Název: Chremylus encounters Blepsidemus: the first quiproquo? (Aristophanes' Wealth 332–414)
Zdrojový dokument: Graeco-Latina Brunensia. 2021, roč. 26, č. 2, s. 67-82
Rozsah
67-82
-
ISSN1803-7402 (print)2336-4424 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/GLB2021-2-5
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/144587
Type: Článek
Jazyk
Licence: CC BY-SA 4.0 International
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
Blepsidemus is associated with the comic figure of the bomolochos, as he serves as a ludicrous counterpoint for Chremylus in his debate with Poverty. But the moment in which Blepsidemus demonstrates all of his potential as a dramatic character occurs during the previous scene to the agon (vv. 332–414), when he takes part in a dialogue with his friend. This was highlighted as the only example of quiproquo ("misunderstanding") in Aristophanes' plays. The aim of this paper is to explore the aesthetic efficacy of its composition and its semantic impact on the comedy
Reference
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[49] Olson, S. (1992). Names and Naming in Aristophanic Comedy. Classical Quarterly, 42, 304–319. | DOI 10.1017/S0009838800015949
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[53] Récanati, F. (1981). Les Énoncés performatifs. Contribution à la pragmatique. Paris: Minuit.
[54] Reichler-Beguelin, M-J. (1989). Pour une rhétorique des contenus implicites: l'exemple des mots d'esprit. Études de Lettres, 1, 7–23.
[55] Revermann, M. (2006). Comic Business. Theatricality, Dramatic Technique, and Performance Contexts of Aristophanic Comedy. Oxford: University Press.
[56] Robson, J. (2006). Humour, Obscenity and Aristophanes. Tübingen: Gunter Narr.
[57] Ruffell, I. (2006). A Little Ironic, Don't You Think? Utopian Criticism and the Problem of Aristophanes' Late Plays. In L. Kozak, & J. Rich (Eds.), Playing around Aristophanes (pp. 65–104). Oxford: University Press.
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[60] Searle, J. (1969). Speech Acts. Cambridge: University Press.
[61] Sfyroeras, P. (1996). What Wealth Has to Do with Dionysos: From Economy to Poetics in Aristophanes' Plutus. Greek Roman and Byzantine Studies, 36, 231–261.
[62] Sommerstein, A. (Ed.). (2001). Aristophanes: Wealth. Warminster: Aris and Phillips.
[63] Sommerstein, A. (2014). The Informal Oaths. In A. Sommerstein, & I. Torrance (Eds.), Oaths and Swearing in Ancient Greece (pp. 315–347). Berlin: De Gruyter.
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[67] Süss, W. (1908). Zur Komposition der altattischen Komödie. Rheinisches Museum, 63, 12–38.
[68] Süss, W. (1954). Scheinbare und wirkliche Inkongruenzen in den Dramen des Aristophanes. Rheinisches Museum, 97, 115–159; 229–254; 289–316.
[69] Thiercy, P. (1986). Aristophane: fiction et dramaturgie. Paris: Les Belles Lettres.
[70] Tottaro, P. (2016). La Ricchezza in persona nel Pluto di Aristofane. Lexis, 34, 144–158.
[71] Ubersfeld, A. (1977). Lire le théâtre. Paris: Éditions sociales.
[72] Ubersfeld, A. (1981). L'école du spectateur. Paris: Éditions sociales.
[73] Wilkins, J. (2000). The Boastful Chef: The Discourse of Food in Ancient Greek Comedy. Oxford: University Press.
[2] Barkhuizen, J. (1981). The Plutus of Aristophanes. Acta Classica, 24, 17–22.
[3] Bergson, H. (1924). Le rire. Essai sur la signification du comique. Paris: Éditions Alcan.
[4] Beta, S. (2004). Il linguaggio nelle commedie di Aristofane. Parola positiva e parola negativa nella commedia antica. Roma: Accademia Nazionale dei Lincei.
[5] Caciagli, S., Corradi, M., & Regali, M. (2016). Buffoni e 'bomolochoi'. Lessico del comico, 1, 135–154.
[6] Cantarella, R. (Ed.). (1964). Aristofane, Le Commedie. Milano: Istituto Editoriale Italiano.
[7] Carrière, J. C. (1979). Le carnaval et la politique. Une introduction à la comédie grecque, suivre d'un choix de fragments. Paris: Les Belles Lettres.
[8] Chantraine, P. (1999). Dictionnaire étymologique de la langue grecque. Historie des mots (Avec un supplément sous la direction de A. Blanc, Ch. de Lamberterie, J-P. Perpillon). Paris: Klincksieck.
[9] Cornford, F. (1914). The Origin of Attic Comedy. London: Edward Arnold.
