[4] PARTCH, Harry. Bitter Music. Collected Journals, Essays, Introductions, and Librettos. Urbana/Chicago: University of Illinois Press, 2000.

[5] XENAKIS, Iannis. Poznámky o elektronickom geste. Slovenský preklad: Vladimír Godár. Slovenská hudba, 1993, 1.