[10] Coulon, V., Van Daele, H., & Milanezi, S. (Eds.). (2008). Aristophane: Ploutos. Paris: Les Belles Lettres.
[11] David, E. (1984). Aristophanes and Athenian Society of the Early Fourth Century B.C. Leiden: Brill.
[12] Dearden, C. (1976). The Stage of Aristophanes. London: Athlone Press.
[13] Dillon, M. (1987). Topicality in Aristophanes' Ploutos. Classical Antiquity, 6, 155–183. | DOI 10.2307/25010866
[14] Dillon, M. (1995). By Gods, Tongues, and Dogs: The Use of Oaths in Aristophanic Comedy. Greece and Rome, 42(2), 135–151.
[15] Dover, K. (1972). Aristophanic Comedy. Berkeley – Los Angeles: University of California Press.
[16] Dover, K. (1974). Greek Popular Morality in the Time of Plato and Aristotle. Berkeley: University of California Press.
[17] Ducrot, O. (1984). Le dire et le dit. Paris: Minuit.
[18] Elam, K. (1980). The Semiotics of Theatre and Drama. New York: Methuen.
[19] Fernández, C. N. (2003). Pretensión de un malentendido: Crémilo y Blepsidemo en Plutos de Aristófanes (vv. 335–414). In P. Cavallero, R. Buzón, D. Frenkel, & A. Nocito (Eds.), Koronís. Homenaje a Carlos Ronchi March (pp. 180–189). Buenos Aires: Universidad de Buenos Aires.
[20] Fiorentini, L. (2005). A proposito dell'esegesi 'ironica' per l'ultimo Aristofane. Eikasmos, 16, 111–123.
[21] Flashar, H. (1967). Zur Eigenart des aristophanischen Spätwerks. Poetica, 1, 154–175. | DOI 10.30965/25890530-00102004
[22] Fletcher, J. (2012). Performing Oaths in Classical Greek Drama. Cambridge: University Press.
[23] Frontisi-Ducroux, F. (1984). La Bomolochia: autour de l'embuscade ä l'autel. Cahiers du Centre Jean Bérard, 9, 29–50.
[24] Gelzer, T. (1960). Der epirrhematische Agon bei Aristophanes. Untersuchungen zur Struktur der attischen alten Komödie. München: Beck.
[25] Gil, L. (1996). Aristófanes. Madrid: Gredos.
[26] Grice, P. (1979). Logique et conversation. Communications, 30, 57–72. | DOI 10.3406/comm.1979.1446
[27] Heberlein, F. (1981). Zur Ironie im 'Plutos' des Aristophanes. Würzburger Jahrbücher für die Altertumswissenschaft, 7, 27–49.
[28] Holzinger, K. (1940). Kritisch-exegetischer Kommentar zu Aristophanes' Plutos. Wien – Leipzig: Kommissions-Verleger der Akademie der Wissenschaften in Wien.
[29] Issacharoff, M. (1985). Le spectacle du discours. Paris: Corti.
[30] Janko, R. (1984). Aristotle on Comedy. Towards a Reconstruction of Poetics II. Berkeley: University of California Press.
[31] Kanavou, N. (2011). Aristophanes' Comedy of Names. A Study of Speaking Names in Aristophanes. Berlin: De Gruyter. | DOI 10.1515/9783110247077
[32] Kanellakis, D. (2020). Aristophanes and the Poetics of Surprise. Berlin: De Gruyter.
[33] Kerbrat-Orecchioni, C. (1986). L'implicite. Paris: A. Colin.
[34] Kerbrat-Orecchioni, C. (2005). Le discours en interaction. Paris: A. Colin.
[35] Kidd, S. (2012). The Meaning of bōmolokhos in Classical Attic. Transactions of the American Philological Association, 142(2), 239–255. | DOI 10.1353/apa.2012.0015
[36] Knox, B. M. W. (1979). Euripidean Comedy. In Word and Action: Essays on the Ancient Theater (pp. 250–274). Baltimore: Johns Hopkins University Press.
[37] Komornicka, A. (1964). Métaphores, personnification et comparaisons dans l'oeuvre d'Aristophane. Warszawa: Archivum Filologiczne.
[38] Konstan, D., & Dillon, M. (1981). The ideology of Aristophanes' Wealth. American Journal of Philology, 102, 371–394. | DOI 10.2307/294325
[39] Lanza, D. (1989). Lo spazio scenico dell'attore comico. In L. De Finis (Ed.), Scena e spettacolo nell'antichità (pp. 179–191). Firenze: Olschki.
[40] MacDowell, D. (1995). Aristophanes and Athens. An Introduction to the Plays. Oxford: University Press.
[41] MacDowell, D. (2002). Review of Aristophanes, Wealth, by A. H. Sommerstein. The Classical Review, 52, 245–246. | DOI 10.1093/cr/52.2.245
[42] Maingueneau, D. (1976). Initiation aux méthodes de l'analyse du discours: Problèmes et perspectives. Paris: Hachette.
[43] Maingueneau, D. (2005). Pragmatique pour le discours littéraire. Paris: Armand Colin.
[44] Maurach, G. (1968). Interpretationen zur attischen Komödie. Acta Classica, 11, 1–24.
[45] McGlew, J. (1997). After Irony: Aristophanes' Wealth and Its Modern Interpreters. American Journal of Philology, 118, 35–53. | DOI 10.1353/ajp.1997.0013
[46] McLeish, K. (1980). The Theatre of Aristophanes. Bath: Thames and Hudson.
[47] Newiger, H-J. (1957). Metapher und Allegorie. Studien zu Aristophanes. München: Beck.
[48] Olson, S. (1990). Economics and Ideology in Aristophanes' Wealth. Harvard Studies in Classical Philology, 93, 223–242. | DOI 10.2307/311287
[49] Olson, S. (1992). Names and Naming in Aristophanic Comedy. Classical Quarterly, 42, 304–319. | DOI 10.1017/S0009838800015949
[50] Orfanos, C. (2000). Autour de l'autel comique. Pallas, 54, 41–59.
[51] Pavis, P. (1998). Dictionary of the Theatre. Terms, Concepts and Analysis. Toronto: University of Toronto Press.
[52] Purdie, S. (1993). Comedy. The Mastery of Discourse. Toronto: University of Toronto Press.
[53] Récanati, F. (1981). Les Énoncés performatifs. Contribution à la pragmatique. Paris: Minuit.
[54] Reichler-Beguelin, M-J. (1989). Pour une rhétorique des contenus implicites: l'exemple des mots d'esprit. Études de Lettres, 1, 7–23.
[55] Revermann, M. (2006). Comic Business. Theatricality, Dramatic Technique, and Performance Contexts of Aristophanic Comedy. Oxford: University Press.
[56] Robson, J. (2006). Humour, Obscenity and Aristophanes. Tübingen: Gunter Narr.
[57] Ruffell, I. (2006). A Little Ironic, Don't You Think? Utopian Criticism and the Problem of Aristophanes' Late Plays. In L. Kozak, & J. Rich (Eds.), Playing around Aristophanes (pp. 65–104). Oxford: University Press.
[58] Ruffell, I. (2014). Character Types. In M. Revermann (Ed.), The Cambridge Companion to Greek Comedy (pp. 147–167). Cambridge: University Press.
[59] Russo, C. (1994). Aristophanes. An Author for the Stage. London – New York: Routledge.
[60] Searle, J. (1969). Speech Acts. Cambridge: University Press.
[61] Sfyroeras, P. (1996). What Wealth Has to Do with Dionysos: From Economy to Poetics in Aristophanes' Plutus. Greek Roman and Byzantine Studies, 36, 231–261.
[62] Sommerstein, A. (Ed.). (2001). Aristophanes: Wealth. Warminster: Aris and Phillips.
[63] Sommerstein, A. (2014). The Informal Oaths. In A. Sommerstein, & I. Torrance (Eds.), Oaths and Swearing in Ancient Greece (pp. 315–347). Berlin: De Gruyter.
[64] Sommerstein, A., & Fletcher, J. (Eds.). (2007). Horkos: The Oath in Greek Society. Exeter: Bristol Phoenix Press.
[65] Sommerstein, A., & Torrance, I. (Eds.). (2014). Oaths and Swearing in Ancient Greece. Berlin: De Gruyter.
[66] Strauss, B. (1986). Athens after the Peloponnesian War. Class, Faction and Policy 403–386 BC. London: Croom Helm.
[67] Süss, W. (1908). Zur Komposition der altattischen Komödie. Rheinisches Museum, 63, 12–38.
[68] Süss, W. (1954). Scheinbare und wirkliche Inkongruenzen in den Dramen des Aristophanes. Rheinisches Museum, 97, 115–159; 229–254; 289–316.
[69] Thiercy, P. (1986). Aristophane: fiction et dramaturgie. Paris: Les Belles Lettres.
[70] Tottaro, P. (2016). La Ricchezza in persona nel Pluto di Aristofane. Lexis, 34, 144–158.
[71] Ubersfeld, A. (1977). Lire le théâtre. Paris: Éditions sociales.
[72] Ubersfeld, A. (1981). L'école du spectateur. Paris: Éditions sociales.
[73] Wilkins, J. (2000). The Boastful Chef: The Discourse of Food in Ancient Greek Comedy. Oxford: University Press.